At 1.04, he uses downward parry on his opponent's left arm, his opponent can borrow his force, spins his left arm, and hook punches back at his head. This is why I always suggest, downward parry (or hook punch) should be followed with a wrist grab.
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At 1.04, he uses downward parry on his opponent's left arm, his opponent can borrow his force, spins his left arm, and hook punches back at his head. This is why I always suggest, downward parry (or hook punch) should be followed with a wrist grab.
Rojo's target is the face not the guard. Stepping forward to the left with the left jab feint causes Galavan to move backwards and downward parry (position). This allows Rojo to land the overhand right to the face. Galavan's reaction prevents him from blocking Rojo's overhand and/or countering.In this screenshot the target is not the face it's the guard, which is why neither of the jabs try to penetrate beyond the guard. The Guard is the Target.
This doesn't matter in terms of the technique. I can show you examples of where the front foot was planted, and people still get hit with this. To me, what you are saying is that a jab is different because a person is moving backwards and not staying still.
Timing and position matters. Your drill video shows striking the jab, then countering with the overhand to the face. The overhand starts when the opponent's front foot is planted and in a position to move or counter.A Jab is a Jab regardless of what my opponent's footwork is, or how I enter with a jab. If I move right and jab it's still a jab, if I step forward with a jab, it's still a jab. If I stand still and jab, it's still a jab.
When you get hit with it, you get hit with it.
Angel Cabales art is called Serrada. It’s compact and very linear in its nature. They use very short weapons to start out with. This is but one of a 100 FMA styles. Some are like Serrada and some are long range like Giron’s Bahala Na. They hit the stick for demo, but the hit is to the hand,wrist or arm. Moving a bit closer and it’s knife or open hand. Of course Bahala Na is a multi range fighting system.Am aware and have seen live demos of it in use long ago...
Thinking the group was under Angel Cabales, a famous instructor at the time..
could be wrong
They did a stepping drill, called the triangle,
if memory serves me.... quite interesting.
Not something I found interesting at the time,
could appreciate its complexities, and usage..
In Rojo vs Marshall, Marshall moves inside Rojo's overhand, half steps and KOs Rojo with the lead hook.These movements seem pretty extreme with a couple of these movements actually throwing the “hitter” off balance. In FMA, since we work with angles of attack, that technique would be met quite aggressively to the inside which is our desire or if it passed to the outside, which is okay too. Also in many forms of FMA they have what they call “defang the snake” which is an outside technique where the defender meets the incoming slash at the hand/wrist or arm. Your attack on the hand/arm would be similar to a blade attack following the same line, accept the blade moves much faster than the open hand. I would consider this technique dangerous if fighting a seasoned fighter. On the streets against an unsuspecting emotional perp, it might work, especially if you don’t show your cards to soon. I think they used to call these “heymakers”.
I can only comment what I have seen in that video.A static demo showing a particular movement . I’m sure if anything you suggested was done the movement would change.
I only need to borrow my opponent's intention.
If you are trying this technique at home, then then try big arm circles first. Relax the arm and focus on a relaxed swingThese movements seem pretty extreme with a couple of these movements actually throwing the “hitter” off balance.
It is. Earlier this year we had a meet up and I tried FMA for the first time. The purpose of the drill was to hit the stick, but I kept hitting my partner's hand. It was really difficult for me to hit the stick because naturally with that type of swing I target my opponent's hand and forearm by default unless I can reach some other target. I felt bad for my partner on that dayYour attack on the hand/arm would be similar to a blade attack following the same line, accept the blade moves much faster than the open hand.
It's still dangerous even if you aren't a seasoned fighter. If the person isn't afraid to try to use it then it's going to be a danger. People who are afraid to try to use it are the ones who will bail out and not trust the technique. People who are willing to trust the technique will get the hang of it. The biggest challenge for this technique is thinking that you are wide open. It only feels that way but the technique will cover those gaps so long as you don't bail out in the middle of it. I think you could pick up quickly since you do FMA.I would consider this technique dangerous if fighting a seasoned fighter.
