Doc said:
If you're looking for views, add this one from Furuya who also was there.
http://www.aikidocenterla.com/2004/9/22.html
Bits & Pieces - History of Aikido In Southern California:
dated 9/22/04
Today, someone directed me to another website on martial arts and I was quite surprised at some of the discussion going on. It is all rather embarrassing what people can say about each other and it makes me ashamed. So sad. However, I see that in many cases all of the facts are very inaccurately stated. I think this is because much of these topics start from gossip and heresay and there are very few records of the recent history of Aikido. In my later years, I am more nostalgic, so for prosperity, I am going to account some episodes in the history of Aikido in this country which I experienced first hand. Having been around since the very early days of Aikido in California, I was witness to much of this. I was very young at the time and very naive and much of what I saw really shocked and surprised me at the time so I do have a clear memory of it. Not because they were pleasant memories but because they were so disturbing to me. I have not discussed a lot of this - only with my most trusted assistants because it is not information which I thought good for the positive growth of Aikido. But nowadays I see this information circulating in the internet but much of it is very inaccurate. For the sake of accuracy of historical record - if this may serve any good purpose, I will record certain events here in my own website. I really hate to go onto other websites. . . . . . .
I saw a discussion about James Mitose and Aikido today and I was very disturbed about this. I was also surprised that such a topic was evn brought up. There is a discussion of some documents that Mitose received from O'Sensei which state that Mitose is awarded a 10th Dan and "responsibility" of the United States and on and on. . . . and this is followed by a long endless discussion. . . .
I was at the first several meetings attended by James Mitose when he first met Tohei Koichi in Los Angeles. Tohei was still Shihan Bucho or Chief Instructor of the Teaching Department at Hombu Dojo and still in control of the United States as his own teaching territory. This was in 1970 sometime after I returned from Hombu Dojo. In Southern California, there were only two professional instructors of Aikido, myself and the late Rod Kobayashi.
At this time, O'Sensei had just passed away and Tohei was weilding considerable political power both here and in Japan. He had great popularity in Hawaii and the West Coast at this time and visited Los Angeles quite often.
Although I was very young at the time, because I never drank, I always always assigned by Tohei as his driver. It was a custom then, after every practice and seminar, to drink. I don't drink and was the only one sober to drive him back safely from wherever he was partying. I was about 20 years old at the time. But I followed Tohei everywhere he went.
James Mitose first met Tohei Koichi at the Eigiku Restaurant in Little Tokyo. The dinner meeting was arranged by Mitose to meet Tohei whom he had heard was in Los Angeles at the time and had admired him from his reputation. This first meeting was attended by Tohei, Mitose, Rod and myself.
This was Mitose's first contact with Aikido. He had never met O'Sensei in his life and I think that Mitose had never been to Japan. I am sure that he never met O'Sensei. This was Mitose's first contact with Aikido - with Tohei at this dinner, one year after O'Sensei's passing.
Mitose wanted to meet Tohei because I think Mitose was very celebrity conscious. He introduced himself as a Methodist minister who did a great deal of fund raising and social work in the community. He had many photos he brought with him to show himself with many celebrities. This is how he impressed people and he used this tattered photo album as his credentials. Mitose was Hawaii-born and raised and his grandfather and father were kempo-karate teachers in Hawaii. He introduced himself as the 3rd generation "grandmaster of Hawaiian Kempo."
Tohei was very interested to meet Mitose because he thought that Mitose could be a source of funding for his separation from Hombu he had been planning for a long time now. After various talks and hearing of Tohei's plan, Mitose promised that he would build a five-story building on land he owned next to Disneyland in Anaheim and this could be the "new headquarters' for Aikido and Tohei's new organization. It seemed a pretty fantastic offer.
What was disturbing was that Mitose was often out of control during this meeting. He jumped up at several intervals and started to do kempo, punching and kicking in the air in the middle of the crowded restaurant between the tables. It was really surprising and appalling to me. The restaurant brought out three big plates of food which everyone was to eat from, one had tempura, one had beef teriyaki and one had something which I can't remember. Mitose rather drooled and spit on the food while he was talking so none of us could eat the food. At the time, everyone was drinking anyways, so I was the only one concerned with the condition of the comenstibles.
