Xue Sheng
All weight is underside
look at the form. If you know what silk reeling is, just look at the formCould you please give me an example of where to look for it in Yang style? thx.
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look at the form. If you know what silk reeling is, just look at the formCould you please give me an example of where to look for it in Yang style? thx.
look at the form. If you know what silk reeling is, just look at the form
Silk reeling is also not just waving your arms around as demonstrated in the video you posted.I know what silk reeling is, but I am not sure I see it in Yang style. "If you know, you know" is kind of my point. If we say "It's in the form" then where? What if I didn't know what silk reeling was, how would I learn it?
Smooth movement, or stretching out, is not silk reeling. Body leads hands is not silk reeling. Any movement which starts and stops is not silk reeling, and Yang has many such movements such as needle at sea bottom, step up parry punch etc.
The silk reeling start fromDo you feel that there is any silk reeling in tantui, changquan or cha quan? There may be. I am not sure.
Silk reeling is also not just waving your arms around as demonstrated in the video you posted.
silk reeling is the method used to coordinate the parts of the body to achieve whole-body movement: upper combines with lower, when one part moves, all parts move, and it all comes from the daintian
Chán sī jìn (纏絲勁) refers to the development of a spiral (helical) refined force - rather than brute strength - and the ability to direct that to a point of application.
It is in every form in Yang, if done right, including needle at sea bottom and step parry punch
The silk reeling start from
- bottom and up, and
- back to front.
The silk reeling then reach to the whole body.
Silk reeling is also not just waving your arms around as demonstrated in the video you posted.
silk reeling is the method used to coordinate the parts of the body to achieve whole-body movement: upper combines with lower, when one part moves, all parts move, and it all comes from the daintian
Chán sī jìn (纏絲勁) refers to the development of a spiral (helical) refined force - rather than brute strength - and the ability to direct that to a point of application.
It is in every form in Yang, if done right, including needle at sea bottom and step parry punch
Relax Xue Sheng. It's a couple of beginner kids doing a jibengong. Based on what John and you have said, I conclude we mean different things by silk reeling. It's no biggie, different schools have different analogies to explain it and use different ways to train it. Just because someone does it differently than you think it should be done or you cannot see the internal, does not mean it is not silk reeling.
For example, Oily just said "It might help to remind everyone what "reeling" actually means. ... in the case of Tai Chi the spool is the abdomen, and the "silk" is everything else." Well let's just say that Oily is not wrong, but, I've never heard that before. There are other valid perspectives, too. Chen Zhonghua has stated that it's called silk reeling because it goes through a hole (like the silk thread goes through the guide-loop). He also says another reason is because different strands twist together in the dantian to produce the thread. This is a different explanation than yours and Oily's, and I would even provide a fourth for reference, that the reason it is called silk reeling is because of the tension on the string and that the string is twisted. I'm sure there are many ways to look at it, but what is more important is if you can express it or not!
Even so, if you can't express it yet, there is no shame in training! The training itself, is also called silk reeling. So there's no need to say that it's not silk reeling. Just relax and enjoy the morning air.
Relax Xue Sheng. It's a couple of beginner kids doing a jibengong. Based on what John and you have said, I conclude we mean different things by silk reeling. It's no biggie, different schools have different analogies to explain it and use different ways to train it. Just because someone does it differently than you think it should be done or you cannot see the internal, does not mean it is not silk reeling.
For example, Oily just said "It might help to remind everyone what "reeling" actually means. ... in the case of Tai Chi the spool is the abdomen, and the "silk" is everything else." Well let's just say that Oily is not wrong, but, I've never heard that before. There are other valid perspectives, too. Chen Zhonghua has stated that it's called silk reeling because it goes through a hole (like the silk thread goes through the guide-loop). He also says another reason is because different strands twist together in the dantian to produce the thread. This is a different explanation than yours and Oily's, and I would even provide a fourth for reference, that the reason it is called silk reeling is because of the tension on the string and that the string is twisted. I'm sure there are many ways to look at it, but what is more important is if you can express it or not!
Even so, if you can't express it yet, there is no shame in training! The training itself, is also called silk reeling. So there's no need to say that it's not silk reeling. Just relax and enjoy the morning air.
Clarifying what you mean by silk reeling might help you in this discussion.
When you throw a back arm straight punch, do you feel that yourI agree with you but I can't seem to place it directly in a tantui or chaquan-esque form. Could you please point out a move that uses silk reeling so I can see where it is? I suspect we may be talking about two different things.
