I'm starting to wonder if there's not some sort of comprehension barrier. The whole point of the post was NON-CONTACT sparring, and it's benefits and role in training. Of course you can wade right through a barrage of non-contact shots... I bet you can walk through a paper wall on stage for a play, too, even if it's portraying a prison wall.
It's clear that you believe greatly in heavy contact sparring. That's great. It's definitely got a place in training, and I encourage people to do it some. But it's not the only or even the best form of training. There's no single best; there's only best for particular purposes. Non-contact sparring encourages participants to develop a certain skill set; a lot of that's covered in the first post. Sparring in general is great practice for dueling, and it's certainly fun. Slow exercises like Rory Miller's One-Step drill or half speed sparring allow you to develop other things, and has a place in training. But you're running a one-note line of "if it's not in the ring, if it's not full contact sparring, it's not real." It's like your trying to say that the only thing that really matters in heavy metal music is massive guitar solos. But, really, all the other parts -- bass, drums, keyboards, vocals, even stage performance -- are vital elements.
I don't know where the communication failure is happening -- and it can be from either side! -- but it sure seems to be happening.
Do you really suggest that a fighter going into a pro or even semi-pro fight is going full contact right up to fight day? I doubt it -- because the last thing any fighter I know at the pro or semi-pro levels wants is a rep for signing fights, then having to pull out from training injuries at the last minute. Most mix heavy sparring and lighter sparring through their ramp up to the fight, backing off the heavy stuff in the last few weeks before the fight.
But this is really starting to derail the topic -- just like talking about full contact in a non-contact setting is a derailleur.