Ryback
Orange Belt
If I understand well I think what Lenny means about the Ken-jutsu hand deflections is that it is similar with the way you deflect the sword in Kumi tachi techniques...Ok I read the article
I dunno which school he trained in
I do take issue that it only advanced Aikido that the hands cut like a sword that ain't true imo
most masters in TJMA are quiet and not loud and brash so that is no surprise, actually any masters should be that way.
I'm not following what he means by the sword strike to the head face that no one can see coming.
Learning to cut is kinda a prerequisite of any sword art and learning the cut to the head well you will in Aikido know that as men uchi or the side cut to the head as shomen uchi so that is no surprise or major difficulty and it is a basic ok it can take a life time to perfect to cut but that could be as he is alluding to zen there but like in Aikido you could spend a lifetime only trying to perfect ikkyo so really no difference
I still don't get the Kenjutsu deflecting hand techs you referred to but there again i we knew the school then we could all go have a look at it's curriculum and see
He has not really said anything in that article that is not other than common knowledge really and the bit about being refused to be taught well some JTMA schools do require a letter of introduction but as he does not state the school and there are no clues unless you know.
The draw and cut he refers to is kinda basic to any school of iai or batto do/jutsu (an I am not gonna start an argument over the different meaning between iai and batto do/jutsu's I am not well enough verse to do that I think I know but I probably don't lol) again depending on the school if they taught that some do some don't, technically it is a different discipline. Kenjutsu can be an umberella term use for all Japanese sword arts (again it not tech correct imo but it is used) so until you know what school he studied it not easy to say.
I still really don't get the kenjutsu sword deflects at all
The Bokken is used in Aikido as a way and method of teaching the thinking that the hands move in a fashion like holding a sword and cutting and the footwork too have a peak at Nishio style of Aikido and I think he was a deshi of Ueshiba but it may have been the second doshu as Ueshiba was in Iwama again by then an I don't know if Nishio was or was just purely at the Aikikai Hombu. I do know he studied many arts to fairly high ranks and he di create his own form off iaido, as I said take a peak as that style of Aikido uses the bokken a lot
When someone thrust with the bokken we do not block it but we deflect it slightly using the side of the sword, not the cutting edge of the blade.
If we deflect a tsuki using our sword on the left side of the opponent's blade (as we face him) and we guide the deflection with our left hand it translates to the Kiri-age hand deflection in tai-jutsu where we deflect a strike by sweeping it with our palm.
If we deflect a tsuki using our sword on the left side of the opponent's blade (as we face him) this time guiding the deflection with our right hand, it translates to the Suri-age hand deflection, where we deflect a strike by sweeping it with the back of our hand.
If we use a Kiri-gaeshi technique to deflect a Shomen Uchi cut with the sword, it translates to the Uke Nagaeshi, the "collapsing" hand deflection in tai-jutsu where we make positive contact with the striking arm of the opponent, deliberately collapsing using the elbow to deflect and enter to the inside, past beyond his arms rendering him unable to resist an Attemi or technique since he now has nothing to block you with...
Well, I know it's confusing, too hard to explain verbally but I hope I offered my humble contribution to the discussion...