Ah, I've been a bit busy to get back to this one, so this'll cover quite a bit at once...
Chris I agree that "Scenario Based Training" is an excellent form of practice for personal protection. I do not feel that it should only be that with no sparring. The timing and distancing in kata is very important. That allows a practitioner to work on technique and applicatioin of a very specific set of technique and the circumstances that go with it. Unfortunately, typically there is not unexpected movement in a prearranged drill like "kata". (though of course there are methodology that can take this into effect and counter this argument) Real time timing and distancing against an opponent who can come at you with a wide variety of technique and the contstant adapting movement and footwork found in sparring is very important. Just as is rolling against a person trying to submit you is equally important in that they both take the application of technique out of theory and into application against a live human being. Athleticism will always come into play in any sparring, scenario based training or real life encounter. It was there in that exchange even if you could not observe it in a flamboyant matter. I understand your point of view here but..... it may not necessarily be the right point of view for all martial practitioners in the Takamatsuden arts.
I think what I'm talking about when I say "Scenario training versus sparring" might need some clearing up. Sparring I am using (as stated earlier) to refer to a one-on-one "duel", where both partners are going in with the same aim (attack and defend against the other persons' attacks, in order to "outperform" the other), with similar skill sets, and for an extended time period (in other words, you stay in till the sparring session is called over, the round is over, or whatever). This leads to habits of staying when you should leave, as well as a highly unrealistic expectation of what to expect from your potential attackers in the street (that's actually a good distinction there, the guy on the street is not an opponent, they're an attacker.... which leads to a range of changes in the behaviour of both sides).
Sparring typically looks like this:
Kickboxing
Karate
MMA
Now, each of these are specific and suited to the needs of the arts they are employed in... but the tactics, strategies, and habits formed go against the needs of actual defense or combative usage.
When I talk about Scenario Training (as free-form training), I am talking about a training method where there is an attacker (or more than one, depending on the scenario being drilled) against a defender (or more than one, for example in security training, bodyguard training, partner protection training, and so on). The defenders aims and the attackers aims are not the same thing (the attacker wants to attack, the defender wants to defend/escape... which can involve going on the offensive, but doesn't mean the same thing as being the attacker), the tactics and strategies are by necessity different as well (with the aim of leaving the situation as soon as safety allows, and not wanting to "stay and trade blows" as you would in sparring, and so on.
Here are some examples (Note: some language warnings):
Now, there are simply thousands of different scenarios that can be trained.... and, when done properly, it gets to the point where the attackers attack with random attacks, not stopping until they're "stopped", and the defender(s) have complete freedom of response as well, from slow all the way up to full pace (with safety equipment). The tactics employed are exactly what would be employed in self defense, the attacks are exactly what would be encountered in an actual self defense situation, and so on.
Simply put, scenario training is designed to mimic reality as closely as possible, whereas sparring is designed to mimic a competition as closely as possible. Which are you training for?
There is quite a live discussion about the AKBAN way of training on youtube, you can check out the comments and add your thoughts under a video like this one on the youtube website
[video=youtube_share;p9_AOVBlZk0]http://youtu.be/p9_AOVBlZk0[/video]
I feel that I've hogged this thread....
Er, actually, Oded, I'm not able to engage the conversation on you-tube... it seems my pointing out that the version of Itsutsu no Tachi from Tenshinsho Den Katori Shinto Ryu that Yossi put up was missing parts, showed a desperate lack of understanding of the kata itself, showed large mistakes and gaps in timing, distancing, targeting, and more, and that, if, as Yossi said, the aim was to show respect for the art they were "teaching" with no authorisation, they would be best advised to stop showing it and remove the video, I was banned from making comments on any of the Akban clips. Whoops.
As for the video, up to about 34 seconds, it was recognisable as Ninjutsu (I saw some Gyokko Ryu mainly), but after that it was nothing to do with the art whatsoever. Especially for the section from 0:37-0:45... I mean, that was just the kickboxing stuff again. Nothing like anything found in Ninjutsu at all. And that's really been my point. If you're also teaching kickboxing, great... but if you're calling that part of the Ninjutsu teaching, you really need to have a closer look at what makes each art what it is.
Are you referring to this video?
Everyone at Akban do the "correct" Koku no kata, among many others, at the beginning of every class...(with the ken kudaki).
That's why this video is meant for more advanced practitioners who want to be able to implement koku in combat situations.
Koku at every class? Why? I can see why you'd do the Kihon Happo, or Sanshin, but Koku? But, as Richard said, that ain't Koku. It misses pretty much everything that makes Koku Koku.
It is best described in this
kata analysis from Koto ryu:
"1. Preserve – in this stage we do the Kata exactly as it was transmitted.
2. Break – this is the stage where we change different parameters of the kata, look for a different ways of doing it and for context usability.
3. leave – this is the stage where we try to perform the kata or the sequence in free sparring."
Yes, that's known in Japanese arts as Shu Ha Ri. But it doesn't mean that you train in one art, which gives you a particular postural concept, a particular usage of body weapons, a particular movement concept, a particular power source concept, a particular distancing concept, and a particular timing concept, and then doing something completely unrelated and saying "oh, well, we're doing the "Ri" approach to it". No you're not.