There were several more meetings after this at Rod's apartment which I attended. But I am sure there were other meetings which I did not attend. Because of Mitose's "generous" offer of financial aid and also the promise of this new headquarters in Amaheim, Tohei sped up his plans to separate from Hombu and it was at this time, that I announced that I was staying with Hombu and could not have any further part of this conspiracy. I dropped all contact with Tohei and Rod and do not know what happened after this. Shortly after in 1972, Tohei separated from Hombu and this was a very chaotic and sad time for the West Coast for whom Tohei was the only contact with Hombu.
Tohei had asked me my impression of Mitose after that first meeting and I told Tohei that I did not really trust him. Tohei replied to me that although he did not know him well at all, he offered so much money to his cause that he would have to treat him very well. Whatever documents Mitose had were generated by Tohei himself and not O'Sensei, I am quite sure of this.
Soon after Tohei's split, one of the biggest scandals to ever happen in the till then quiet Japanese American community was a murder of a elderly Japanese American and the attempted murder of his wife. They lived the the Crenshaw area only two blocks from Rod's apartment but one night while they were asleep, someone had broken in and tried to kill both of them in their sleep in bed with a screwdriver and a lead pipe. The husband was stabbed and knifed but fell over the body of his wife and although the wife was stabbed and beaten repeatedly, she survived.
Later, it was discovered the Mitose was embezzling monies from them in the amount of over $60,000.00 and when the daughter found out and was about to report Mitose to the police, Mitose with two of his students went to the victim's house. Mitose and one student, the driver, stayed in the car and the other student broke through the window and tried to kill them.
For the next 9 months, the murder trial was covered in the daily Japanese American newspaper, the Rafu Shimpo, so everyday I read about Mitose and it sickened me that he had such a relationship with Tohei. I should say that he never had a relationship with Hombu or O'Sensei, I must repeat again. I think anyone can tell that Mitose was a little imbalanced, I think manty were just blinded by all the money he offered. . . .not knowing that it was all stolen monies.
This trial was very shocking because no such murder had ever taken place in the Japanese-American community in Los Angeles like this and the news played up the fact the a "martial arts grandmaster" was involved in such embezzlement and murder of elderly seniors. The trial was made even more "spectacular" because the driver was also a prominent martial artist in the country (not Aikido).
Secondly, Mitose cursed and swore so much during the court proceedings, he was one of the first in a Los Angeles courtroom to ever have his mouth taped during the trial and later he was confined to a separate room separated by a glass partition because iof his bad behavior and antics during trial. Later in the proceedings, he was handcuffed because he made several attempts to smuggle in his own urine in a small bottle which he tried to dose the prosecuting attorney. He threw his urine all over the court.
I remember that the entire Japanese American community was so enraged and embarrassed and ashamed. I was angered that I had to read about this every day in our newspapers.
It was proven that he was not a Methodist priest and that much of the fund raising he did was bogus and that he had been involved in the embzzlement of monies of senior citizens for many years. Unfortunately, at this time, none of the other victims would show their faces. I think everyone was so ashamed.
I read the newspaper very carefully to make sure nothing was mentoned of his relationship with Aikido. There was even a rumour that came up in trial that he worked as an agent for the Japanese during the war while he was in Hawaii and much of the monies he embezzled from his victims in Hawaii went to the enemy. It was all very scandalous and sensationalized.
Anyways, he was convicted and spent his life in jail. He had several session to discuss his early release but these were always opposed by a community group who never wanted to see him free again.
While I was working as a book editor for a martial arts publishing company, Mitose's student wanted to republish Mitose's book on Hawaiian Kempo but I chased him out of my office.
This is such a horrible story but I set it down here just to keep the records straight for now and sometime in the future.
I want to make it very clear for the record that James Mitose never met O'Sensei. His first meeting was with Tohei and he was involved in Tohei's plan to separate from Hombu. Mitose never had anything to do with Hombu Dojo. I think the documents given to Mitose were written by Tohei, not O'Sensei, to Mitose and I think Mitose could not tell if they were geniune or not.
I deeply apologize to my readers if they are offended by such a story but I hope this will clear up many misunderstandings regarding this incident in local Aikido. I do want to see O'Sensei's name dirtied by this person. - In the website, several people expressed dismay that O'Sensei would have contact with such a person. Please know that this is untrue.
