marlon
Master Black Belt
Are you still using the knife hand/bent wrist combo for this block?
yep
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Are you still using the knife hand/bent wrist combo for this block?
:lol: NO! We need to keep beating the dead horse! :deadhorse
OK, I may need to change my screen name in this section to The Apostate Kempoist...or something jazzier, but along those lines. Cos I've not remained a purist w/ my kempo. Have put some of it through the grid of (an)other art(s). But here goes anyway.
I do 10 as the lunge to 10:30 with a same side knife hand/arm or even a down windmill block (whatever feels natural given the specific attack), and almost simultaneous Right leopard paw to the throat. Right finger hook (fish hook?) to nerve...whatchamacallit--the one that really hurts on the front/side of neck. Spin back 270 degrees with his neck in your Right grasp and his attacking limb still in your Left, driving him into the pavement spine first, and give it the standard finish.
This is pretty strong stuff, and I don't teach it till about 18 months into the program.
Am I nuts, or does any of that make sense? Or, both? :erg:
10:30 with left foot for his right-limb attack. If I can catch the inside of his knee with my strong lunging horse stance, what a bonus--but not necessary. Similar foot movement to Combo 3, but inside instead of outside.Explain? 10:30 with left or right foot? Did you take out the strike to the groin? (I do the ridgehand) I like the image though "neck in your right grasp" tear that sucka. Oh and Matt.... Your killin me, you put us back to 7.
This is an interesting concept to me, and one I haven't really contemplated. Have any examples at your fingertips?Actually, I'm interested. I think it's a matter of picturing your center mass going in a direction like this "<" so that you evade the kick but your mass is headed toward your target.
There seem to be a lot of movements I do that follow that shape.
No it must be a step through right straight punch to the chest that is how we will be attacked!!
Ok sorry.....
I think 10 lends itself well to the roundhouse kick attack. We are stepping into the attack which is where you want to be on any roundhousing motion. The groin is very exposed for the simo strike (I use a ridge hand). Then grab the leg and wheel back and let him go for a ride.....Of course we still want to follow up once he gets there.
:lol: NO! We need to keep beating the dead horse! :deadhorse
OK, I may need to change my screen name in this section to The Apostate Kempoist...or something jazzier, but along those lines. Cos I've not remained a purist w/ my kempo. Have put some of it through the grid of (an)other art(s). But here goes anyway.
I do 10 as the lunge to 10:30 with a same side knife hand/arm or even a down windmill block (whatever feels natural given the specific attack), and almost simultaneous Right leopard paw to the throat. Right finger hook (fish hook?) to nerve...whatchamacallit--the one that really hurts on the front/side of neck. Spin back 270 degrees with his neck in your Right grasp and his attacking limb still in your Left, driving him into the pavement spine first, and give it the standard finish.
This is pretty strong stuff, and I don't teach it till about 18 months into the program.
Am I nuts, or does any of that make sense? Or, both? :erg:
Thanks for getting back to me. A few more questions...
Are you concerned about any injury to the hand, specifically the one with the bent wrist when doing this block on a kick? This could simply be me not 'seeing' how its done, as there could very well be some differences between the way you and I are performing this.
What part of the leg are you blocking?
Thanks,
Mike
Just so I'm reading this right. You're doing 10 with a left step on the initial block? Interesting variation. I step with my rt. blocking the punch with my left and a rt. ridgehand to the groin. Wrap the arm, rt. 'bear paw' or palm strike with rt. as I pull them in, step back with lt. taking them down.
Just so I'm reading this right. You're doing 10 with a left step on the initial block? Interesting variation. I step with my rt. blocking the punch with my left and a rt. ridgehand to the groin. Wrap the arm, rt. 'bear paw' or palm strike with rt. as I pull them in, step back with lt. taking them down.
Yep, left block/left *step*--a very aggressive 'block' meant to stop their momentum dead, and even unbalance them.Just so I'm reading this right. You're doing 10 with a left step on the initial block? Interesting variation. I step with my rt. blocking the punch with my left and a rt. ridgehand to the groin. Wrap the arm, rt. 'bear paw' or palm strike with rt. as I pull them in, step back with lt. taking them down.
Later, I teach (or probably, more accurately the student discovers on his own ) variations in the strike such as you've listed. But I don't do the lower strike (ridge to groin, or whatever), since it impedes the flow of the tech the way we do it. The leopard paw, or half-fist, to the throat--even missing slightly and hitting the front/side of neck--has plenty of stopping power/shock value--especially since his forward momentum (throat) is meeting ours (all squeezed into the ridge formed by the line of second knuckles).4Kempo said:This is also the way we do it, from the beginning. We do vary the strike with the right from 'bear paw' to 'palm' to 'knife' to 'sword' depending on the situation.
Good point.The importance is places on the wrap and control of the head and upper spine.
Yep, left block/left *step*--a very aggressive 'block' meant to stop their momentum dead, and even unbalance them.
Later, I teach (or probably, more accurately the student discovers on his own ) variations in the strike such as you've listed. But I don't do the lower strike (ridge to groin, or whatever), since it impedes the flow of the tech the way we do it. The leopard paw, or half-fist, to the throat--even missing slightly and hitting the front/side of neck--has plenty of stopping power/shock value--especially since his forward momentum (throat) is meeting ours (all squeezed into the ridge formed by the line of second knuckles).
And then for the take down, the fingers digging into the nerve as the push, along with the Left grab/pulling right arm, with a back spin. Follows the old shuai chiao principle of push/pull for a take down.
Good point.
Yep, left block/left *step*--a very aggressive 'block' meant to stop their momentum dead, and even unbalance them.
Interesting the differences, we do this technique with more of an aikido flow to it. there is no stop until the assailant is on the ground. i want thier momentum to become my tool.
respectfully,
marlon
i say, lets skip the long drawn out discussion of 8 and 9 combo cuz they are just both combo 6 with an extension and we see how long it took on 7, so what do you say about combo 10. I love it. Simo block and strike, stepping in with right foot, then simo trap and strike to ear continued with a circular flow take down with no sweep followed by knife hands and dislocating the shoulder. short and simple version..
Jesse
Yeah, I like the idea of going straight to the throat and it is something we use at higher ranks. I like it, thanks.
which techniques do you go straight to the throat with? Just curious
Respectfully,
Marlon
Not neccessarily combinations, but many techniques, we call them kempos. However, there are some variations of the combinations where we will do this ...
#1: Block and wrap with the left, Tiger's mouth to the throat with the right.
#11: Block with the left, right trigger finger, left crosshand shuto to the throat.
#13: Block with the left, right punch to the temple, scissor strike to the throat/neck.
#16: Parry block with the left, right leopard paw to the throat.
#20: Left outward block, right tiger's mouth to the throat.
#22: Right upward block, left spear to the throat.
#24: After the initial block, scissor strike to the throat/neck.
#25: Spear hand to the throat.
That to list some, again, many of these are from variations and variations of the combinations are, in our style, called kempo techniques, or simply kempos.
sorry Jesse. i know that you already do not like many of my posts and now i am bring us back to 6. But you see 8 and 9 are not simply extensions of 6 for me. Marlon
Haaa,, Marlon I love your posts i just didnt think my mind right now could go through 4 more pages of a kick combo. Do and say whatever you want,, I can always scan past if my ADD kicks in..