Originally posted by Don Rearic
Professor Presas was actively involved in the evolution of his Art, which is of course Modern Arnis.
Yes, the art has changed a lot from the 70s through the 80s and into the 90s, with the final heavy emphasis on tapi-tapi as opposed to the largo style and all the emphasis on empty-hand joint locks in the 80s. The art has evolved a great deal, and the Professor was actively doing this.
With respect to Datu Hartman who I bear no ill will to whatsoever, it should be clear that what Datu Worden is doing is in the Grand Tradition of Modern Arnis itself. If something should be found in Datu Worden's Modern Arnis that is not found in Datu Hartman's Modern Arnis, that should come as no surprise and should not be a basis for a claim that what Datu Kelly Worden is doing is not Modern Arnis. It is.
I expect that the same will be true of the MARPPIO contingent--that they will be doing Modern Arnis as the Professor envisioned it in the early 70s, unless they have evolved it from there. I expect that it will be very different from what the MOTTs are doing.
Again, you can refer to Datu Worden's interpretation of Modern Arnis as Modern Arnis in that, it received the blessing of Professor Presas, and always has.
I respect this and I expect that much the same could be said of Mr. Hartman--the Professor sent him to Mr. Buot for Balintawak so that Mr. Hartman could continue to evolve from the Modern Arnis he has been taught. This is not a problem--the Professor studied and melded many styles, and he hadn't finished before his untimely death.
I don't believe that anyone is put off by Mr. Worden's evolution of Modern Arnis. Please undersatnd--we simply don't know that much about him. I remember a comic (B.C.) that I read many years ago in which one character asked some innocuous question, to which the other character gave the answer then added, "Why do you ask?" The first character responded simply, "In order to find out." Speaking for myself, I am asking in order to find out.