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I never knew that...I like that..using your environment to your advantage...cool!David, i def. like the technique too. Jdokan, my ending move on 19 grabs the belt and just throws them backwards, our scenario is there is a wall behind me and im putting their head through it.
Jesse
We do it is posted originally with a few differences. When you pull back to the cat stance, you do a monkey grab instead of just a parry to pull them off balance. After the take down, with the arm locked up, we punch to the head (since they are locked up, their head is off the ground a bit, so a punch to the head slams the front of the head with the punch and then slams the back of the head into the ground. Gotta love Kempo). Then we lean back to brak or hyperextend the arm, and then spear hand to the throat.
After the right palm strike to the temple I kick to the face with the right leg from under their arm ( snap kick or a shin ). I then land in the center of both legs to block their left knee, then step back with the left leg and turn ccw about 180 degrees while applying pressure to the elbow and breaking the arm. They are being taken down face first.
It is a very effective takedown if you are on the outside of the arm and can get your foot in the center of both feet to control the legs. You can hyperextend their knee as well ( Bonus ).
I have a different version of #45.
Defense against a right punch. Left foot steps to the outside towards 10:00 as you do a left open handed inside block. Right hand outside block with the palm up and rake your opponents eyes with your fingers. (Fan block or Windmill ). Right roundhouse kick to the inside of your opponents leg and step towards 12:00, as you land deliver a right elbow to the ribs.( you are on th eoutside of your opponents with both legs at this time.) Bring your left foot passed your right as you turn ccw and deliver a left elbow to the face and a right thrust punch to the ribs. Right foot steps behind opponent towards 2:00, with your back to your opponent deliver a left elbow to the kidneys. Snake your left arm under your opponents left armpit and tigers mouth to the throat. Drop to your right knee, opponent falls over your left leg. Trapping his left leg on top of yours you deliver a left punch and right palm to the groin simultaneously.
I believe that combos 45-50 were taught from the left side. I practice and teach all my combos on both sides.
Actually they add a lot of substance to the curriculum. I do not know if your GM has changed a lot of the combinations but most of the techniques in the lower combo's are repetive principles with different #'s. if not groups.
6,7,8,9,12,14 kick sets - most from a standing position or with a knife block - combo 19 - just #6 with a add on. so now we are down to 19 techniques.
10 + 17 similiar principles.
21 + 26 same (dont get crazy most of you know what i mean)
1 through 5 all teach something different -- great techniques.
11 - one of my favorites
combo 13 is just combo #3 with a belt in your hand (that is if you do it with the belt block Left hand high (#3 block) right hand low - (looks like a punch to me)
15 - different - this technique alone is fun to change around for hours.
16 -- mmm, I like how i do it now more than trying to catch a punch.
18 - different (We do it off of a right kick)
I guess what i am getting at is who wants a person only up till black belt. All that means is that they are really good at basics. the real knowledge comes later on when it truly sinks into your body. Plus up to 40 you get to see a lot of what was influenced by Prof. Cerio and his teaching from Prof. Chow. The foot movements and body positionings after 26 real start making you move in ways you would not think of. David i am not trying to blast you here just answering your question on wondering if it adds substance. the higher numbers have hip throws, Small Circle Ju-Jitsu take downs - arm bars and breaks and so much more. Go to Matt Barnes Page, grab some of the techniques in the 40's and try them out, you will see some substance. Until then train hard in your combo's because and Grand Master Pesare says -- Give me 26 techniques and i will show you 260 moves.
Jesse
Number 43:
Step in with the left foot and use a downward knife block to the wrist. Turn. Right Palm strike to the temple, left palm to the ribs. Turn. Right palm strike to the back of the neck, left palm strike to the kidneys. Turn. Right palm strike to the temple and left palm strike to the ribs.
I agree with you Mr. Dwire, not something I would ever find myself doing. However, when this happens, I try to find a reason why it might be taught and what I come up with on this particular technique is that I may find myself in a position where I may have just taken a left cross or hook and in moving with the punch I spin away, and continue that spin right into the palm strikes. It teaches me footwork, coordination in spinning while maintaining balance and striking as I complete my movement, simultaneously, using the whole body to strike. It is very doubtful that I would continue spinning around the opponent.
Anyone else have any thoughts on this technique?
That one sounds pretty interesting. I know for a fact that 45-50 are taught against left handed attacks.
DM 47:
Starts out the same as 46. It's against a left handed punch. Right foot steps out to the outside of the opponents left foot. Left foot draws in a cat stance. Left hand monkey paw block to the outside of their left hand and rotate under their arm. Right palm strike to the elbow followed by a right palm strike to the temple. Grab with the right hand their right rib area. Step in with the right foot and execute a hip throw. While they are on the floor, do a right tiger's mouth to the throat with a simultaneous inverted palm to the nose.
Does no one post here anymore?
Is this your version of 47 or 46?
Mine is very similar but after the kick i step more to 11:30, i do not have the thrust punch to the ribs, and the final strikes are a left back 2 knuckle or pheonix strike to the perenium and a palm strike to the bladder simultaneaously...the palm strike pushes towards the back of the knees directionally
respectfully,
marlon