Flatlander
Grandmaster
Sorry about the bold face, I couldn't make it go away.
Follow along with the video below to see how to install our site as a web app on your home screen.
Note: This feature may not be available in some browsers.
Littledragon said:The U.S. military has created its so called own martial art, marine corp./military martial art. Can it really be considered a martial art? We know the MARTIAL aspect of their martial art is ther but what about the ART aspect that is a piece of martial art that makes Martial Art a whole?
Also in general what do you think of Military Martial Arts?
Tarek
1. Correct, these suffixes evolved/philosophies evolved because combative arts were being used as 'tool' for purposes other than warfare. In Japanese arts the suffix "jutsu" tends to be at the end of combative arts and "do" at 'philosophical arts'. INterestingly enough, most of the "do" arts in Japan are really evolutionary empty hand/non samurai arts that came from Okinawa. Most of the current 'trad arts' are really no older than the 19th century or more recent.Eldritch Knight said:1. Many martial arts are spelled with the Chinese character "tao" (道 - read "dou" in Japanese). This isn't a coincidence.
2. One thing that was left out is that both Musashi and Sun Tzu, invincible men in their time, argued *against* the use of force, always citing that physical combat be the final alternative.
3. When you encounter a fighting system that doesn't account for this possibility; that doesn't incorporate the value of things greater than mere survival, then what you have is just another weapon, and not something that deserves the characteristic of "martial art".
The purpose of COMMERCIAL martial arts is to teach the avoidance of violence because otherwise Mom won't keep sending little Johnny or Janie to that school. The focus of 'non violent' martial arts training is to promote good moral character in a venue that only teaches character through a single martial skill set of h2h.flatlander said:From Dictionary.com
I think that by this definition, it's difficult for me to imagine that the military martial system is missing the 'art' part. Specifically look at them in the context of points 6 and 7. The art of martial movement. This is an umbrella under which all forms, styles, and types can fit.
Aegis said:Musashi supposedly fought hundreds of duels to the death, seeking out people to fight. That doesn't ring true with arguing against the use of force.
Aegis said:The point is that the original martial arts would have been about killing. Simple as that. You would learn to use a sword to kill an opponent before he could kill you, for example. You wouldn't be training to avoid conflict, but to win in that conflict. To say that all martial arts are about avoiding conflict is to ignore the history of martial arts.
loki09789 said:1. Correct, these suffixes evolved/philosophies evolved because combative arts were being used as 'tool' for purposes other than warfare. In Japanese arts the suffix "jutsu" tends to be at the end of combative arts and "do" at 'philosophical arts'. INterestingly enough, most of the "do" arts in Japan are really evolutionary empty hand/non samurai arts that came from Okinawa. Most of the current 'trad arts' are really no older than the 19th century or more recent.
loki09789 said:2. Sun Tzu had a bet with a Chinese noble that doubted his Leadership/Philosophy of warfare. The bet was to train the nobles concubines to drill and fight as soldiers of the day. ST gave the concubines the instructions/outlines and then gave them the command to execute a basic military movement. When one of the concubines giggled, he lopped her head off...there were no more problems with focus or discipline. So much for your general of peaceful ways....
In reference to the older 'ways' the Ryu generally are Okinawan originally loaded with tons of "fight off the samurai occupiers" goals/intent along with more 'felial piety' than 'Do' stuff that was only being passed on by the floor training. It was in the culture. It was NOT Samurai arts.Eldritch Knight said:What I'm saying is that while the fighting systems of the military are effective and may incorporate elements of the fighting systems of karate, judo, and other arts, they don't incorporate the "tao" and thus the mindset and viewpoint that defines a martial art.