And all of those are silk reeling, unlike the very first video you posted that in my opinion is just spinning your arms around and only your arms, nothing elseOk, Another example,
versus
I mean both kinds of silk reeling. Including what may appear (rightly or wrongly) to people as "waving arms". In Feng's video, he appears to be "just waving arms". In fact, what little motion you do see appears to be opposite to what is shown in the Chen Zhonghua video. This is because the methods are different. It doesn't mean one of them is wrong. To provide a bit more clarification on my own definition, as I said one analogy for silk reeling is because there is song chen and zhuan (twisting). But there is more to it, the initial training is like tracing with tinfoil. Some of these analogies are hard to explain and are better served with tea.
Here's another example of what I mean by silk reeling:
As you can see, turning the neck side to side is considered silk reeling in some schools. It's a jibengong. High level skills are not required to train or express silk reeling. So, another great example of silk reeling is the video in the OP ;-)
Xue: It's no big deal I'm sure one day we'll meet for tea and we can talk about it in person. It would probably be easier to demonstrate the move and point out what I am doing, it's hard to do that in text. We have a similar amount of experience, if not greater, so there's no need to argue about definitions. I'd rather try and share and exchange knowledge.
This is why I always encourage people to train MA by putting arms behind the back and just let your body to do the work.And all of those are silk reeling, unlike the very first video uoip posted that in my opinion is just spinning your arms around and only your arms, nothing else
When you throw a back arm straight punch, do you feel that your
- back leg is stepping down, twisting first?
- body is twisting after your legs twisting?
- arm is finally twisted?
And all of those are silk reeling, unlike the very first video you posted that in my opinion is just spinning your arms around and only your arms, nothing else
The "silk reeling" training is easy to design.Great example. I have it on good authority that Baji uses many of the same energies as Tai Chi
Thanks, but I am no great masterIt's ok It's just a couple of kids doing a jibengong. If you want to add anything here I suggest we should discuss what Feng is doing in his video besides waving his arms -- especially considering that the video in the OP shows body turning in coordination with the hands, which Feng's does not.
The purpose of those videos is to show that even great masters can radically disagree over the definition and training of silk reeling. How much more so you and me? That is the amazing, beautiful thing about these forums. We can share and learn something new every day
I would need to touch them to be sure but I think that both these videos show the production of spiral force that Xue Sheng described above. AFAIK, silk reeling is a method of organising the body and not a specific sequence of movements.Ok, Another example,
versus
I mean both kinds of silk reeling. Including what may appear (rightly or wrongly) to people as "waving arms". In Feng's video, he appears to be "just waving arms". In fact, what little motion you do see appears to be opposite to what is shown in the Chen Zhonghua video.
Turning the neck side to side is silk reeling if you do the move while maintaining the required body organisation, i.e. if you maintain structure in all directions (and "pull silk"); move from the kua; draw force from your legs, control it through dantien and express it through your hands. In my experience, it is hard to do. The movements may look simple but the focus of the exercise is on maintaining proper structure and body mechanics to benefit from the training, otherwise it is just very light gymnastics.As you can see, turning the neck side to side is considered silk reeling in some schools. It's a jibengong. High level skills are not required to train or express silk reeling. So, another great example of silk reeling is the video in the OP ;-)
Feng's movement is actually quite complex under the hood. By contrast, although the kids in the OP do turn their bodies simultaneously as they wave their arms, the body does not drive the arms (they are visibly controlled through regular shoulder movement, which requires no training at all beyond learning the choreography). The kids might benefit from learning basic power generation (i.e. how to strike, swing a sword or launch a ball), and from basic athletic preparation to strengthen their bodies, in particular the legs and posture. This would make a big difference IMO.It's ok It's just a couple of kids doing a jibengong. If you want to add anything here I suggest we should discuss what Feng is doing in his video besides waving his arms -- especially considering that the video in the OP shows body turning in coordination with the hands, which Feng's does not.
It is obvious that the people in the OP video are not there yet, although their enthusiasm may take them somewhere, if they get hands-on training with a good teacher.
Feng's movement is actually quite complex under the hood. By contrast, although the kids in the OP do turn their bodies simultaneously as they wave their arms, the body does not drive the arms (they are visibly controlled through regular shoulder movement, which requires no training at all beyond learning the choreography). The kids might benefit from learning basic power generation (i.e. how to strike, swing a sword or launch a ball), and from basic athletic preparation to strengthen their bodies, in particular the legs and posture. This would make a big difference IMO.