OP
glad2bhere
Master Black Belt
- Thread Starter
- #221
Dear Mike:
Of all the possible points a person can consider regarding their martial art career this HAS to be one of the single toughest issues. I won't pretend to speak for the art on this one but can share some of what I have come to understand for myself.
First off, lets put the gueppies to one side. They have the luxury of a kind of stair-step system through which they can ride the escalator to Cho-dan. I don't mean to maginalize their training efforts, but only say that when it comes to speaking of "depth" they have an easier time of it because their pathes are usually pretty well defined. So it is only of the Dan ranks that I want to speak. Here are some landmarks that I think bespeak "depth" in Hapkido practice.
1.) An understanding of the technical or physical properties that make a technique work. Please Gawd, by the time a person makes it to Chodan this should be a given. certainly depth can be measured by how much a person is increasingly more technically adept as they progress through the ranks.
2.) An understanding of the conceptual or theoretical properties that make a technique work. Again, please Gawd, by the time a person makes it to Chodan this should be a given but knowing how youth and muscle conspire against us there are always those who will use might over insight in making material work for them. The degree to which a person can fight smarter and not harder is another landmark.
3.) An understanding of the art of "interchangeability is certainly a sign of depth. This can include the facility with which a person can transition from one ("failed"?) technique to another. It can also be manifest in the way in which a person can use the biomechanics of one weapon, or even empty-hand material to appropriately use another weapon--- even a weapon of opportunity.
4.) Another field that demonstrates depth of the art is the ability to use the same principles one uses in the more physical techniques in intellectual, emotional and spiritual realms of human interaction. We know what it means to "un-blance" or "un-time" or "un-focus" a person physically and do it quite often on the mat. Can a person learn to do the same thing with a person who is attacking them, say, intellectually, or challenging them emotionally?
This, of course, is not an exhautive list, but I thought it might be a good starting point for a response to your question. Thoughts?
Best Wishes,
Bruce
Of all the possible points a person can consider regarding their martial art career this HAS to be one of the single toughest issues. I won't pretend to speak for the art on this one but can share some of what I have come to understand for myself.
First off, lets put the gueppies to one side. They have the luxury of a kind of stair-step system through which they can ride the escalator to Cho-dan. I don't mean to maginalize their training efforts, but only say that when it comes to speaking of "depth" they have an easier time of it because their pathes are usually pretty well defined. So it is only of the Dan ranks that I want to speak. Here are some landmarks that I think bespeak "depth" in Hapkido practice.
1.) An understanding of the technical or physical properties that make a technique work. Please Gawd, by the time a person makes it to Chodan this should be a given. certainly depth can be measured by how much a person is increasingly more technically adept as they progress through the ranks.
2.) An understanding of the conceptual or theoretical properties that make a technique work. Again, please Gawd, by the time a person makes it to Chodan this should be a given but knowing how youth and muscle conspire against us there are always those who will use might over insight in making material work for them. The degree to which a person can fight smarter and not harder is another landmark.
3.) An understanding of the art of "interchangeability is certainly a sign of depth. This can include the facility with which a person can transition from one ("failed"?) technique to another. It can also be manifest in the way in which a person can use the biomechanics of one weapon, or even empty-hand material to appropriately use another weapon--- even a weapon of opportunity.
4.) Another field that demonstrates depth of the art is the ability to use the same principles one uses in the more physical techniques in intellectual, emotional and spiritual realms of human interaction. We know what it means to "un-blance" or "un-time" or "un-focus" a person physically and do it quite often on the mat. Can a person learn to do the same thing with a person who is attacking them, say, intellectually, or challenging them emotionally?
This, of course, is not an exhautive list, but I thought it might be a good starting point for a response to your question. Thoughts?
Best Wishes,
Bruce