And he still lopped off a poor girls head for nothing more than winning a bet and protecting his reputation/status. ST was a general not a philosopher. The publication that we all get in our own languages as The Art of War is not philosophy as much as doctrinal. It is put on the shelf next to Clauswitz and other military 'artists'/strategists/tacticians. Too many orientaphiles tend to lump it in with philosophical/theological works like the Tao Te Ching, which was intended as a life way study which, in it's own right, could be applied to warfare (as it has in Tai Ji) but was not originally intended for warfare as ST's art of war was.Eldritch Knight said:Chapter Three of The Art of War states the following:
"The general rule for use of the military is that it is better to keep a nation intact than to destroy it. It is better to keep an army intact than to destroy it, ... , better to keep a unit intact than to destroy it". Li Quan (a genius at strategy, BTW) followed this by commenting "This means that killing is not the important thing". The one fallacy that I can see in your argument is that ST did not see the concubines as human. He saw them as any ancient Chinese general was apt to see them: as an army. He realized that he could either spend hours trying to discipline them against their nature and probably end up with a bunch of tired women, or could eliminate a weak link in his army and thereby make the entire chain strong. He didn't do this out of a will to be violent, but as a further realization to the "tao" line of thought that he was bettering the whole. He clearly states that if war can be avoided, avoid it, but if it can't be avoided, then fight it with everything you have..
All of those things you are describing are intents and goals specified by the need of the user that equate to survival/success. Again, the military trains for mission success not just killing. Actually one of the prime movers for the development of the USMC martial art was the amount of low intensity/peace keeping missions that would call for more less than lethal respones than a full blown battlefield would require. The USMC martial art has locks/controls in it to answer that need and more lethal/impact techniques that will buy you time until you can get back to the shooting.arnisador said:We need a way to distinguish truly martial arts from what so many people study nowadays--self-defense arts. It's true that martial means relating to the military, but "martial arts" as used today encompasses rather more. (Then there's "martial sports" or "combative sports" as well.) It's a big difference--are you training to be able to kill, or to be able to control (as in law enforcement), or to be able to survive (self-defense)?
I have to differ on this one, Flat, in reference to MA as a "Tao" or Do art. Remy Presas promoted, instructed and published Modern Arnis as a self defense art. Other than basic decency and courtesy established by his PI culture, which is a mix of regional/ethic/religious (predominately Catholic or Muslim), there isn't much/any philosophy that isn't directly linked to artistic/fighting improvement.flatlander said:Some of you were referencing specifically USMC h2h, others were more generally discussing military martial art, but nobody has defined either for me here, and I've never been military, so I don't know.
I have a question here. Would we consider Modern Arnis a Martial Art? It most certainly incorporates "Tao" into its structure, yet is taught to special forces. Does this fall within the realm of Military arts? Or is this a completely different issue?
Just so you know, I will not take offence if anyone declares that Modern Arnis Combatives training does not fall within the realm of Martial Arts.
It is really funny you mention MA 'flow' concept because I was flipping through my copy of the yellow book and was keying in on that. I would say that it is possible to take that trancendancy further into development of the 'self' aspects and kick MA up a notch to be on par with the Zen/Tao arts by saying that 'the flow' is the by product of sound 'weaving/siniwali' of interpersonal skills and good communication......flatlander said:That's OK, Paul. My take on the nature of Tao is that "the flow" represents those principles 'martially' quite well. It was in this context that I was drawing a correlation.
It's a difficult concept to capture with words, but I am alluding to the movement/energy/no-mind/mindfullness/yielding/blending/filling the void aspects of the art, or any for that matter. It is on this level that I see the expression of the art, and I think that these principles trancend various styles and methods of training. Just pure combative essence as truth.
Still with me?
High five from the loki camp....well rounded is a good way to put it.kik said:I really don't think our military cares if you consider it the training our soldiers are recieving as martial arts whole or half. The main objective is to train our men and women well enough in the art of hand to hand combat so they can come back home and live long lives with they're families.
While We sit in our nice safe dojangs and learn how to break pine and clay our men and women have to be prepared to snap bone and sometimes even snap to the point of death. there are not to many civilians out here that would be able to go that far.
When I was training in the military my instructors taught a varitity of arts so we could be well rounded and be able to adapt. we learned TKD Judo Grappling and Akido. I have been out for 15 yrs now so it may be different I dont know.
Take it for what it's worth, not trying to start any trouble.
Kik