I remember that too. People not dancing to sound that wasnāt music!Maybe. Quick aside, as someone who went to an inner city high school in the 80s, I remember when break dancing was cool and really new. At the time, general belief was that break dancing was NOT dancing.
In my school we had an inter-house music competition where participants played music and were judged by the music teachers. It was a big deal! One house (āHadrianāsā) started their set off with a group of break dancers! It was unorthodox becauseā¦.wellā¦.they werenāt playing music! They didnāt get very far, and my house (āMarlboroughā) won thanks to our rendition of a Rush classic, āCloser to the Heartā. I played keyboards!
Well that Strictly Come Dancing/Dancing with the Stars is not dancingā¦.itās theatre. The actually Argentine tango is superbā¦the ballroom version is40 years later, and you're referring to break dancing as "proper", and the other stuff is "bunkum." How far we have come.
I wasnāt meaning they were, just that the ability to move like break dancers seem to do so effortlessly would like make their performance of kata, truly beautifulā¦not least because of the sequinned keikogi.But to the point of the thread, I think folks who are athletic are going to appreciate benefits of their athleticism in any physical activity. But I don't think kata, for example, and break dancing are all that close.
Youāve omitted a control group of non-dancers. Iād be willing to bet Ā£5 that the breakdancers would make a better job of ballet than non-dancers would etc. Pure speculation, of courseā¦Look at it like this. Get a ballet dancer (graceful, strong... really strong, athletic, flexible, etc) and ask them to break dance. Or get a top level break dancer and ask them to perform ballet. How much crossover is there? I would say little, and the same I think is true for martial arts.