Jimmythebull
2nd Black Belt
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My thought on basic firearm training is mostly so they don't get one in their hands and accidentally fire it. Mind you, it's a pretty unlikely circumstance, but has a big enough downside and obvious mitigation.I pretty much wrist lock throw/strip everything. Or kotageshi everything So it doesn't matter if I have any sort of intimate knowledge of what I am grabbing.
I disarmed a guys packet of cigarettes once thinking he was going for a knife.
Mabye not kotageshi. Whatever the one is where you go under the arm.
My thought on basic firearm training is mostly so they don't get one in their hands and accidentally fire it. Mind you, it's a pretty unlikely circumstance, but has a big enough downside and obvious mitigation.
I'm having trouble picturing the lock you're talking about. When you say "under the arm", are you stepping under with a pivot to make a twisting lock?
That brings it to two I can think of off the top of my head. I'll try to find a video with both - curious about your live experience with one or both.Yeah. Because the elbow flares and gives you that gap.
Here's one. I don't agree with some of what this guy's doing, but the example at 1:21 (should be cued there) shows the basic movement well enough:That brings it to two I can think of off the top of my head. I'll try to find a video with both - curious about your live experience with one or both.
Do the hand transfer without the step through just a slight 45 step in the direction he moves.Here's one. I don't agree with some of what this guy's doing, but the example at 1:21 (should be cued there) shows the basic movement well enough:
I can't find a video of the other. Most arts would consider it a variation of kote gaeshi - it's basically the same, except done from the outside of the hand (you're grabbing the hand with the fingers aimed at you, rather than back at them) with a pulling motion to activate the twist at the end, and can be reached by stepping under the arm (which helps extend the shoulder). I don't know if that description helps at all. If I find a video of this version, I'll post it.
Of course, if you can find a video of the version you're talking about, I'd love to see it.
We practice that version, as well. With the step-under, you should have control of the arm before stepping, which would lock the shoulder. If the shoulder's locked, there's not much they can do with your back. If you don't feel that control, the step shouldn't happen.Do the hand transfer without the step through just a slight 45 step in the direction he moves.
Bring their hand into your chest. It avoids exposing the back / neck that many have issues with for this type of technique.
You "Supposed" to be a master, right? You still got injured one out of 3 times. You sure you did not got slight cut the other two times. Saying one won't get even a slight cut is not believable.Idle speculation with no basis in any actual data.
I've had a knife pulled on me with intent three times. I was injured once. I was completely uninjured the other two times.
That's a sample size of one, so it proves nothing. But at least it's something other than pure speculation.
āFor sureā is a pretty high bar. I canāt say for sure I wonāt trip walking down the stairs to my basement. But it doesnāt happen every time.You "Supposed" to be a master, right? You still got injured one out of 3 times. You sure you did not got slight cut the other two times. Saying one won't get even a slight cut is not believable.
If OP said no serious cut, maybe it's more believable, but not even a small cut? I cannot even say I won't cut myself shaving for sure.
Are the few of the pictures you posted supposedly Japanese? I could swear they are all Chinese as I recognize the characters. I just forgot most of them after being here for 49 years and never use Chinese.............More that I was very bad in Chinese even when I was in Hong Kong!!! Believe it or not, as bad as my English writing, my Chinese writing is 10 times worst!!!
Here's one. I don't agree with some of what this guy's doing, but the example at 1:21 (should be cued there) shows the basic movement well enough:
I can't find a video of the other. Most arts would consider it a variation of kote gaeshi - it's basically the same, except done from the outside of the hand (you're grabbing the hand with the fingers aimed at you, rather than back at them) with a pulling motion to activate the twist at the end, and can be reached by stepping under the arm (which helps extend the shoulder). I don't know if that description helps at all. If I find a video of this version, I'll post it.
Of course, if you can find a video of the version you're talking about, I'd love to see it.
Agreed. There's a lot I think is misunderstood in the teaching of these set-ups. They serve a different purpose today than they did when they were used against swordsmen.That's it. Without the outrageous set-up. I just duck under and hand fight.
what exactly ?There's a lot I think is misunderstood in the teaching of these set-ups.
So, a lot of how those are set up was built around dealing with a swordman - either having a sword in-hand or to keep them away from drawing one. With that concern, some of the setups make far more sense than in a modern context. But they aren't taught that way.what exactly ?
i agree on that & thatĀ“s why i say a knife attack never happens like in a Dojo. exactly what Emin Boztepe was saying in the video i posted. A slight change of an angle ..youĀ“re cut. This is why i now am looking more at escrima.So, a lot of how those are set up was built around dealing with a swordman - either having a sword in-hand or to keep them away from drawing one. With that concern, some of the setups make far more sense than in a modern context. But they aren't taught that way.
Most - if understood well - can be adapted as tools for hand fighting and other situations. But if they are taught as rote, you just learn some overly convoluted ways to get to the techniques, without setting them up as well as you could.
Yeah, it's definitely from a Chinese version of the Wubei Zhi, these are some of the oldest extant illustrations (hundreds of years). (Hand-drawn, mind you) Copies of the Bubishi tend to age a little newer. There are also many Japanese versions of the work (Bubi shi), so there are a mix of hanzi and kanji, Chinese/Japanese figures out there depending on the exact reproduction. Illustrators have often replaced bald Asian guys for Asian guys with long, flowing hair. Little differences.Are the few of the pictures you posted supposedly Japanese? I could swear they are all Chinese as I recognize the characters. I just forgot most of them after being here for 49 years and never use Chinese.............More that I was very bad in Chinese even when I was in Hong Kong!!! Believe it or not, as bad as my English writing, my Chinese writing is 10 times worst!!!
That said, I can recognize every single word on all the pictures, I can still read "ropes", "hook", "knife" those kind of simple words. I am pretty sure Japanese writing are not exactly the same, all these are "traditional" or classic Chinese writing, the modern writings in China is actually different and they look more Japanese than anything to me and I cannot for the life of me read those. They eliminate this kind of writing, only the old farts like me still know(should) these.
Like in this picture, it said fly-sky-spirit-fire-poison-dragon-gun. It's like " spiritual flying poison dragon spear " from my understanding.
Ha ha, I think there are other Chinese on this forum that can read better than me. But I am pretty sure this is in Chinese.