My take (using Eyebeams' listing):
1. The One-Strike Kill
All this means is, each move is intended to either end the fight right there (usually via a strike to a vital area, like the throat, or inflicting an incapacitating injury, like a low thrusting side kick to the side of the knee), or to set up such a strike. What's wrong with that strategy?
2. Waiting for The Attack
Eyebeam's comment is exactly right. There's a ton of stuff out there looking over the whole body of Funikoshi's and Egami's writings and the writings of other masters of the early days. You were not expected to wait to take the first strike from someone who was giving every sign of launching an imminent attack.
3. On Stances
Karate, (along with several hard Chinese styles) employs some of the most ineffective stances in martial arts. Deep, low karate stances make you completely immobile; they plant you in one spot, making quick movements extremely difficult.
First of a series of misunderstandings about kata. A low stance isn't something to use in a fight. In a kata, a low stance is a kind of physical highlighting of a weight shift that's part of a fighting move. A deep back stance associated in a kata with a knifehand `block' is likely telling you, move your weight back as you pull the attacker's locked wrist with your or arm with your `chambering' fist to anchor him there while you deliver the disabling strike (posing as a block) to the neck or other exposed areas that your lock has set up. A deep front stance is telling you, project your weight strongly forward as part of the throw that the kata encodes as a block or a punch. If you read stances as markers of weight projection, as vs. static poses, it's a whole different story.
4. Karate as a Way Of Life Again, Eyebeams is right---this is just a red herring.
5. Spirituality and Meditation Right again. In A Book of Five Rings, Musashi Miyamoto is always reminding you to clear your mind of distractions and be conscious only of your enemy's movements, anticipating his actions. This sounds an awful lot like the meditative state that fencers, ski racers and tennis players attempt to reach during competition. Why is Mann quibbling about such an obviously useful practice?
6. Breaking Objects can Break You! So can doing MA, lifting weights, or walking out your door for that matter. But plenty of karateka and TKDist do breaks on a regular basis without suffering injury. There was a really good thread on the TKD forum a couple of years ago---wish I could find it---about the value of breaking as a way of quantifying your ability to generate and apply power. Thought it made a very good case for the practice, if trained under correct supervision...
7. The Kata Crutch I differ from Eyebeam here. If you teach students early on what some of the combat-effective bunkai of the kata or hyungs are, it gives them a much better reason to take them seriously as part of their training than just telling them `you have to do these because that's what we do and you won't pass your next belt test if you don't learn them'. There's a lot of contemporary experimentation with the ura waza of Okinawan, Japanese and Korean karate (aka TKD). Kata are encoded guides to very brutal, hard fighting techniques; they only fail to make sense if you disregard the advice of the very people who gave us the modern kata interpretations, like Itosu, who told us not to follow the children's kick-block-punch bunkai he worked out literally, but to recover the effective violence of the techniques he was deliberately, and explicitly, disguising.
Whatever Mann's point in writing this thing, his views reflect a number of what I think are common misconceptions about karate that lead people to give it far less credit than it deserves as a family of multi-range fighting systems.
1. The One-Strike Kill
All this means is, each move is intended to either end the fight right there (usually via a strike to a vital area, like the throat, or inflicting an incapacitating injury, like a low thrusting side kick to the side of the knee), or to set up such a strike. What's wrong with that strategy?
2. Waiting for The Attack
Eyebeam's comment is exactly right. There's a ton of stuff out there looking over the whole body of Funikoshi's and Egami's writings and the writings of other masters of the early days. You were not expected to wait to take the first strike from someone who was giving every sign of launching an imminent attack.
3. On Stances
Karate, (along with several hard Chinese styles) employs some of the most ineffective stances in martial arts. Deep, low karate stances make you completely immobile; they plant you in one spot, making quick movements extremely difficult.
First of a series of misunderstandings about kata. A low stance isn't something to use in a fight. In a kata, a low stance is a kind of physical highlighting of a weight shift that's part of a fighting move. A deep back stance associated in a kata with a knifehand `block' is likely telling you, move your weight back as you pull the attacker's locked wrist with your or arm with your `chambering' fist to anchor him there while you deliver the disabling strike (posing as a block) to the neck or other exposed areas that your lock has set up. A deep front stance is telling you, project your weight strongly forward as part of the throw that the kata encodes as a block or a punch. If you read stances as markers of weight projection, as vs. static poses, it's a whole different story.
4. Karate as a Way Of Life Again, Eyebeams is right---this is just a red herring.
5. Spirituality and Meditation Right again. In A Book of Five Rings, Musashi Miyamoto is always reminding you to clear your mind of distractions and be conscious only of your enemy's movements, anticipating his actions. This sounds an awful lot like the meditative state that fencers, ski racers and tennis players attempt to reach during competition. Why is Mann quibbling about such an obviously useful practice?
6. Breaking Objects can Break You! So can doing MA, lifting weights, or walking out your door for that matter. But plenty of karateka and TKDist do breaks on a regular basis without suffering injury. There was a really good thread on the TKD forum a couple of years ago---wish I could find it---about the value of breaking as a way of quantifying your ability to generate and apply power. Thought it made a very good case for the practice, if trained under correct supervision...
7. The Kata Crutch I differ from Eyebeam here. If you teach students early on what some of the combat-effective bunkai of the kata or hyungs are, it gives them a much better reason to take them seriously as part of their training than just telling them `you have to do these because that's what we do and you won't pass your next belt test if you don't learn them'. There's a lot of contemporary experimentation with the ura waza of Okinawan, Japanese and Korean karate (aka TKD). Kata are encoded guides to very brutal, hard fighting techniques; they only fail to make sense if you disregard the advice of the very people who gave us the modern kata interpretations, like Itosu, who told us not to follow the children's kick-block-punch bunkai he worked out literally, but to recover the effective violence of the techniques he was deliberately, and explicitly, disguising.
Whatever Mann's point in writing this thing, his views reflect a number of what I think are common misconceptions about karate that lead people to give it far less credit than it deserves as a family of multi-range fighting systems.