I agree with Mr. Parker on most subjects, but I think sparring is a great preparation tool for self defense. Coming from a school that incorporates all of the above(kata, sparring, drills, etc) There are somethings I've learned through sparring that I would not see myself learning if I had not sparred. Of course you have timing, distancing, taking pain, unpredictable, and countering. You will learn sometimes the first technique doesn't work, and you will have to turn it into something else. Then you learn that second technique didn't work again and you have to flow it into something else. Then you finally find the third technique that gets it done. You will also learn that different people attack you differently and there's certain techniques that just favor for those certain people. You will also see the effect of weight and body type has on your technique. You will also get used to the unpredictable changing energy being given to you by your opponent and which technique to use accordingly. Really the list goes on and on, but do not mistake me for saying sparring is like a real fight. Sparring is not a real fight(atleast not for me). I am trying to learn during my sparring sessions, so I am usually experimenting and seeing how things work in the constantly changing situations.
Hopefully the above examples will show clearer what I mean when I'm discussing Scenario training versus sparring... and how all the benefits that sparring gives are present in proper Scenario training, with an even closer analogue to a real situation/fight. Sparring really just isn't close enough for me.
I read that article about "Fully resisting opponents" from Rory Miller. And I have to say with due respect that I do disagree with some of the things he has said. Based on my experiences and experiences of my teachers. Specifically on the part of slapping a rear naked choke on someone and them gouging your eyes to escape. Eye gouging, groin grabbing, throw jabbing, etc are all good stuff in self defense, but they don't make up for lack of technique. I've slapped many rear naked chokes on people and had them slapped on me. And if I didn't apply the proper countermeasures to get out of it. I would of been out in seconds, especially if I was a person who wasn't used to being choked and got excited(with my blood pressure going up).
Which brings up another point... Somtimes you gotta be put in these situations because if you are constantly put in those stressful situations your stress level gets higher. Thus it takes more to make you start to panic.(Unless you went into the situation with emotions high)
Oh, absolutely train the technique... but the issue isn't when the choke is on, it's getting it on in the first place, which isn't always as clean as you might find in the dojo. If you do get it clean and fast, you will typically get a "panic" response from whoever you're putting it on... which can come out in different ways. Some more effectual than others, it must be said. But if you're still trying to get it on, not quite in position, and the other guy is seriously (realistically) trying to claw your eyes... and by that I mean that they actually will pull your eyes out, not that they are "replicating" the moves... it's quite a different situation. That's what Rory Miller was getting at. Until you've done it for real, against a real person with that amount of desperation, then it's still not "real" in your training.
I am going to stress this point a little more. If you don't get hit, choked, and etc with intent daily... Then you aren't prepared. < That is my belief.
And one more point to stress because I see this strawman attacked a lot. Sparring is not to emulate a real fight or be considered close to a real fight.
But if it's said that sparring is "preparation" for a real fight, then it must be seen as having properties similar to one, agreed? And the fact is that most of the aspects that most people look to to say "this is just like a real fight" are actually very far removed from a real defensive encounter... but are very close to the "real fights" that people see in MMA competitions....
I think that while the wording is slightly different, the meaning is the same. Just like in that 'pure art' thread I started and we were talking about 'pure' and 'original'. This is why I often talk about gaining control of a weapon when doing a disarm. If you grab the guys weapon or limb holding the weapon, he's going to resist by puling away, trying to free his weapon. If someone grabs me in a headlock and I try to reach up to grab his hair, eyes, etc, sure, they're going to react, but they're also going to be resisting your attempts at escape, ie: change the attack, move you around in an attempt to stop your defense.
Ha, I'm going to head back over to that thread, hopefully later tonight...
Yep, reaction is what happens, which is not the same as the reactions (or "resistance") found in sparring matches, say, BJJ rolling. In that encounter, one BJJ practitioner might have found themselves in a position where a particular armbar is available, so they start to attempt it... the other will then employ a defence directly against that lock, responding with a trained, skilled reaction, seeking to "defeat" the first persons lock. But against a "street attacker", starting to get the same lock on, the reaction will be quite different. There won't be the training to back anything up, so that skilled response won't be there... but what will come out will more likely be a direct attack towards the person trying the lock, whether that's hitting at them, kicking, scratching, or whatever. The difference is that the aim of the BJJ practitioner is to not be defeated, and preserve the opportunity to then "defeat" their opponent... whereas the street attacker just wants to attack, and is just looking to continue that attack. It really is very, very different.
Yes, that was the video I was refering to. I did find other "versions" of Koku by Akban on youtube were the ken kudaki was present. Still, I cant really see where the Koku is in the other video. Why does he say "lets look at the traditional koku no kata" when what he shows next is far from it. It looks like he took out the ken kudaki and the footwork/positioning that comes with it (one of the key components in my humble opinion).
Regards / Skuggvarg
The better version of Koku from Akban is this one:
This is
not Koku:
But it does give a clue as to what Yossi was doing in the earlier one....
Oded, Koku is not about just outflanking and hitting the ribs (for the record, Yossi's target in the "ura gata" form was way too high as well, if he was a few inches lower he'd be getting the floating ribs, which might have an effect), and the "feel" of this movement is very different to Gyokko Ryu. It's slightly closer to Koto Ryu, or some aspects of Togakure Ryu, but it certainly ain't Gyokko Ryu or Koku itself.
Just a wee question pertinent to the "analysis of Koto Ryu" mentioned earlier and referred again to above; what relevant qualification does the AKBAN member in question have to make a critical analysis of koto Ryu? Menkyo? Menkyo kaiden? Something else?
I realise this may sound like a loaded question but honestly I'm just aking to get an idea of where you guys are coming from with some of the analysis here.
Well, Yossi was a senior student of Doron Navon, so anything would presumably come through him. They are still part of the Bujinkan, according to Yossi.