Flying Crane
Sr. Grandmaster
None of them. Go into Members In motion forum and take a look at the couple forms I posted a while ago. Ours are long and grueling. 20 times without break? Nope.None of them?
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None of them. Go into Members In motion forum and take a look at the couple forms I posted a while ago. Ours are long and grueling. 20 times without break? Nope.None of them?
It may have to do with the amount of kicks in the form.Nobody could do my forms 20 times without rest. Not if they are being done right. Nobody.
Perhaps your forms can be done 20 Times without rest. Mine cannot.It may have to do with the amount of kicks in the form.
I can do this kind of form 20 times non-stop.
I can't do this kind of form 20 times non-stop.
Do you have any of your form clip to share? I'm interested to see the way that your form is designed.Perhaps your forms can be done 20 Times without rest. Mine cannot.
Here are the specific forms I mentioned. I posted these in the Members in Motion section several months ago:Do you have any of your form clip to share? I'm interested to see the way that your form is designed.
IMO, for the amount of energy that one needs to spend,
leading arm punch < back arm punch < kick < jumping kick
I can drill this move 1,000 times non-stop within 45 minutes. I'm pretty sure that if I don't mind to get exhausted, I can drill this 2,000 times non-stop within 1 and 1/2 hour.
This example is quite short. I agree that this one could be done 20 times without resting in between.I can drill this move 1,000 times non-stop within 45 minutes. I'm pretty sure that if I don't mind to get exhausted, I can drill this 2,000 times non-stop within 1 and 1/2 hour.
This example is quite short. I agree that this one could be done 20 times without resting in between.
This brings to mind a quote Ed Parker was fond of saying: "To hear is to misunderstand, to see is to be deceived, but to feel is to know.
I was training with Ed one day when he said to me, "To hear is to doubt, to see is to be deceived, to feel is to believe."
I guess he said this to everyone he trained, albeit different versions. As one who has been on the receiving end of one of his demos, I can agree that to feel is definitely to know.
You got to call him "Ed"? My new partner, upon meeting him, greeted, "Hi, Ed." and Parker's eyes kind of narrowed and got wide at the same time, although there was a hint of a smile. He was an ex sheriff's deputy, so maybe it was a cop thing.
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Thanks for sharing your forms. I like your moves that in some striking, your front arm, body, back arm all form a perfect straight line. This kind of training doesn't exist in all MA styles.Here are the specific forms I mentioned. I posted these in the Members in Motion section several months ago:
Lok Lik Kuen
White Crane beginner form, Lok Lik Kuen
Chuit Yap Bo Kuen
White Crane Chuit Yap Bo Kuen, beginner level form
Tiet Lien Kuen
White Crane beginner set, Tiet Lien Kuen
These are all part of our beginner level curriculum.
Thank you. We do work to make the extension a straight line from front to back. Sometimes more successful than others, but that is what we work for, while pushing the ground with the feet to drive the rotation.Thanks for sharing your forms. I like your moves that in some striking, your front arm, body, back arm all form a perfect straight line. This kind of training doesn't exist in all MA styles.
When I was young, I was the only student in my MA class that I tried to put 100% power into all my punch and kick. By doing that, I always felt tired even just after 1 form training. When I get older, I no longer think about my power. I just let my body to "flow".
Yesterday I gave myself a test. I did the following form 20 times non-stop. When I did my form, my mind was like "long distance running". After 20 reps, my breathing was still normal and calm.
I can never do the following form 20 times no-stop even when I was young. IMO, it has a lot to do with the form design (and amount of kicks in the form).
Let's take your form as an example. If I train your form, I'll consider sequenceThis is where I disagree with you when you say that forms are for teaching but not for training. I believe they are for training. If done with mindful rooting and power generation, then they are good practice and good training, over and over.
Well, as I feel a form is simply a training tool and not something of divine origins, I feel they can be broken apart and tinkered with and if you choose to focus on one segment for a lot of repetition, there is nothing wrong with that. With the structure of this particular form, changing the order of the sequence is easy to do and a viable training approach. I don’t see anything wrong with that. Ive even developed my own sequences which I’ve slipped into the form at various times. As I say, it’s a training tool. Use it to get some benefits. Change it up if it increases your benefits. It isn’t sacred as it currently exists.Let's take your form as an example. If I train your form, I'll consider sequence
- 0.01 - 0.36 as 1st unit.