I was very saddend at this split from Hombu by Tohei. Many bad things happened which really disturbed me, but, in many ways, this firmly resolved my own conviction not to get involved in such ditry money politics and power pushing. Please learn from this very sad incident in our history.
Now add this Q & A with Tom Barrow from Inside Kung Fu Magazine:
http://www.cfwenterprises.com/article.asp?content_id=67
Thomas B. Mitose: Carry On, My Wayward Son
By Jose Fraguas
Thomas Barro Mitose, son of the legendary James Mitose, is the 22nd Great Grandmaster of Kosho Shorei Ryu Kenpo. He inherited the system from his father and founded the International Kosho Shorei Association to help father James while he was in prison. In 1987 Thomas decided to reorganize the philosophies and techniques of kosho kenpo, as handed down from generation to generation, and come forward to preserve and teach his father's reorganized art in the traditional manner.
Many are the times Thomas thinks about what happened to his father, and what could have been had his father never been sent to prison. He carries on the family tradition because his father always talked to him about opening a family dojo where they could teach together.
Adopted as a child, Thomas B. Mitose didn't get to see his real father until later in life. Once father and son were reunited, Thomas commenced his studies in the kosho ryu art. On October 1995, kajukenbo founder Professor Adriano D. Emperado wrote a statement proclaiming Grandmaster Thomas Barro Mitose the rightful heir to the Mitose kosho ryu kenpo crown, according to James Masayoshi Mitose's last will and testament.
Q: Where did your father's system come from?
A: It was developed by the Koshogi monks of Japan. They combined jiu-jitsu and chuan fa Shaolin kung-fu and, of course, different traditions and cultural approaches from China.
Q: Is it a self-defense method?
A:A: Yes, it is. But you must remember that in 1953 my father, James Mitose, gave up teaching because he felt the students were leaning too much toward the violent side of the art and not studying enough of the spiritual aspects. Kosho shorei ryu is a philosophical and spiritual self-defense system where each physical technique has a spiritual complement. It also uses meditation and yoga as vehicles for that.
Q: You didn't get to know your father until much later in life, correct?
A: Yes. My parents weren't able to support me so they gave me up to adoption. Later on, my adoptive father and mother got divorced and I went to meet my real father in Los Angeles in the mid '60s. My adopted family name was Barro and I keep it out of respect for them, but I legally added the Mitose name to my own.
Q: Is that when you started to train under your real father?
A: Yes. The most important thing during the lessons from my father was to make sure that I gained the correct knowledge, techniques, and philosophies of kosho ryu as handed down from generation to generation. My father, James Masayoshi Mitose, was the 21st Great Grandmaster of Kosho Shorei Ryu Kenpo.
Q: Did he speak English?
A: He never felt very comfortable speaking in English. He liked to speak Japanese and even his way of reasoning was very Japanese. After all, that's the culture he grew up in.
Q: What was your first meeting with him like?
A: A relative of a close friend informed me that my real father was living in Los Angeles and I decided to go there. He opened the door looking really rough, saw me, and then closed it right in my face. I was shocked. A few minutes later he reopened the door with tears in his eyes, and was washed and clean shaven! Even after all that time he had known who I was from the very first moment he saw me.
Q: Who was you first martial arts instructor?
A: Mr.Joe Halbuna, a kajukenbo teacher.
Q: It is true that your father never gave you any rank or certificate?
A: He always felt that I didn't need it. He said that I had his blood in me and also his name. He said that even if some people claim to be masters, I should not pay attention to them, because unless someone comes from the bloodline of the grandmaster they will never have a full understanding and knowledge of the art.
Q: Did he ask you to change your name to Mitose?
A: Yes, several times. I guess it was a way of apologizing for not taking care of me when I was young. A way of correcting something he felt he did wrong. That's why I changed my name. But I kept "Barro" out of respect for my adoptive family.
Q: Does your father's kenpo system agree with other kenpo styles' methods?
A: Well, there are continual arguments about who is representing the true art. It happens in every system or style. What I really want is for all kenpo people to look deeper into the art than just self-defense techniques and fighting. You see, after my father retired, some students of kenpo liked to train very hard at the school. They were very intense about the physical and technical aspects of the art. To find out if the techniques was useful or not they used to get into several fights every day at bars, theatres, et cetera. This is what gave kenpo and other systems developed from my father's method such a violent reputation. This made my father very sad. I expect kenpo practitioners to incorporate the kosho philosophy into their styles. It's not a matter of changing the technique but rather the attitude and the philosophy.
