Originally posted by rmcrobertson
An enormous problem in kenpo these days is impatience. Of course, people don't describe it as their impatience. They describe it as "flaws," in kenpo--and please correct me if I'm wrong, but it seems to me that their description of these flaws always takes exactly the same form: worthless kata, no grappling, too much technical knowledge, takes too long to learn...
I think that the reason that impatience is prevalent is because our art....as with most any other martial art, is filled with novices at best. (NO offense CFR, hear me out) Just as there are more 'privates' in the army than officers. Patience is a learned virtue... I learned it through studying martial arts. Lord knows I didn't have any early-on. That's why it's up to those who've been "at it" longer to explain and instruct, enlighten and be examples. The best way to help a younger martial artist learn patience is by being patient yourself, even with their mistakes, assumptions and presumptuous assertions. They are supposed to do each of these.... gives us a chance to teach and to lead.
Sermon over....
It might be profitable to look into WHY these are such common claims.
Worthless Kata?
I'd chalk this one up to inexperience. I think many people feel this way as a beginner, the benefits aren't obvious to us.....yet.
Thank God for insistant and understanding instructors!
No grappling?
Combination of reasons for this one I think.
#1: It's not a grappling art. Simple. Many of it's principles can be adapted/adopted and used in grappling situations...but in practical application 98% of the base curriculi of Kenpo Karate is a stand-up balistic style...period. No grappling? Wrong, there is grappling and many a fine Kenpoist can grapple.... but don't go to a butcher's looking for dry-wall.
#2: again...lack of experience. Assimilating the concepts and principles of Kenpo is a long cultivation process, adapting them for a grappling situation can be done and is done...but the base curriculum doesn't explicity teach it as such (in Most curriculi). Therefore some interpretation is done. Well, a person doesn't interpret a language (well) until they are fluent in that language. Arts like Aikido, Judo, Jujutsu, Chin-Na.... there it's not implicit, it's explicit... no interpretation needed. That's what they do, but don't go to a Judo or Jujutsu school and expect good stand-up balistic striking lessons.....
Do people call "Jujutsu" flawed??? No...they know what it does and don't expect it to do otherwise.
I don't blame the newer guys for this confusion. There's lots of talk about the "Universality of Kenpo". I understand what that implies, I'd bet you do too Robert, but to a new guy? That sounds like there should be EVERYTHING you could want or need in a martial art. It sounds like a blanket art.
I personally think that Kenpo does have Everything "I" need or want....but that's me.
Too much technical knowledge?
Could be, if you want things exceedingly simple. Kenpo has a lot to it, choc-full O' goodness if you ask me. Sure there's lots to learn. That's part of what draws me to it. Does "analysis-peralysis" exist? HE11 Yeah it does. But the "Technical stuff" is a tool, and a tool can be misused to the detriment of the art and the artist. But if used well, it greatly enhances it.
IF it's still an issue for the artist? Let them go do boxing. It's a good way to fight and is very simple by comparison.
Takes too long to learn?
No... it's not an overnight accomplishment. It's not for the dabbler nor the dojo-whore. If you want something that's FAST to learn and appy.... again....boxing. It's rather 2 dimensional, but it's simlicity is it's strength.
Kenpo isn't for everyone, nor should it be. If someone posed that we change to suit everyone.... I'd kick sand in their face. (figuratively) If it's not for you, it's not a shortcoming of the art, it's a reason to move on to the next dojo down the street and find something that IS for you.
Food for thought?
Hope so....
Your Brother
John