This is correct, but right after he does it a different way. I can't speak for him but based on what I've done and what I've seen other teachers do, it's an "oops moment." where you make a mistake, and you don't realize it until right after you made it. It happens..At 1.04, he uses downward parry on his opponent's left arm, his opponent can borrow his force, spins his left arm, and hook punches back at his head.
If your opponent can borrow your intention (not your force), before your left hand can make contact on his right arm, his right arm can spin. In your picture, his right hand is already below your head. Your right hand is below his head but with some horizontal distance. If you and your opponent have the same speed, since his right hook travels less distance than your right hook does, his right hook may hit your head before your right hook can hit his head.He's unable to throw a hook from this position and he's probly more worried about tht punch coming.
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This is true, which is why it's important to mislead your opponent by misleading your intent. In my case, he thought my intention was an uppercut because my first punch started out like an upper cut (Pow Choi). Because of how my fist pulls back, it's difficult to know if the fist will rise, sink, or go straight. My intent was my first punch which was a rising backfist. In training this means the punch will be followed in an uppercut. In application it can be something other than an uppercut. There's no Jow Ga rule that says it must always be an uppercut.If your opponent can borrow your intention (not your force), before your left hand can make contact on his right arm, his right arm can spin. In your picture, his right hand is already below your head. Your right hand is below his head but with some horizontal distance. If you and your opponent have the same speed, since his right hook travels less distance than your right hook does, his right hook may hit your head before your right hook can hit his head
Wang is correct about this. Here the scoop hand raises and as a result it gives blue shorts the inside in which he can use a hook to punch. This is bad technique. A technique should not allow this. But in reality the technique isn't broken. It was just that if you want to raise the scooping arm then you need to apply it to the opposit side. So his left hand should scoop is opponent's right arm and bring his opponets arm across his bod and then raise. The striking hand should be the right arm and not the left arm, but this is only if you want to raise your arm above your head. That's the part of the technique that broke when it was done on the same side.A static demo showing a particular movement . I’m sure if anything you suggested was done the movement would change. .
Wang is correct about this. Here the scoop hand raises and as a result it gives blue shorts the inside in which he can use a hook to punch. This is bad technique.
I'm not sure if that applies to what wang was pointing out. The fact that the teacher corrects it, tells me that it's not just a demo. That he's explaining practical application. I'm familiar with that teacher and I've have always known him to be application heavy and light on "Demo"It's a demo... anyone is free to say what they would do and how, etc.
Being a demo, it's static as both participants know what is being done and why.
I'm not sure if that applies to what wang was pointing out. The fact that the teacher corrects it, tells me that it's not just a demo. That he's explaining practical application. I'm familiar with that teacher and I've have always known him to be application heavy and light on "Demo"
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I'm going to say no it's not representative of CLF. For me it it's like a boxer trying to use CLF but hitting with the wrong knuckles. I'm not even a CLF practitioner and I feel insulted when he says "this is how we use it in real combat situations." then he does something that isn't a Sow Choi.Interesting modification of traditional movement..
Looking at it, it seems like he has changed the dynamics
of how the punches delivered..
Is it still representative, of CLF ?
This is because he's application heavy.Either way, always found his work interesting
At one point the big looping punches were thought to be outdated and useless and then MMA started doing it and everyone accepts it now. Same with the "oblique kick" (shadow less kick / push kick), but then it showed up in MMA and now people accept it.
That bottom video is basically the boxing style overhand. Starts circular but lands straight and is much more compact from the original video in this thread. Also the boxing overhead is not overly committed, never taking the boxer off balance. These are not the same techniques. In our FMA, we use the boxing overhead along with parrying out the lead hand when it presents itself. The original #4 videos show a technique that takes one way off center to the point of exposing your back. Can’t quite get behind that technique.It's a demo... anyone is free to say what they would do and how, etc.
Being a demo, it's static as both participants know what is being done and why.
What was shown by David Ross, "Lama Pai," is different from those I knew and my own approach.
As such, being a demo of his method/approach.
For "me" it just becomes something noted.
Just as in looking at many of your demos...
the approach is different, reminds me a lot of the CLF I've seen over the years.
Interesting modification of traditional movement..
Looking at it, it seems like he has changed the dynamics
of how the punch is delivered..
Is it still representative, of CLF ?