dancingalone
Grandmaster
- Joined
- Nov 7, 2007
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- 5,322
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As to your comment that a block could be a grab or a parry or a strike, I would answer that first it must be a block. You first have to block/parry it so it doesn't hit you. Then, and as a continuation of the move, you most certainly may grab or strike some other part of the attacker's person.
I see it as a hierarchy of learning. Certainly the first level of understanding has hard-style blocks as a key component. People can stay here and do very well for themselves, working primarily on power and striking precision for retaliation as long as they also toughen their bodies for blocking, hitting, and being able to take a hit themselves. IMO moving on requires development of other characteristics, both physical and mental.
As I was taught, we would block as we move in, a counter-attack being part of the entire movement. We have very few counters to a punch or kick where we would not first block, or block as part of the counter.
Not knowing your particular form of hapkido, I can't comment directly on what you've been taught specifically, but in the arts I've studied it is understood that the various defenses only serve as a starting place. Advanced students perform them different than beginners - often the various actions are so compressed that one or more of the components of defense (move -> block -> enter -> strike -> control) are combined so that they may appear to be missing altogether. The by-the-number directions are there to serve as a fundamental guide, but as one grows in his skill, his movement is more and more subtle. The likes of O'Sensei could avoid direct attacks by entering the space of his assailants and then counter to great effect with a mere expression from his center. To the uninitiated, it looked like he was doing nothing at all, yet one way or another an adept of his skill can accomplish all the fundamental steps of defense at once.
... No time at present to write a longer exposition. I will try to respond to your other comments later.