DWeidman said:
Let's face some reality here...
If someone has time and patience - skill and determination -- AND wants to kill you... They almost ALWAYS kill you... And it is SenSenNoSen - you never even know they are there until you are dead.
So - how do you train for that scenario? You don't. You train to trust your instincts - you learn to be more observant than your average bear -- you learn to be careful when you move... etc etc etc. And at what price???
Yep. The main focus of EP training, and the operational planning and execution of the job, are primarily on making it difficult for the Bad Guys to find or create a good opportunity to attempt the Bad Thing. Attack On Principal (AOP) drills and tactics are important, but they're something you truly hope you never have to execute.
I suspect the vast majority of us who train in the art use "free response" drills - but we all have a theoretical disagreement with anyone who claims that those drills "PREPARE" you for the real deal (which is what this thread was started about). They are a training aid - plain and simple. They MAY prepare you for something - or they may HINDER you. The "dueling / sparring" mindset is ultimately about ego - which has a whole series of negative effects as well...
Yep again. I incorporate a lot of "free response" stuff in the context of kata training. So does Hatsumi sensei. When he calls a senior instructor up on stage (or wherever) to demonstrate something, for example, if he wants to see the "base" form he'll say so. Otherwise, in my experience what he wants to see is a spontaneous application of the principles/concepts of the form -- the lessons the kata is actually "about" -- as a way of evaluating whether you actually grasp what he's showing. He does
not want to see you try to mimic something he just did.
Since this year's Booj focus has to do with Gyokko ryu, let's take a look at its first kata,
Koku. Someone with little or no training would look at it and say, "Okay, so uke punches at tori; tori evades/receives the punch and then wallops hell out of uke's arm; uke follows up with a skipping-in front kick, tori evades it and kicks his leg and then nails him with a
boshi ken thrust. Simple enough, cool, I got that."
From my perspective there's a little more there.
First of all, this one is explicitly about use of space – that’s even implicit in its name.
It also is NOT about “self-defense”, though that’s not to say its movement and concepts can’t be used that way. There’s no “surprise assault” occurring: This is a case of two warriors engaged in mutual combat, who both already know it’s “on”.
You could also consider it sort of an “intelligence gathering” kata. First, uke punched when and where he did
because of the information tori feeds him through his distance, positioning, etc. After receiving ukeÂ’s punch, tori performs ken-kudaki and smashes the hell out of ukeÂ’s arm, but does not immediately move in to exploit the opening which
may have been created. Instead he tries to determine what he’s really facing -- what the opponent’s further intentions, hidden weapons, etc. may be – by continuing to move in a way that also narrows down uke's “logical” range of choices. Tori moves at an angle and distance which makes a skipping-in kick with the leading leg the “best” (easiest) choice if he wants to continue his attack – the space “looks right for it” from his perspective. Uke doesn’t HAVE to do that, of course; he could just go home and nurse his possibly-broken arm and listen to his buddies laugh about what a wuss he is. He also COULD do something other than that kick. However, tori is already moving in such a way as to easily deal with the kick if it comes; and any other attack will be from a less optimal position and be even easier for tori to observe and deal with.
So you move in such a way as to “invite” the kick, and deal with it (or whatever else) in a way which will create a condition enabling you to
in some way deal with the attacker decisively.
This, to me, is the essence of the kata, and
the specific way any or all of this manifests after the initial punch is launched is infinitely variable.
And that's what we work up to dealing with. And so far I'm only talking about the unarmed taijutsu kata; this year we're doing all kinds of applications with rokushakubo and tachi as well.
It's still
Koku, but there's room for all kinds of wild free-response stuff within that space.