reactions

[windwalker099]

So how do you use "feeling the fullness within it"?

"Many of the demos you often ask about are examples of this idea in use...

It's like touching something that seems to be there, falling into it because it feels empty, and then being thrown out by it before you can react to the emptiness as it becomes full.

The Change state is quite fast...."

After you have learned it, you have to use it.
If you can't use it, it's the same as you have not learned it.

This can be said about anything no?

To use it falls under strategy and tactics which are derived from training "skill sets" based on theories that are thought to give one the advantage.

If one does not have the skill sets, developed through training.
They are unable to use it.

 

[marvin8]

I agree with you 100% on this.

I still don't understand why people want to spend time to train "bounce people away" then to train "using hip throw to throw opponent". Hip throw is the mother of all throws.

Miyo Yoshida (who lost her boxing championship last month) shows how to integrate striking to avoid counters when entering throws.

Miyo mentions using a "weak punch" (e.g., pawing jab, hand fight) to enter rather than trade punches which I mentioned in my post #201. Per Cartmell, this aligns with tai chi's method of not using force to enter.

 

[Kung Fu Wang]

At 2.34, she uses my favor downward parry (or wrist grab, or hook punch) to set up under hook. I also like to use uppercut to set up over hook (or head lock).

IMO, those are the bridge between the striking art and the throwing art. This is the area that the striking art doesn't train. This is also the area that the throwing art doesn't train. People only start to pay attention when MMA started. When SC evolved into combat SC, this area was emphasized 45 years ago.