- Thread Starter
- #41
One thing that often seems unmentioned in discussions about wing chun is the wooden dummy form.
As I've said I'm no expert, but the chuner doing wooden dummy is almost never still. The whole form seems to be footwork and escaping to range to kick and re-enter.
Are these skills not routinely extrapolated for longer range fighting.
Coming from interpreting karate kata, a principle of evasion such as the side stepping used in wooden dummy should translate to any sort of evasion including head movement and weaving.
In karate at least this isn't just tacking on other ideas. There's a 3 stage process for deciphering forms:
Bunkai - literal analysis of the forms.
Henka - application of the form
Oyo - application of the ideas but letting go of the pattern given by the form.
Now karate came out of southern kungfu so I imagine there is supposed to be a similar process at work in arts like wing chun.
As I've said I'm no expert, but the chuner doing wooden dummy is almost never still. The whole form seems to be footwork and escaping to range to kick and re-enter.
Are these skills not routinely extrapolated for longer range fighting.
Coming from interpreting karate kata, a principle of evasion such as the side stepping used in wooden dummy should translate to any sort of evasion including head movement and weaving.
In karate at least this isn't just tacking on other ideas. There's a 3 stage process for deciphering forms:
Bunkai - literal analysis of the forms.
Henka - application of the form
Oyo - application of the ideas but letting go of the pattern given by the form.
Now karate came out of southern kungfu so I imagine there is supposed to be a similar process at work in arts like wing chun.