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form follows function
Boomer,
While Hidy Ochiai was using back flips in his Washin-ryu forms back in the 70's and music began being attached to forms in the 70's too (Jhoon Rhee's Bethovan's 5th form and Gary Michank's 'Superman Theme' form, they obviously have form following function.
You see it in the movies all the time. In the movies you move and the music appears auto-magically.
Yes, modern wushu takes it to the extreme, but acrobatics are a part of many traditional styles. Being able to fall, roll, and jump are fundamentals like punching, kicking, and stances. Ditang Quan means "ground boxing", it's a traditional northern style from Shandong which, as its name says, is pretty much all on the ground. Falling without getting hurt, rolling, and jumping up again are pretty important skills. a somersualt/monkey roll is a good escape for grabbed foot, or to avoid falling on your face from a front sweep. It also covers distance quickly to get out or into range, and can surprise someone not expecting it.
but this thread started out being about old belts in karate, so not really sure how we ended up here
Chinese masters seem to have a predisposition for wearing shiny, single colored silk outfits. I'd say they probably wash their clothes regularly, to keep them so shiny.
You wear gym clothes most of the time in "traditional" CMA. I wish this was true in karate, since the dogi is pretty much irrelevant to most of the technique base. Plus, as an Okinawan MA guy who never bought a dogi, it feels odd to crosstrain with karate guys without one.
Yes, sometimes karate guys in Japan and Okinawa wear old belts, but it's really not the big deal you have here. Plus, a threadbare belt can't be used for certain exercises.
One of the subtexts of moving away from the dogi in some Okinawan arts is a general desire to assert a distinct identity for Okinawan arts. Seikichi Uehara generally tucked a dark top into his pants. Then again, Seikichi Uehara could do whatever the hell he wanted.