TSDTexan
Master of Arts
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- Jul 18, 2015
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A practiced fighter has many tools. A beginner has none. We give them a a few at a time, because they're already drinking from a fire-hose.
gospel truth
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A practiced fighter has many tools. A beginner has none. We give them a a few at a time, because they're already drinking from a fire-hose.
When my teacher wants to torture us and gets going with his floor routine, we do those too. Yoko keagi, yoko geri, roll to the other side and mawashi geri. We do each kick slowly and hold them out first to his count, after about 10 times doing it that way, then it’s 10x fast. My glutes definitely feel those, especially the slow and held ones.in TSD i teach the same two warmups.
in Doshinkan, among the warmups, we do Mawashi geri and sidekicks while laying on our side.
I use a front and side version, sometimes a rear version. I just call them "leg stretches". I encourage students who have kicks (beginners won't have any yet) to use kicking foot positions, etc. in the stretch.We use front stretch kick/mae keagi. All it really is is a straight leg kicking movement used as a warmup. We also have side stretch kick/yoko keagi. Same thing, only to the side. My previous teacher had us do it in line drills for warmup. My current teacher has only had us do it laying on the floor on our side.
For us, they’re really no different than other athletes doing “hip swings” during warmup. For some reason, we call them kicks, but there’s no combative application.
When my teacher wants to torture us and gets going with his floor routine, we do those too. Yoko keagi, yoko geri, roll to the other side and mawashi geri. We do each kick slowly and hold them out first to his count, after about 10 times doing it that way, then it’s 10x fast. My glutes definitely feel those, especially the slow and held ones.
I am having flashbacks of the aerobics classes that used to share our Dojang.in TSD i teach the same two warmups.
in Doshinkan, among the warmups, we do Mawashi geri and sidekicks while laying on our side.
I would say that is about 80% true for me. There are times I will use distance to keep an opponent in the sweet spot of my striking/kicking range, especially if I figure out I have a speed advantage. You can drive someone bonkers if you can keep them from getting inside your range.Whether the kicking leg is placed in front or in back depends on where you want your position to be after that kick, no?
In sparring I'll bring it back often, to stretch out the session. In fighting it's always going to land forward. I'm going to take away all of your space. Every inch of it no matter how I have to move to hunt you down. To me, fighting is about taking control of space. In grappling it's the same, just done in a different way.
I’ve referred to it as the Jane Fonda workout. That goes over a lot of people’s heads nowadays. Oddly enough, most adults at the dojo are older than me. Maybe senility is kicking in. Or they’re just not playing into my warped sense of humor on this one. Neither one would surprise me.I am having flashbacks of the aerobics classes that used to share our Dojang.
. There are times I will use distance to keep an opponent in the sweet spot of my striking/kicking range, especially if I figure out I have a speed advantage.
....I am having flashbacks of the aerobics classes that used to share our Dojang.
Keep your limbs to yourself, and add a sword.How do your kata compare to something like this? If I were to adapt a Taekwondo form (not necessarily the one in the video) to your style, what sort of changes would I make to it?
It's interesting that this is exactly what is taught in the Japanese sword arts. It's all about taking and controlling the center. We are taught that whoever does so will be able to kill the other guy.To me, fighting is about taking control of space. In grappling it's the same, just done in a different way.
Keep your limbs to yourself, and add a sword.
It's interesting that this is exactly what is taught in the Japanese sword arts. It's all about taking and controlling the center. We are taught that whoever does so will be able to kill the other guy.
His extension and commitment in each technique is good.This is what kata is supposed to look like in Seido, as performed by the late, great Shuseki Shihan William Oliver. 4th dan kata Kanku.
I’ve seen video of Kaicho Tadashi Nakamura (our founder) performing it the same way, but the video is very old and choppy. One of those old-school video projectors converted to digital.
Edit: Our version of Kanku comes directly from Kyokushin. Mas Oyama heavily modified the Shotokan versions.
Man Oh man, is that ever legit. Beautiful side kicks. Didn't expect that.This is what kata is supposed to look like in Seido, as performed by the late, great Shuseki Shihan William Oliver. 4th dan kata Kanku.
I’ve seen video of Kaicho Tadashi Nakamura (our founder) performing it the same way, but the video is very old and choppy. One of those old-school video projectors converted to digital.
Edit: Our version of Kanku comes directly from Kyokushin. Mas Oyama heavily modified the Shotokan versions.
Watching that video never gets old for me. My teacher has so many great stories about him. Everyone says as rest of a MAist as he was, he was an even better teacher, and even better person. One of the people I genuinely wish I’d met. Maybe when that great dojo in the sky calls my number. Hopefully that’s a very long time away though.Man Oh man, is that ever legit. Beautiful side kicks. Didn't expect that.