Originally posted by rmcrobertson
And again: why is right-handedness built into kenpo at the level of basics, of forms and sets, of ritual and salutation as well as (for some, not all) techniques? I'd argue that it is because this enables a student, from early on, to adapt a tech like Obscure Wing (as one poster remarked) for a left-sided grab.
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Well, the reason I do both sides, (and my instructor doesn't require it, I do it on my own) is that when you need to adapt a technique like the one above...and I haven't learned any kenpo techniques for a left sided rear one hand grab, only the one from the right side.... I'd rather have adapted them in the studio, so I know what I'm doing.
Personally, I practice my techniques to improve my reaction time and limit my think time to a minimum. I try to train myself to the point where I react first and think later. However, this theory only works (and it does work, I've been there) if you've practiced things in the right situation. In the test situation in my previous post, if I hadn't practiced obscure wing on the other side, I probably would have stood there for a second and thought about it. Not only would that have looked stupid, but more importantly, if you have to take a second to think about something in a street situation, that'll probably be the last second of your life.
I don't always do all the techniques reversed. I do them where I see that the left side attack isn't well covered. We have techniques for left hand punches, so I don't always reverse those. We don't have many techniques for a grab with the right hand (most people will grab lefty and hit righty) other than handshake techniques, and we don't have a lot of techniques for opposite hand pushes. Those are the techniques I concentrate on doing the opposite side of.
Like I said earlier, I'd rather take the time to adapt a technique in the studio and have a plan, than go into a street situation and have to adapt in the street. Studio is a much safer place to learn.
Respectfully,
Nightingale