Strength is required for any movement, including internal MA movement. All movement requires muscles to exert forces on the skeleton. A "softer approach", whatever that might mean, is no different.
We've been over this - at least once already. Yes - muscle, and therefore strength, is always used, whatever the art. But if you can't see the difference between the use of strength in an internal art, compared to an external art, then I'm sorry... for starters you're either not training Yiquan, or your teacher in that art is not teaching you properly. It's that simple.
Maybe he just likes to believe in fairy tales? Without more information I have no way of evaluating his claims because it is difficult to tell what exactly he is claiming.
Just use your head. If you advocate that PB is a good instructor, and that the art he teaches is effective, then it stands to reason that Sifu Niels Pivato, who learned WSLPBVT
directly from PB, has trained in a system that is practical, hands on and not based on fairy tales... yet when Pivato met Sergio, he was shown something that was enough for him to want to learn from Sergio. You think Pivato was convinced by talking about it? That he attended a seminar and didn't want, ask for and get, hands-on time with Sergio? Really?
I know what I train in Yiquan.
With all due respect, either the Yiquan you train is not actually Yiquan, or you haven't understood what you've been taught. It is an internal art, yet you seem to know nothing about what makes an internal art, internal. We both agree that Qi myth and fairy tales should not be a part of the equation, and that leaves a physical explanation - yet you don't seem to understand any of the physical hallmarks that run through
all of the internal arts. You constantly ask what the physical processes and training are (but if you have it, you'll know it, Guy) and when I talk about it in brief, you say you
don't understand the language.
But nobody has given any indication of what this person thinks Sergio's system offers that is lacking in VT.
Really?
If it is something physical then describe what it is in simple physical terms showing how it is different to movement in VT.
As you are refusing to read what I've written in the past, including what I wrote about 'connections' in my previous post... do me a favour. First, go speak with your Yiquan teacher. Ask him or her the same question. The, let's talk some more.
I don't know what this means
Believe me, I'm beginning to believe you. I think you really, genuinely don't know.
I believe you didn't go on to explain your understanding of any of these things. Please do.
You want me to detail how I train these things, and train them on a daily basis. That's what it would take, a detailed explanation. Sorry, I'm not going to do the job of your Yiquan teacher. God, I hope you're not paying him/her for your
lessons.
Everyone has fascia, musculature, tendons and so on...
Yep, and that's the beauty of the internal systems - everything they have to offer is available to anyone who wants to train it. No mysterious force, no Harry Potter magic.
.... which allow the body to move in a connected rathr than disjointed way, barring physical impediment.
Yes, but
how do we use them? Do we automatically use them in an optimal way for a specific outcome - in this case, fighting? I remember once, on another forum, someone from WSLVT said that the elbow position used in their art was not natural - it had to be trained for function. We all have an elbow, and we use it, quite naturally, for many things... but we don't all automatically use it the VT way.
Or, to give another example, anyone can grab a sword and draw it, but can everyone draw a sword like Kuroda Sensei. Check 0:46 - 0:53 in this video:
His speed is more than
just the result of lots of practise - it is
how he practices. I'm not going to write an essay on it - do some research if you're interested. But I'll give you one word (even though I know you don't want to understand it):
connections. And yes, I'm meaning
in the body.
Everyone breathes and everyone coordinates breath with physical effort naturally.
Yes, but does a person studying advanced yoga, for example, just breathe in exactly the same way as a guy sitting at home, watching TV? Or do you concede that what an advanced yoga practitioner has learned to do with their breathing is different from how
everyone coordinates breath?
I'm not seeing what is special about metion of these mundane things.
I know you're not seeing it. You're not able to see how mundane things can be trained and used in a way that offers additional benefits.
Look, you've heard of Wang Xiangzhai, yes?
He created the art you say you study. He wrote that his Zhan Zhuang exercises should include, among other things, movement and non-movement, empty and full, relaxed and tense. Does everyone do this automatically because we all
have the same fascia, musculature, tendons and so on. Or does Yiquan have a training methodology that teaches you
how to use the body? (and I'm not even touching on the art's heavy use of visualisation and intent training... which, yes, has to have a connection to what you're doing physically).
I'm not even sure why I bother asking you these questions - it's pretty clear that you're not studying an internal martial art.