Connovar said:
I require any system I practice to show that the techniques and training are effective. The closer this testing is done to real life the better.
But Bujinkan has been tested- in real situations and not competitions. In my role as a traslator for Hiroshi Nagase, I have had several situations where people have used me to translate their thanks to him for teaching things that later helped them survive bad situations.
One of the problems I have with things like
competitions is that people think that they are somehow accurate simulations of combat. But I already have talked about how things are different in the following post.
http://www.martialtalk.com/forum/showthread.php?p=434473#post434473
A situation where two people are trying to
win is not close to reality at all. In a real situation there is usually an attacker, or several and the other side is just trying to survive. Peytonn Quinn has come up with armored assailant scenario training to an advanced degree that does a much better job IMO, but it discards the idea that someone has to
win as well as a lot of the things you see in sport- type competition. If you get tangled up with one attacker, another might jump in and nail you from behind. If you take someone to the ground, they may pull a hidden knife. And so on.
The whole idea that you know a fight is coming and you know that there will only be one person and no weapons is a completly wrong way to test if something is good for the street or not. You do that for a long time on a frequent basis and you train yourself to deal with situations as if that was the case.
Hatsumi used to do randori- which is not the same as competition since winning may not be part of the plan. As has been said, this art is not about winning or losing, but of
surviving. The problem is that many of his foreign students who only visited him started developing bad habits. I have seen this happen. At times Hatsumi has had people get up in front of the class and demonstrate techniques. Sometimes he tells one side to do something and the other to try to something that counters it with neither side assured of being able to pull it off. I think there are some examples of this on the Daikomyosai tapes involving sword. They should be looked at for an example. In many cases, people using soft, lightweight swords are so eager to "win" the scenario while in front of Hatsumi that they use these swords like the feather- weight things they are for more speed rather than the more slow, but grounded method that would be the only way you could do something with a real sword.
That is not the only thing, just the most demonstratable and availible example. People leave themselves open to attacks that are forbidden due to safety rules. They
train themselves to leave open things that can't be taken advantage of in the dojo, but will be taken advantage of on the street.
But of course they "win" in a very demonstratable manner. Having done that a few times myself, I can attest to the fact that it does feel good and does stroke the ego quite a bit. Some people do get rather attached to that ego boost and work, consciously or unconsciously, at getting better at sparring more than street combat. And since they drop things that can't be used in sparring, they do better than those who spread themselves thinner. Just last night we were working on using various things around us to our advantage in fight. How the heck do you introduce that into a competition? It would be worthless training for someone getting ready for the vale tuado and the like.
I do like to test myself in as many ways as possible. I recently gave a friend in my dojo a rubber knife and asked him to try his best to stick me with it. But unless it is a real, violent situation where someone could get hurt or dead, it is only a
simulation of combat and does not count in determining the art's effectiveness.