Juany118
Senior Master
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If this doesn't make sense, let me know, Juany. It's not meant to be an implied condemnation - I'm expecting there's an answer to this if I ask it clearly enough.
What is the principle of progression from the forms to how it ends up in application? If it doesn't look like the forms, then how does someone in TWC know how to apply the principles from the forms?
Sorry this will be a little long.
This clearly wont be an exhaustive list but it will provide the basics.
1. SLT is the "alphabet." You are learning the importance of structure, the centerline, how to all ways maintain forwarding energy (while being relaxed), focus on the elbow and the basic hand and arm techniques that will be honed into skills eventually.
2. TWC has "advanced SLT" which is basically what I see as a good mid step to CK in that it introduces some basic foot work but beyond that is largely reinforcing the above. I believe TWC is the only WC lineage with such a "mid step" form
3. CK introduces kicking, the bulk of the footwork and how to generate power by orchestrating multiple muscles into such an action. In short it is increasingly imparting the concepts of efficiency that are hammered at with these concepts especially. Also it builds upon SLT in that where in SLT you most often move the left side and then the right side of your body, in CK you are far more often moving both sides at once as you would in a real fight.
Note: Yip Man said that a student who had been trained properly, up and to including, CK should be a competent fighter.
4. BJ builds even further upon the footwork and power generation of CK but then also includes the idea that you may lose control of the centerline and/or your structure and how one may recover this.
How does one know how to apply it if it doesn't "look" like the form?
Look at the main principles being taught. Control of you centerline and structure first. These are things you can in essence "feel". If your feet aren't in the perfect position you can still "feel" if your weight is distributed properly and adjust, either the body or the feet as the situation dictates. The same goes for other things. Perhaps I take my elbows a bit off centerline because I have someone throwing a lot of round attacks on me. I still have my center covered by portions of my arms and can close my guard quickly if needed, but I changed my guard ever so slightly to something the doesn't "look" WC but is still maintaining the centerline principle in an efficient fashion.
The same may go with attacks. Now "hook" punches are not commonly see in WC, but they are taught (in my experience) so you may have a WC practitioner say that I didn't do a WC punch, however they way I was taught to throw such a punch "feel" WC to me. It is always converging on the centerline and my structure is maintained because I use my entire body, including proper footwork, to power the punch. To those who haven't used a hook punch (we call it a buffalo punch in my school) think of the structural strength of a bong sau, then put power behind it with proper coordination for a attack. It's kinda like the inverse of when you are doing a straight punch that gets intercepted and now you are doing a tan sau
What did I mean by the last? Many people who know nothing of TWC, if they saw our forms blind, would think it is an art "similar" to WC but not WC. Also in a real fight am I going to be overly concerned about having that hand perfectly open for a tan sau or a bong sau? No, I am going to defend, if I was in the midst of striking that tan may have a fist on the end of it. If I am under pressure from a poser who thinks he should be in the UFC and thus is head hunting like an SOB, I am probably going to raise my guard a little bit. You are fighting an independent being, as such you can not rely on being in absolute control, you must learn to flow with your opponent as needed. When this happens, you can't be worried about "looking" WC. Yes you should maintain the principles but these principles are based in physics. I can maintain proper structure and keep my mass behind my attacks and defenses without constantly maintaining the picture perfect upright posture. I do A LOT of sinking (not bending over) defensively when my brother-in-law is throwing round kicks at my head, as an example. To become trapped in the forms and to put them on as high a pedestal as the principles, at least imo, invites you into traps.
Now this isn't to say you should take this attitude out of the gate, you certainly should NOT as a student. You have to VERY certain that you can instinctively put the principles into practice. Think of it like a Jazz Musician. They don't automatically start improvising like this
you start with sheet music, learn the use of flow, chord progression and rhythm and THEN when you have those principles down instinctively, you walk up to the stranger on the street and join in.