- Thread Starter
- #41
The point is, if you practice with long low stances, it makes it that much easier to do high stances. It is much easier to switch from low stances to high stances than vice versa.Would you try and explain it then?
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The point is, if you practice with long low stances, it makes it that much easier to do high stances. It is much easier to switch from low stances to high stances than vice versa.Would you try and explain it then?
Could you link one of those threads? I think I remember which technique your referring to, but not 100% on it. But personally, I don't see the point in abstract moves in forms. Either the move has a direct application, or it doesn't. If it doesn't, or if we no longer know it, we should either try to find out what that application is, or discard it from the form.I think the problem is you're training the movement and want it to mean something. I've got a similar issue with a lot of the techniques in the Taekwondo forms. A lot of the moves that appear quite consistently are abstract (at least to my understanding) and you want to see the benefit of training that movement over and over.
Starting with our green belt form, I've learned a total of 15 forms. 14 of those include the same technique that doesn't quite make sense to me. (I've brought it up in other threads, no need to rehash it here). The point is, since I've spent the last 4 years doing this technique over and over and over again, I want to see that it's been worth it to train that technique.
I think a lot of these cringy Bunkai videos are just that. "I've been doing this movement every other day for the last several years, and I still am not sure exactly why I'm doing it this way." So they try and try to figure it out, and they get a "best result" answer instead of a perfect answer.
Anything of him successfully lerforming a takedown from that height?Just find these clips.
I often wonder why those moves couldn't just be for the purpose of exercise and maintaining range of motion. I mean, if there are, let's say, 20 truly useful techniques (including kicks, strikes, blocks, and rudimentary sweeps) in a striking art, there's no reason those have to be the only movements in the forms. Heck, you could even include some techniques in forms that aren't terribly useful, but are either fun to practice or are just good exercise/challenge (I've done both). So I don't expect every movement in a form to be useful directly for fighting.I think the problem is you're training the movement and want it to mean something. I've got a similar issue with a lot of the techniques in the Taekwondo forms. A lot of the moves that appear quite consistently are abstract (at least to my understanding) and you want to see the benefit of training that movement over and over.
Starting with our green belt form, I've learned a total of 15 forms. 14 of those include the same technique that doesn't quite make sense to me. (I've brought it up in other threads, no need to rehash it here). The point is, since I've spent the last 4 years doing this technique over and over and over again, I want to see that it's been worth it to train that technique.
I think a lot of these cringy Bunkai videos are just that. "I've been doing this movement every other day for the last several years, and I still am not sure exactly why I'm doing it this way." So they try and try to figure it out, and they get a "best result" answer instead of a perfect answer.
Maybe that's a problem with forms that don't change. The guy who knew the exact purpose of every movement (application, strength, beauty, range of motion, challenge, whatever) dies and a tiny bit of that knowledge goes with him. The next generation dies, and you lose a bit of what was left. Add in the difference in how people remember what they were told, and over time there's confusion over what the forms mean. And then some techniques get adjusted/added/dropped as knowledge improves, but the form doesn't change to match.Could you link one of those threads? I think I remember which technique your referring to, but not 100% on it. But personally, I don't see the point in abstract moves in forms. Either the move has a direct application, or it doesn't. If it doesn't, or if we no longer know it, we should either try to find out what that application is, or discard it from the form.
IMO that application does not have to be a strike or throw or wristlock. If it's purpose is to train balance, or strength-building, that's perfectly fine. But it has to have a point, otherwise it's wasted training time.
From the striking art point of view, this move may only look fancy and fun. From the wrestling art point of view, this move is as simple as to grab on your opponent's leading leg ankle and pull.Heck, you could even include some techniques in forms that aren't terribly useful, but are either fun to practice or are just good exercise/challenge (I've done both). So I don't expect every movement in a form to be useful directly for fighting.
This is the low stance appliedI often wonder why those moves couldn't just be for the purpose of exercise and maintaining range of motion. I mean, if there are, let's say, 20 truly useful techniques (including kicks, strikes, blocks, and rudimentary sweeps) in a striking art, there's no reason those have to be the only movements in the forms. Heck, you could even include some techniques in forms that aren't terribly useful, but are either fun to practice or are just good exercise/challenge (I've done both). So I don't expect every movement in a form to be useful directly for fighting.