I think there is a lot to be learned from practitioners of dissimilar arts to our own. I wonder sometimes why there is so much antipathy even here on forums like this when there is so much mutually useful knowledge to be had. I understand what some refer to as dilution of a supposedly pure art (as if there were such a thing) and but when it comes to defending oneself, the more knowledge the better. And so then do you recall any of those Aikido moves at all my friend?
Hopefully your pal never coerced you into growing a ponytail or a grand beard before he taught you Aikido? For certain brands of Aikido it is practically written in the syllabus and I should prefer you without either!
Plainly with any martial art, training with others is essential, though it is not always practical every day I understand what you are saying. I am somewhat ignorant of WC (besides a poor form bong sau which I was taught and countless Ip Man and Ip Man II viewings lol) and but is the weighting of solo training and partner training really 50/50? And you spar also like randori or free-fighting?
You are correct though, Aikido is nigh impossible to learn alone. The feel for a technique cannot be acquired any other way than by a hand on. There are however bo and jo forms which are possibly a little further along the line. I recall one of my early senseis used to practice his atemi outside when his lady wife was having one of her days and he would strike against not a wooden dummy and but a wooden garage door which he almost had off its hinges. Yes though, I think it is a common view often repeated that Aikido is a
soft art. Of course there are many who believe the UN are a correspondingly
soft organisation. Personally I think both viewpoints, while having something of the truth in them are far from full descriptions.
Aikido and WC though is a combination that might take a deal of time to meld together properly if you were doing them simultaneously so I understand that you are taking a hiatus from the one to train the other. Though I have always thought that being fluent in more than one art would surely have its benefits. Me I am pure Aikido, not burly enough to be hitting the mook jong
And but best of luck with your training in whatever direction it takes! Bon week-end to you also
I don't believe they can be melded together to be perfectly honest , Wing Chun techniques work because of the Wing Chun stance.
Without the proper stance to energise and stabilise the movements , the force will have to be generated by brute strength which is limited by how much muscle the practitioner has .
One of the principles of Wing Chun is minimum use of brute strength.
Also incoming force will not be able to be absorbed properly and tranferred down through the stance and into the ground.
In regards to the training the Sil lum Tao form can be thought of as the chassis of a car , it provides the structure for the techniques.
The next form Chum Kiu is like putting an engine in the car , it teaches the practitioner to move the body as one unit to generate striking power and be able to redirect heavy force , this is achieved through locking upper and lower body together at the waist and pivoting or careful coordination of stepping with arm movements.
It also introduces the concept of multiple vectors of force applied at once , an opponent may be able to resist one force vector , but resisting two becomes a very difficult proposition.
The third empty hand form is like putting a turbo charger onto our car engine this form is performed a lot faster than the previous two forms and in a lot of ways abandons the rules and concepts established in the earlier two forms.
The arms cross over the centreline and the upper body initiates the pivoting movements rather than having the body unified at the waist like in the previous form.
Some people think of it as the emergency form used for when there are multiple opponents or when one of your arms is otherwise incapacitated.
These forms are practiced endlessly especially the first one , later on the wooden dummy is introduced in order for the student to hone correct positioning , transferring their body weight into the dummy correctly and generally applying all the concepts learned in the earlier forms , its not about smashing the crap out of the arms like you see in a lot of movies.
The wall bag is another piece of equipment used for solo practice , basically a single or three section square of canvas typically filled with rice , sand , ball bearings , grain etc and this is mounted on the wall.
This can be used to train short range striking power , has a conditioning effect on the knuckles but mainly teaches the student to focus and relax and learn to deal with the recoil from their strike thus strengthening their stance.
But if a partner is available then the student will engage in Chi Sau where the students arms are in contact at the wrists executing the structures of Tan sau , Fook sau and Bong sau.
This exercise further develops the stance , develops hand speed , forward force in the arms , teaches the arms to act independently , but most of all it develops sensitivity .
Chi sau can be likened to having a large spinning ball held out in front of you , as the opponent makes contact with this spinning sphere his force is redirected off to the side .
The structures of Tan sau ,Fook sau and Bong sau can be used to redirect this force in any direction depending on where the force is coming from and where it wants to go.
From the gentle exercise of Chi sau you can start Chi sau sparring , this where attacks are random and things can become quite violent with lightning fast hand strikes flying and lots of hand trapping taking place.
The students are probing for a weakness in the shield provided by the shapes used in Chi sau , looking for a gap to strike through , trying to take advantage of any force that is not directy targeted at their centreline.
Training is also done out of contact range and in our lineage is called random arms and legs where the student must deal with any random attack be it arm , leg or grapple based attacks.