- Thread Starter
- #461
The movements of the kata may or may not be the same as the kata as the turns in the kata represent your position relevant to your opponent. This can be achieved by moving yourself, ie stepping off the line, or by turning your opponent. Furthermore, kata can be 'unpacked'. By that I mean it can be performed in a straight line. This better shows the movement you might find in the bunkai. And, finally stepping forward into a stance say with the right foot is the same as stepping back into the same stance with the left foot. The kata is to teach the sequence, angle and direction.Any comment on my assertion that the movements of the kata were fundamentally not the same as the movements of the demonstrated bunkai?
Obviously there were movements that the creators intended. But for any given movement in the kata there can be numerous explanations. That gives rise to an infinite number of sequences if you want. It also depends on your physical stature as to what technique any particular move might be. The one certainty is that there are no blocks. A block means that there has been a punch and to say that an attacker must punch at a particular time is purely choreography. Kata works on predicted response. Your opponent blocks or he gets hit. If he lifts his arm to block then obviously your strike has failed so you restrain his arm and attack with the next move of the kata.Interesting assertion, and one that provokes some questions:
Did the creators of the kata not have a specific idea of what the movements of the kata were meant to represent?
First part, spot on. There is no set specific function although some moves are pretty obvious as the groin strike in Seipai kata. But the sequence is critical. If one attack fails you move to the next and the kata provides the information. But having said that there is no requirement to proceed to the next step if a better opportunity offers. In that case you may move to another place in the kata or even change kata.If the movements were intended to represent generalized movement patterns that could represent a variety of different techniques as interpreted by the practitioner rather than a set, specific function, then does the exact sequence of those movements in the kata matter (as some insist they do)? If so, why?
In principle yes, but I think it would be extremely difficult to make a kata work on the ground as was shown, at least without an extensive knowledge of ground fighting. In normal kata, yes I envisage what the kata means to me, but in a standing grappling scenario.How close does a movement in the kata have to be to its intended application in order to gain any benefit in skill for the intended application? For example, in the bunkai video by Mr. Ando, do you feel you could improve your skill in the demonstrated ground-fighting applications by practicing the kata with those applications in mind?
I don't believe so. The kata is the kata. Kata is kihon or basics. Basics are performed in a particular manner so it should always be the same.Should performance of a kata look different depending on what applications you are visualizing as you practice it? For example, if the practitioner intends a given movement to be a throw, should it look different than if he intends it to be a block? If not, why not?
However, there is always the exception. Kata also has an advanced form. It may be in a straight line, it may be performed with different emphasis. If you are performing your advanced form of the kata, then it is yours to do with what you want. If you want to bend with a throw, by all means do that, but, when you are performing the kihon, that is what you must do. When you are teaching, you always teach the kihon. That way succeeding generations are all provided with the same blueprint.