T
tonbo
Guest
Great gravy!!!
I would lean to the side that says that 80 forms is a bit excessive, but I could see that each one might have something to teach.
If you have that many forms in the style, talk to your instructor. See what they apply to, and what the purpose (generally) of each is. Find out if there are "core" forms (i.e., ones that may act as "keys" to some of the other forms). Are any of the forms "short" versions of another, or are multiple forms combined into one of the others? There are many questions to ask, to find out why so many forms are necessary.
My opinion is very much in line with the "general" opinion here. You won't master the forms, even if there are only 5 or 10. You may get really, really good at them, but mastery is waaaaaay out there. Once you find out about your forms, work with your instructor to tailor your forms practice. He/she should have some good advice to help you along.
Above all else, *enjoy* your forms practice. You will get much, much more out of it.
Peace--
I would lean to the side that says that 80 forms is a bit excessive, but I could see that each one might have something to teach.
If you have that many forms in the style, talk to your instructor. See what they apply to, and what the purpose (generally) of each is. Find out if there are "core" forms (i.e., ones that may act as "keys" to some of the other forms). Are any of the forms "short" versions of another, or are multiple forms combined into one of the others? There are many questions to ask, to find out why so many forms are necessary.
My opinion is very much in line with the "general" opinion here. You won't master the forms, even if there are only 5 or 10. You may get really, really good at them, but mastery is waaaaaay out there. Once you find out about your forms, work with your instructor to tailor your forms practice. He/she should have some good advice to help you along.
Above all else, *enjoy* your forms practice. You will get much, much more out of it.
Peace--