I am back.
Is this trolling?
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I am back.
Were you gone?I am back.
With some really interesting similarities between creationism. .
(system created perfect but handed down flawed)
I am sure you mean the theory of evolution by natural selection, which is not a cult.And Darwinism.(system created flawed but evolves.).
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Academically, I believe you are correct.
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Completely & utterly disagree with your final statement re traditional karate & the taikyoku kata. So we have a definitional difference.
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The fact that you no longer teach the taikyoku kata is of course an instructor's prerogative. The taikyoku kata are panned by many karateka and applied fighters such the MMA conventional coaches--across the board. Yet some other's here @ MT are not so dismissive.
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In the proper perspective, the taikyoku kata are extremely powerful karate training.
The first video I thought was well performed and traditional. I agree that the applications were a bit fanciful.Back to the OP: Here's 2 videos of Heian Godan, one of my favorite basic forms to teach. The first looks like a group of high school age students doing a team form, then doing it again with applications, and typically since it's competition, somewhat fancifully. But I used to teach a similar application with lots of foot sweeps to brown belts, to get them thinking. Of note in both videos is the high X block, which can be a very effective real world technique.The second is a seminar - in German which I don't speak - shorter and more practical, since the instructor shows both right and left hand blocks. Wish I understood the commentary.
The second video didn't appeal to me at all.
Here is a Goju bunkai from Iain Abernethy that shows what I like to see.
I have only just come across Iain's Shisochin bunkai. I have trained a similar one with Masaji Taira. Taira's doesn't contain the extra arm move but I really like Iain's interpretation, especially the elbow to the face after the elbow break. The next move if that fails is the Teisho to the face which with the step through is a take down.Re: 2nd video, first thing that struck me was that you're right, you don't normally expect a full stepping punch attack like that, so the attack was unrealistic and everything that followed was a little strained as a result. But in at least some of his examples, the instructor moved to the outside of the attack, blocking outside to inside, which I like, taking away the off-hand and countering to the opponent's back side, shifting weight for the block and counter. It would have worked with a jab or even a clumsy roundhouse drunk-punch I think. So that part was OK.
Re: Abernathy, generally, I know he is teaching to a specific kata, so trying to stay within the moves, but again, just generally, he moves & changes his hands more than I would be comfortable doing. It's just too complicated for me, re-arranging the grip like that so much. I'm sure he's very good at it, but it would, say, require a high level of practice to maintain effectiveness. I would be better with more simple and direct. From the video, I liked the initial block and backhand strike, but then the next two moves were too much movement for me, say, when he shuffled his feet to change stance. I'd feel more comfortable just dropping back and letting fly. Then the spinning arm bar toward the end was really good. I liked that with the bad guy ending on his knees. Perfect. And he didn't grab, so the drop would work even if the opponent wasn't nice enough to wear a gi for you.
Don't misunderstand. No doubt Abernathy could box my ears and teach me a lot. I'd love to do one his seminars. But by training and experience, I'm better with block and strike, move in and out of range maybe, but nothing too complicated and definitely no grabbing and holding until I feel I'm already pretty much in control of things. Personal preference maybe.
|The Taikyoku kata are no longer part of the official JKA syllabus I think. Many schools still teach them, of course, but especially in Japan and the U S, commonly, Heian Shodan will be the first kata learned in shotokan. I believe that the viewpoint of many is that the Taikyoku kata are really about acquainting the student with the idea, the concept of what a kata is, rather than actually being a genuine kata with a sense of some underlying bunkai.
I'd love to do one his seminars.
The real question, IMO, is are you doing the kata the way Gichin Funakoshi sought? Any of your kata?
We use the Pinan katas in Wado Ryu and we do them the way Ohtsuka Sensei taught them, we are lucky in that we have videos of the founder doing the katas.
I wish you well on your quest....
I teach Okinawan Goju. When I was with the Goju Kai we had Taikyoku kata but it was nothing like Funakoshi's, apart from the embusen. Our kata are totally different to Shotokan.|
Yes, it's late for me. I understand and agree with the thrust of all what you say. Nonetheless, the principles in Taikyoku are not school children level, IMO. The mistake you make, in my mind, is in saying that technique trumps foundation. How much you want to invest in the Taikyoku foundation is a judgment call. I concur that the Heian kata teach the same principles with less similar repetition, better technical excellence.
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The reason I can outfight my opponent's, however, is the Taikyoku kata. Mind & body union.... Any karateka can do the same through the Heian series, etc. The real question, IMO, is are you doing the kata the way Gichin Funakoshi sought? Any of your kata?
We use the Pinan katas in Wado Ryu and we do them the way Ohtsuka Sensei taught them, we are lucky in that we have videos of the founder doing the katas.
|I teach Okinawan Goju. When I was with the Goju Kai we had Taikyoku kata but it was nothing like Funakoshi's, apart from the embusen. Our kata are totally different to Shotokan.
|Wado is Iain Abernethy's original style though now he works on Bunkai for all katas, many are similar enough anyway.
|The problem some seem to have with Wado is the JJ content that is there, not karateka I hasten to add but many who feel there is no grappling or ground work in karate, that it has to have been brought in as cross training rather than being in karate in it's own right.
There is a story from maybe Kanazawa, possibly apocryphal, about a converation he had with Funakoshi when the master was an older man. Kanazawa had learned a kata from his original instructor, one of Funakoshi's original students. Now, as a student of Funakoshi himself, Kanazawa was learning the same kata from Funakoshi, and he asked Funakoshi why the kata was different from the version he had learned from his first instructor. Funakoshi told him (I'm paraphrasing) "When I taught your instructor, I was a young man, and I did the kata as a young man was able. Now I am old, and perform the kata as old men will. Why does this surprise you?" Get it? Sometimes we are incorporating into kata idiosyncracies which are not really part of the kata, but which are from the instructor. How do any of us know, really, which is true in the version we learn, since none of us were there when the masters came up with these kata? Remember, too, that at a certain level, dan students are charged to make kata their own, to make the form fit the person. That doesn't mean to change the steps or techniques, of course, but you see, the feeling I have of a form may be entirely different from the way another senior does the same form, even if we do exactly the same sequence of techniques.|
The real question, IMO, is are you doing the kata the way Gichin Funakoshi sought? Any of your kata?
|There is a story from maybe Kanazawa, possibly apocryphal, about a converation he had with Funakoshi when the master was an older man.