SahBumNimRush
Master of Arts
Our curriculum has 14, but the first 8 are basic and have much redundancy later on. Kicho hyungs 1-3, Pyung Ahn hyungs 1-5 (pinan, heian), Bassai, Naihanchi 1-3 (Tekki), Chinto, and Kong Sang Kun (kanku, kusanku). At higher rank, we may learn others: Rohai, Shipsoo (Jitte), Jion, Seisan, Wanshu, and Kong Sang Kun Sho.
Of the advanced forms, I personally know only Bassai, Chinto, and Kang Song Kun somewhat deeply. I feel the Kicho and Pyung Ahn hyungs don't really count as much, since much of the Pyung Ahn forms come from Kong Sang Kun. I haven't had the opportunity to train with anyone that knows much when it comes to Naihanchi, so I have a long way to go there. The other advanced forms, I know the movements, but not much in terms of applications yet.. .
To me Bassai, Chinto, and Kong Sang Kun are "my" forms. I can "own" them and express them. Although I know I can always delve deeper into these forms.. .
Of the advanced forms, I personally know only Bassai, Chinto, and Kang Song Kun somewhat deeply. I feel the Kicho and Pyung Ahn hyungs don't really count as much, since much of the Pyung Ahn forms come from Kong Sang Kun. I haven't had the opportunity to train with anyone that knows much when it comes to Naihanchi, so I have a long way to go there. The other advanced forms, I know the movements, but not much in terms of applications yet.. .
To me Bassai, Chinto, and Kong Sang Kun are "my" forms. I can "own" them and express them. Although I know I can always delve deeper into these forms.. .