* I remember Professor telling me about Sonny Gascon and said that allot of the old guys worked out together but only for a short time. I wish I could release the tapes of Professor Chow, but allot of derogotory things were said on these tapes and I don't think they should be in an open forum like a book or something. I believe that whatever happened in those days should be kept private, however there will be some things that he said will come out in a book, but only the good stuff and the memory things.GAB said:
With in regards to Kara-Ho Kempo, I have some certificates from Professor from the late 60's that has the system being as "Chinese Kenpo of Kara-Ho Karate." Professor told me that Kara-Ho has been in the system's acknowledgement for many years, but he always used Kenpo Karate and deleted the rest. It was in the 70's that he told me he wanted us to be known as Kara-Ho Kempo (changing the M from the N) and not Kenpo Karate or Chinese Kenpo Karate as he wanted to disassociate himself from Ed Parker and himself, so we did. "A good student is not to question why...but to do and die."
Grandmaster Kuoha
) and continuity. I fear that many folks who comment on seeing Kara-Ho may only have seen the beginner techniques and forms, and that is not an accurate depiction of our art. As Grandmaster Kuoha himself has mentioned, try to get a glimpse of the more advanced material before you decide what our art is all about. Don't get me wrong the basic techniques are complex and devastating but compared to the higher level criteria, well there is no comparison!
