Hanzou
Grandmaster
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- Sep 29, 2013
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My belief (from the outside, trying to decipher a logical path to what I see now) is that randori seen in Aikido was originally all about movement. That makes sense of the fact that the "attackers" don't really use any significant skill - they're just feeding attacks while using movement to force the subject to work on movement. I don't think that's how it's seen by most of the Aikidoka I've been around, but that's my view of it. And I think it's pretty good for that purpose, and is probably one of the more useful tools for developing movement to control a multiple-opponent scenario (where movement, controlling distance, and keeping as many as possible in front of you are important). If there were also Judo-style randori at other times, I wouldn't have an issue with this drill.
There's a similar principle in Bjj and Judo where the movement and motion of an exercise during randori can be interpreted into multiple types of actual attacks. In Bjj a major example of this would be positional dominance, where even though there isn't any striking, the basic principle is still sound, so you can easily apply the principles you learned in randori practice to a real situation.
From what I'm seeing in Aikido randori, the general forward movement can be interpreted as a punch, a charge, a kick, a tackle attempt, etc. Thus during randori you can do this forward charging attack and practice the principle, and then use this principle in a self defense situation. However, the foundation of this principle appears to be flawed, because it doesn't take into account the boxing style striking that is employed by modern martial arts, and instead relies on the style of striking commonly found in traditional Japanese and Chinese martial arts.
I also think there's some discussion of the efficiency of training (this is what I think whenever someone starts talking about years-in-service, comparing two arts, as has happened in this thread). Literally everyone I know who is involved in Aikido will readily state that Aikido is the long path (even when done "right", as I would define that). I don't know if it always was, but that's the expectation now. It's part of the identify of the art, I think. Unfortunately, having that view of an art likely removes most incentives to improve on training practices.
And even that is a dubious metric, because I'm not seeing any ancient Aikido wizards effortlessly tossing people around either.