It is interesting how in Ip Man’s story, the Abbess Ng Mui is from Henan (some say from Fujian), and Yim Wing Chun from Guangdong—both in eastern China—yet they meet 2,000 kilometers away at the Daliang Mountain in Southwest China, then Yim Wing Chun returns all the way back to Guangdong where she and her husband develop the art further. A generation or two later, the art had found its way to Foshan, where Dr. Leung Jan, Chan Wah Shun, and Ip Man lived.
I say “interesting” because Wing Chun is considered a southeastern Chinese martial art. If this were a made-up story, why make it so elaborate as to take Yim Wing Chun from Southeast China to Southwest China and then return her back to Southeast, when the story could have easily placed her in Southeast China to develop the art like other Chinese arts such as Hong Gar, Choy Layfat, Fujian White Crane, and Southern Shaolin? I believe that there is great significance in this travel story. The most obvious one being that Abbess Ng Mui, Yim Wing Chun, and Yim Wing Chun’s father were attempting to escape from the Manchurian soldiers.
Where better to hide than 2,000 kilometers away from home? Remember, in those days there were no planes, trains or automobiles. It would have taken the Manchurian soldiers no less than four hundred days on foot and a hundred days on horse to travel across the country. It wouldn’t have been logistically worthwhile for the Manchurian government to dispatch a small army across the country to hunt for just one or two criminals. In addition, the Daliang Mountain is situated at the border of Sichuan and Yunnan provinces in Southwest China. Yunnan particularly would have been a good hideout for Ng Mui and Wing Chun. Yunnan translates to “South of the Clouds” and it always was, and still is, considered a faraway, remote and inaccessible province in China. Until recently, the only means of traveling its narrow mountainous roads and torrential rivers was by mule, yak, sheep-skin floats, and rope-glides.