In the June issue of BB magazine there was a very interesting article about John Pellegrini and his brand of Hapkido. He goes on to explain what he does in his system and how its different from the more traditional Hapkido systems. In the magazines to come, there have been many articles submitted by people. Some of them are very supportive of his style while others seem to be very critical about what he has done to the art.
While I am not a student of Mr. Pellegrini or of Hapkido, I have attended a seminar put on by him at a local MA school. Not really knowing what to expect, I went anyway. I have to say that I was very impressed with what I saw. The material that he taught was IMO, pretty straight forward. He covered many defenses while standing as well as on the ground.
My question is, what do the people on this forum think about Mr. Pellegrini and what he has done to the art? Was he wrong to take out some of the more traditional things such as the high kicks, kata, etc. or did he do a good thing?
Mike
Going back to the OP, I've highlighted the questions. In regards to the first question; As I've mentioned previously, Hapkido is not a single, unique, unchanging or unchangeable art. There are multiple Hapkido organizations around the world. Each has, to either a small or large extent, a different approach to Hapkido. What I'm saying is that one organization or 'branch' may not have the number of kicks that another may have. One might have forms and another may not. Certain techniques may be done differently or taught differently. And of course the ranking structures may differ i.e. TIG, promotional requirements etc. My stance is that
if John Pellegrini has taken whatever level of Hapkido he has been taught (and ranked in by others) and
if he has changed it according to what he thinks is best and
if others have found value in it, then no problem exists. As it is his own art and his own organization then (according to martial historical precedence set by those before him) he can claim to be whatever rank he wishes to claim in said art and organization.
I'm assuming he's a 9th or 10th Dan? I don't know what he claims but I suppose if rank and time in the arts makes one a senior then he is senior to many/most on this board? If you abide by such standards? If the number of people in an organization, or the number of students one has or the number of black belts you have produced over the course of a martial career is a standard, would that make him a senior to many/most on this board? I don't know how large CHKD is as I've never looked into it so these are rhetorical questions that could be applied to a number of people in the arts. Or...not applied as the case my be.
In regards to the second question in the OP; speaking from strictly a SD perspective which is my personal venue and focus, high kicks are not normally part of any serious combative art. They were never placed in WWII Combatives by Fairbairn, Applegate, Sikes, Nelson or O'Neill. In fact, quite a lot of 'traditional' components were intentionally discarded. You don't find them in highly rated systems such as SPEAR, Hisardut Krav Maga, Systema, Boatman, PCR, L.E.D.T. etc. Factually speaking, performing a high kick in the Dojo/Dojang, when one is warmed up, stretched out, barefoot and in a loose fitting uniform on a flat, dry and level surface is quite different from performing a high kick in tight clothing such as jeans or a dress, wearing shoes or high heels, on grass, gravel, oil stained parking lot, wet or sloping surface, stairs, elevator, confined spaces etc. This is why high kicks are usually not taught in these types of venues. Perhaps CHKD follows the same philosophy? I don't know but suspect perhaps this is the case.
Removing kata? Personally I think if one knows the correct applications of kata that it is an invaluable tool. However, again using the above combatives systems as an example, they don't use 'kata' but do train by rote which is a similar concept. Again, if what he has developed works in the real world against aggressive, determined attackers then he has done well. I'm going to try to contact him as I'm now interested to see if he has any type of data base or real world altercations from practitioners of CHKD. This is something that we do in MSK Kong Soo Do and I know other combatives systems do likewise. And if the focus of the martial art is SD, which in my opinion is the main (if not sole) purpose and CHKD has in fact be useful to that end...then his rank or how he came by it is of little practical interest. The proof is what can be done in a violent altercation (as far as SD and the martial arts is concerned).