Dirty pool! I am the first to say I DON'T KNOW! I was then asked to try and define my understanding of ki. That is why I specifically avoided the word 'force' and used 'mind force'.
You
didn't avoid the word 'force', K. Quite the contrary:
K-man said:
To me, it is a force, call it a mind force if that makes people more comfortable, that can be directed. Internally it can make us stonger and harder to move. Think unbendable arm and lowered centre.
Exactly where are you 'avoiding' the word 'force' here, K? You're saying it's a force, and can be directed, and for those of us who are quite happy with force being change in momentum, we should think of it as a 'mind force', which naturally makes everything clear. And then you bring in the unbendable arm as an example.
Then you use that as an excuse to go off on a rant about 'parlor tricks'. What of the first three words don't you understand ... I or don't or know? This gets to me. Either you have experienced ki or you haven't. If you have experienced a trick then I am sorry. If you have experienced what I call ki then by all means describe what you felt and why you thought it wasn't ki.
You've had an experience which you're labeling ki. As an example of ki, you trotted out one of the oldest parlor tricks in the book. (We'll get to the specifics below). And then when I call attention to the fact that this—your first concrete example of ki in several pages of thread—is indeed a parlor trick, you respond with 'Didn't you understand that I said "I don't know"?' Well, K,
you brought up the unbendable arm as an example of ki, as per the quote above from your previous post. And yes, it is a parlor trick. So why are you complaining when I point out that your very own first example of the supposed phenomenon you're trying to defend/illustrate is a simple biomechanical effect? Instead (as readers can see for themselves), you're acting that though the parlor trickery of the unbendable arm is a nonsequitur, that bringing it up was a rant, and so on. The fact is, you got caught. You gave as a example of this mysterious thing (something that you can't (dis)prove, that can only be experienced, etc.) a kid's trick whose basis in muscular anatomy is completely understood, and now you're claiming that
I'm bringing in something irrelevant when I point out that it's nothing more than a simple consequence of antagonistic muscle action at a joint. :lol:
And again, saying, 'Well, I experienced something, and I can't say just what it is, so there, that's evidence that ki exists'—which is what your 'evidence' boils down to—may say something about you, and your standards of verification, but it says
nothing about whether there's anything there that
needs to be explained.
And talking of unbendable arms, you are right about the biomechanics, and probably 95% of all so called ki may be attributed to biomechanics. I have no truck with that. It is the 5% I don't understand that I am talking about.
Well, once again, what we would like to know is, what does that '5%' consist of? What phenomena are you specifically referring to? Could we have some
actual examples of something, please?
And there a virtually NO unbendable arms that I can't bend, biomechanics or not!
Uh... say what?
By your description above, if I do a hip throw have I used biomechanical 'trickery' or biomechanics? If it is the latter why have I used biomechanical 'trickery' for an unbendable arm?
Someone is using trickery if they then try to convince me that the hip throw is evidence for anything other than the construction of joints, their manipulation by muscles, and very simple principles of Newtonian mechanics. Which is what you were doing when you brought in the unbendable arm as evidence for/illustration of 'ki', since clearly, you aren't equating ki with biomechanical leverage, eh?—after all, if that's all it was, then you'd hardly be saying, at the same time, that you... don't.... know. Your argument only makes sense, by your own lights, if the person in question is using the hip throw to convince me that something
else, something hidden and not reducible to what we currently know about human myoskeletal anatomy, is the source of this effect. And if they are, well, yes, that's trickery. Of exactly the Uri Geller type. See below.
Cut the emotive language.
Emotive? I don't think I'm the one getting, uh, worked up here, K. All I'm asking for is some actual replicable evidence (that doesn't turn out to be like the unbendable arm, which
you, I have to repeat, were the one to bring up), and some consistent reasoning in arguing from
it, on the one hand, to the conclusion that we need to assume that something (which you persistently refuse to define, or identify, beyond saying you 'feel' it) exists that isn't covered by familiar properties of the physical universe, on the other.
That was the reason for asking for that in the OP. This thread has been worthwhile as demonstrated by the large number of members have been following it. Let's try to keep the debate clean. I don't believe in magic and I am not into trickery.
Good. Then let's agree that your own example of the unbendable arm, and any number other such effects out there, have nothing to do with the case at hand. So what is the 5% residue that you are claiming
isn't reducible to the same simple kind of explanation as the unbendable arm? Why not just tell us what that 5% consists of? A simple list of replicable effects that defy reductionist explanation and establish that something metaphysical—literally, beyond our current account of physical phenomena—is called for. We're all attention.
What are they?
Thank you exile for bringing Uri Geller into the debate. I was totally unaware of his martial arts prowess.
What gave you the impression that I was bringing up Geller because he had something to do with MAs? The relevance of Geller is that (i) he used perfectly ordinary effects to create the impression that he was manipulating some unseen source of power, thereby supposedly establishing that this source exists, and that (ii) under controlled conditions, in which all of his actions were carefully monitored and a few simple precautions were taken, he was unable to duplicate
any of his stage performances.
See the connection now?