Q: Is the kenpo style that you teach similar to the one developed by the late Ed Parker?
A: Our own art of kenpo is very different from Ed Parker's kenpo in both its approach and its goals. Our goal is not to teach a devastating street fighting art but to teach a life philosophy which happens to also include a component for physical self-defense. Our primary goal is to teach our students how to live a good life and become valued members of society. Our definition of self-defense is quite broad and our goals guide the training our students receive.
One major difference between kosho-ryu and other kenpo systems is that our students begin learning the spiritual arts before they are taught to punch and kick. We believe that by learning the spiritual arts first, the students who become proficient will revert to the spiritual side when threatened, rather than to the combative side.
Q: So the system is divided into spiritual and physical arts?
A: Yes. But these two aspects of the system cannot be studied separately and independently because they represent different aspects of one complete art. Also the physical art is divided in three systems. The first aspect of the fighting system teaches you to punch and kick, the kata forms, and so on. The second aspect is what we call the push-pull arts, and teaches you how to defend yourself by making use of push-pull patterns and strikes to the extremities. The third aspect Ā the true art of self-defense Ā teaches you how to use jumping patterns to escape from danger by using no physical contact with the opponent whatsoever. For this reason is called the true art of self-defense.
Q: You mentioned once that the true kosho practitioner would never kick or punch on the street. Why?
A: Because he would never be caught in the street! We look at true self-defense as the art of anti-cipation rather than the art of reaction. By anticipating trouble, the practitioner will simply never be there when trouble arrives. Self-defense is not, strictly speaking, a fighting method. It is a life philosophy characterized by survival methods according to the universal laws of God.
Q: So what's the use of learning how to punch and kick?
A: The main purpose for kicking and punching is to strengthen the body and to remove any evil in oneself by mentally transferring it to the object being kicked or punched. The only exception to this principle is during times of war.
Q: How is the concept of anticipation taught?
A: The students are taught to use their awareness to deal with conflict. It means to understand their environment and when they are most vulnerable to attack. They are taught to interact with people so that a conflict never arises. They are taught to become aware of dangerous environments and situations where they can be assaulted. They learn how to understand the opponent capabilities of sight, hearing, touch, and movement so that an attacker will never reach its mark. If all else fails, they concentrate on attacking an opponent's extremities in order to contain the attacker's ability to strike. Finally, they are taught the location of parasympathetic nervous system receptors in the body which, when activated, will counter the release of adrenaline from an enraged opponent.
Q: This is very different from other kenpo systems.
A: We work to make our more agressive students softer and to teach our less assertive students self-confidence. It is the weakness that require practice, not the strengths.
Q: Do you think teaching martial arts is like coaching sports?
A: Not at all. Teaching martial arts is something very different than coaching ball games. Improper teaching of martial arts can turn students into predators. The students are taught how to defend themselves, but are also taught to avoid harming another human being.
Q: Is it correct to say that kenpo roots are Chinese rather than Japanese?
A: Yes. Kosho shorei kenpo traces its roots directly from China without the Okinawan link.
Q: It is said that your father was very skilled in jiu-jitsu and that he taught techniques resembling modern aikido.
A: It is true. My father was not an aikido man, but Morihei Ueshiba, the founder himself, specified in his will that James Mitose should be promoted to 10th dan in aikido and given the title of "remonstrant" for all aikido in America. My father was highly respected by O Sensei Ueshiba.
Q: How do you remember you father?
A: Many people think of my father, James Mitose, as a mysterious figure who taught early kenpo practitioners how to punch and kick in the kenpo way. I really do believe that all his teaching boils down to one single principle which is the essence of kenpo Ā live an ethical life, do justly, love mercy, and walk humbly with God. All the techniques, katas, forms, and strikes are just tricks.
End Article
The contridictions are huge, but That last line just has me ROFLMAO. I may think Mitose was a lot of things but mysterious is not the word I come up with. Some people are living in la la land with HUA. Now I know why they never talk about technique.