- 0.38 - 1.00 as 2nd unit.
I may drill unit 1 20 times. After that I may drill unit 2 20 times.
In other words, I'll consider a form is constructed as many combos that are linked to as a sequence. I don't train the order of this combos. I only train about the content of the individual combo.
You knew him better than I - Never saw that side of him, but then, I was a kid of 22 or there abouts. The closest I got was while we were off-roading in the hills with a couple of other guys, one of whom was a mutual business associate. We were acting a little "unconventional" as we were apt to do, and I wondered what Parker was thinking about us crazies as we were whooping it up, bouncing around on the fire roads, hoping he wasn't freaking out. I did get the impression he wasn't ready to die that day, but he had a stoic smile on his face, taking it all in. I'm pretty sure he enjoyed the surprise adventure.Not at first, obviously. He used to come to New England a lot, used to stay with a friend of mine. Ed was always my go to guy when I had a question on Martial Ethics or history. Regardless of what that question might be, his advice always turned out to be spot on.
I addressed him as Master Parker in front of students, or people I didn't know, just as I would for anyone else of that ilk as a matter of Martial respect and protocol. But if we were hanging, we were hanging. Jokes and Italian food, which he loved both of, were always a big thing. If you had a good joke, he was the best audience you could have, he had an infectious laugh.
I have a short letter he wrote to my mother, telling her what a nice man Elvis Presley was. Mom was an old women at the time who loved Elvis like a school girl would, she cherished that letter until the day she died. He didn't have to take the time to do that, but he did.
Master Parker was a really nice man.
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I had just shown him how an Italian ties his shoe. I'm Italian, so it's okay
Sorry it's been a while, perhaps you should start a thread to collect opinions, Imo, in the first video, the practioner leads with the shoulders, which is followed by the corresponding leg, left shoulder lead, followed by left leg etc, on several movements, the leg is almost stamped down, once the move starts, the muscle memory puts the lead knee at risk of a counter, due to the repetitive training, you could feint, but the shoulder gives away the intent.Please provide more detail. Which move? At which point (timestamp) of that form?
May be I should start a new thread so I can collect different opinions about that form (one of my favor discussion subjects).
That form was assigned as the 1st form for students to learn in Central Guoshu Institute (1928 - 1934).
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The Central Guoshu Institute (simplified Chinese: 中央国术馆; traditional Chinese: 中央國術館; pinyin: zhōng yāng guó shù guǎn; literally: 'Central Martial Arts Academy'); was established in Nanjing by the Kuomintang government of the Republic of China in 1928 for the propagation of Chinese martial arts
This is how Jow Ga is. the forms are made of actual combos and individual strikes. The combos that we drill are actually pieces of various forms. So a combo in the beginner form is also found in a more advance form because it's a combo. As a beginner I used to do the forms without really thinking about combo vs individual technique. It wasn't until I decided to actually learn how to use the techniques that I began to pick it up. As a beginner I used to think that the drilling of combos were just bite size pieces that will help to make the form easier to learn. I was so wrong then. lol.In other words, I'll consider a form is constructed as many combos that are linked to as a sequence. I don't train the order of this combos. I only train about the content of the individual combo.
Here is a long fist 5 punches combo. It makes great sense.Now when I see other forms, I try to determine if I'm looking at a combo or individual technique. I question if it makes sense to attack with the next technique within a form or does it make more sense to do that technique as an individual technique.
I can never do the following form 20 times no-stop even when I was young. IMO, it has a lot to do with the form design (and amount of kicks in the form).
This clip also came from my video camera. The place is Meng Village, Hopei providence (The birthplace of the Baji system). The time was 1986 (or 1987).Here's some more demos, in this case of bajiquan, being performed on the same windy dirt lot on the same day (same bikes against the wall in the background). I really enjoy these clips.
John, I don't speak or read Chinese. Could you tell me where this demo is taking place?