I didn't know Judge Roy Dean was a martial artist. Oh wait...Roy dean is a black belt in jujutsu, aikido and also BJJ.
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I didn't know Judge Roy Dean was a martial artist. Oh wait...Roy dean is a black belt in jujutsu, aikido and also BJJ.
But do you understand that anybody can ramp up the intensity of how they train, to whatever level they choose? That is a decision of the instructor, or even the individual to do on his own if the school does not. Do you understand that?
But do you understand that anybody can ramp up the intensity of how they train, to whatever level they choose? That is a decision of the instructor, or even the individual to do on his own if the school does not. Do you understand that?
I would say yes. He seems to be a thoughtful guy who has been around for a long time, and who has a unique approach to BJJ. I don't know where he stands within the aikido community, but I would says hat he should absolutely be taken seriously by the martial arts community at large.Does he have some notoriety or something, for which his comments should be taken seriously by the martial community at large?
Roy dean is a black belt in jujutsu, aikido and also BJJ.
Actually, Judo. I know Roy. He's a good guy. He's doing something a little different.
Another guy that is rather well known that has black belts in both Aikido and BJJ is Bruce Bookman.
Bruce Bookman’s response to Stan Pranin’s article, “Virtues of Aikido”
Um...where do I even start...Not the same thing.
That is actually a trap. That a lot of clubs fall for.
So i throw an unrealistic punch exactly where and when you want it and then collapse at the right time.
And then to ramp it up i throw really fast. And you knock me down really fast.
Which doesn't really work.
I'm trying to remember what your background in aikido is?If the methodology is flawed you can ramp it up as much as you like and it isn't going to help. You have to go to the core of the methodology itself and hammer out the flaws in order to make a real impact. However, that may be more difficult in systems where the founder is heavily revered. There's also a real danger of losing the art's uniqueness in the process.
I'm trying to remember what your background in aikido is?
It is quite limited, which is why I said "if". Of course if the methodology was sound, we wouldn't have all this doubt on Aikido's effectiveness from the practitioners themselves, or from outside observers who are experienced in other styles.
What Dean said about Aikido meshes well with my personal experience with the art. The part where he said an Aikidoka would simply be overwhelmed by a MMA, Judoka, or Bjj practitioner is something that I've personally witnessed on several occasions.
That prospect should be troubling to any Aikido practitioner.
I don't have any doubts about the effectiveness of aikido.
I do have some doubts about the practices found in some aikido schools, as instructed by some aikido sensei. But I have the same feelings about some schools and some teachers of just about any system being taught.
However, I don't see that as any reason to believe that a system itself is flawed, or that all teachers of a particular system are lousy.
And at the same time I can recognize that a certain system may not be my cup of tea.
Um...where do I even start...
Ok, when I said ramp up the training, I guess what I really meant was, train with both intensity and realism.
What I did not mean was, throw unrealistic attacks and then just move as fast as you can.
The training method is a feature of the school, perhaps of a sub-group of the art, but not necessarily of the art, itself. There are ways I teach and exercises I use that are not the same as those of my primary instructor, and some of his methods are not the same as those of the instructors within his association.Isn't the training method an integral part of the art?
I don't think realistic training requires competition. True, sparring for points would be one way to introduce resistance, but I'd argue that's actually not the most realistic sort of resistance, anyway (since it's the resistance one gets from an experienced Aikidoka, rather than the natural resistance of those not trained in an "aiki" art).Yes, but every art has unique training methods that separate them from other arts.
Additionally there's the culture of the system itself. For example, while there are competitive forms of Aikido, the vast majority of Aikido is non-competitive because "O-Sensei" opposed competition and they're never going to change.
What do you mean by "grip fight" training?Does Aikido have "grip fight" training? Can anybody answer this?
That is a danger, if all we do is speed it up. With a "good" uke, I can look like a god on the mats, without actually doing anything that resembles real defensive work (cue "demo" reel from most arts).Not the same thing.
That is actually a trap. That a lot of clubs fall for.
So i throw an unrealistic punch exactly where and when you want it and then collapse at the right time.
And then to ramp it up i throw really fast. And you knock me down really fast.
Which doesn't really work.
Grip fighting is the process of working to obtain dominant* grips on your opponent while preventing him from getting good grips on you.What do you mean by "grip fight" training?
Ah, so that would refer to the majority of what happens in the Olympic Judo matches?Grip fighting is the process of working to obtain dominant* grips on your opponent while preventing him from getting good grips on you.
*"Dominant" in this case refers to grips which most easily allow you to throw your opponent or otherwise control his body while preventing him from doing the same to you. High-level Judo players are particularly adept at this.
It tends to be more of a focus in purely grappling arts than in combined striking/grappling arts.