Doc
Senior Master
Originally posted by yilisifu
Doc - you're probably older than me, but not by much.. However, I still don't see any connections between Taijichuan and Kenpo...
You know I owe a couple of apologies here. Part of that is for taking so long to get back because Ive been very busy on my job. But, in several of the previous exchanges, one thing kept bugging me. Why, I asked myself, do these people think Im being secretive? With the exception of personal information, Im very open about the arts.
I mentioned this to our Dean of Instruction who reads some of the forums from time to time, and he came to read from another perspective. Hes great because hes been my student for over a quarter of a century and is much a friend as student therefore hes very honest with me about what he reads and manages to criticize me from time to time. He came back and said he couldnt find the string at first, but after a search he found it. No wonder they think youre being secretive, you werent on the Kenpo Forum where everybody knows you. He said.
Oops! I have no idea how I got here but it explains why some previous posters felt that way. Therefore I sincerely apologize.
Now for the questions at hand, I began studying with Ark Wong in the late fifties, and was exposed to a variety of Arts and instructors through my association with Ark Wong. Tiny Lefiti, Lau Bun (Lao Boon), James W. Woo, Jimmy H. Woo, to name a few. I began with (now) Grandmaster Douglas Wong (Ark Wongs nephew), because we were schoolmates and old friends. Ed Parker studied with all of them and more in Southern and Northern California. Even Dan Inosanto studied with Ark Wong, along with Sal Esquivel, etc. Really a lot of well-known people.
In those days everyone who was smart (among Chinese practitioners) absorbed everything they could from everybody and each other. The question of different styles was never an issue and was answered by Grandmaster Wong, and was punctuated by Jimmy (W.) Woo and Lau Bun. There are no real differences in styles in the Chinese Arts, there are only different methods of teaching. This I heard over and over from all of them, including Ed Parker.
Thus Grandmaster Wong known for Five Animal also was well versed in Hung Gar, Choy Li Fut, Splashing Hands, and Taiji. Jimmy H. Woo was known for San Soo but actively taught Taiji, Hun Gar, etc, at one time even teaching in Ed Parkers school. Doc-Fai Wong is known for Choi Li Fut, but teaches TaijiQuan (Tai Chi Chuan) as well. Lau Bun was known for Choy Li Fut and Hung Gar and Parker studied with him but was known for his own brand of Kenpo. Parker further blurred the lines by adopting elements from all in his own personal methodology. He too repeatedly said, Its all the same, its how you decide to get there. This also influenced his creation of his conceptual commercial system which is very similar to Commercial San Soo, only more tailored for the individual success over structure. All of them always used Taiji as a "base art" even though their specialty methodologies were from various sources. i was taught, right or wrong, "It's all Taiji."
What most are known for is whatever methodology they start with, and then as they grow they draw from everything in their life experiences they find valid. What Ed Parker ultimately did bore almost no relationship to his original teachings from Kwai Sun, but he always called whatever he did Kenpo even when he was doing Choy Li Fut.
What I do is closer to Ed Parkers personal method utilizing mechanisms from his Chinese roots to make Modern Kenpo as effective sans the cultural baggage with the emphasis on long-term skills and effectiveness learning at a somewhat accelerated rate. A decent description of SubLevel Four Kenpo can be found in the latest issue (May) of Martial Art Magazine from CFW Publications, the Parent of Inside Kung Fu Magazine, whom I write for occasionally.
The short version is it is a multi-level Chinese Kenpo that concentrates on proper body mechanics creating internal energy, while teaching functional self techniques, that also on their own can stand as mini-Taiji forms and provides all of the benefits of Singular Execution Training. Its method is unlike any Kenpo seen in any commercial interpretations of Ed Parker s art and also includes Destructive Sequencing utilizing meridians from TCM, as well as control mechanisms from Chin-na, interpreted for modern integrated applications much as traditional methods.
Back to work and once again, my apologies.