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Originally posted by Les
At a camp recently I met a 6th Degree, whom I have been in contact with by e-mail for some time.
The very first words he said to me were; "Hi, call me Derek"
Then I introduced him to the Orange belt student who was with me. So he said; "Hi, Call me Derek" My student was stunned.
Les
Originally posted by vincefuess
At the time SGM Parker was "assembling" these various aspects of the art, it was important to him give the training sort of a collegiate atmosphere. This served the purpose of seperating AK from the traditional oriental (as it was called then) martial arts in it's methods, as well as add a certain degree of "scholarly class" so they wouldn't be perceived as a bunch of ***-kicking ruffians.
Around this same time, wearing the school patch on the breast of a smart looking sport coat was also the chic, lending a certain air of "fraternity" or "exclusive club" effect. Look at the old pics from the late 60s- anybody who was anybody wore these suits and ties with the "crest-breast" thing.
It was all part of elevating *** kicking to a scholarly and dignified level.
Originally posted by tonbo
[
My head instructor actually wants people to call him by his first name when they are on a friendly basis with him. I am, and I still can't bring myself to do it........same goes with the higher rank Black Belts.....can't call them anything but by their "social" titles (Mr, Mrs, etc.).
Peace-- [/B]
Originally posted by jbkenpo
Is this really that big of a deal?
jb [/B]
Everytime someone decides to change some things around, or not follow the traditions established by the founder of their art, they get farther and farther away from what made their art and their founder special in the first place.nlkenpo said:Hi all,
Just to add my two cents worth:
In our school in the Netherlands all instructors are named by their first name. Some of us have their last name on the Gi, but the students call all of us by first name, including our chief, Professor Hesselmann is called Hans by everybody, including those who come in for their first lesson. The formal titles look good on certificates and maybe sometimes on official letters, but are not to be used when you're amongst friends, which is where I am when I'm teaching Kenpo.
We have even skipped all the formalities that divide instructors and students. The person in front with the big mouth is usually the instructor, so there's no need to wear your beltknot at the side, or for the instructor to wear a different color gi (we all wear black, knot in the middle).
I believe that respect comes from within and is paid by the way people approach me, not by calling me mister or head instructor, nor by wearing their belt at the side.
I listen to Marcel, and I listen to Mr de Jong, but who-ever uses that within our school, I tell them to stop doing that. We're all kenpo-students who are on the same road towards knowledge and skill. Some of us have travelled a bit further up the road than others, but it's still the same road. Therefore there's no need whatsoever for any distance between me and the students.
Nuf said,
Marcel
John Bishop said:Everytime someone decides to change some things around, or not follow the traditions established by the founder of their art, they get farther and farther away from what made their art and their founder special in the first place.
If he were alive today, who here would tell him "I've decided to teach your system ( Ed Parker's American Kenpo), without the traditions you established?
Without having known the man himself, but having read most of his work, I guess Mr. Parker would have wanted us to adapt anything to the circumstances at hand.John Bishop said:Everytime someone decides to change some things around, or not follow the traditions established by the founder of their art, they get farther and farther away from what made their art and their founder special in the first place.
If he were alive today, who here would tell him "I've decided to teach your system ( Ed Parker's American Kenpo), without the traditions you established?
I guess it's just a matter of respect for what was passed on to you. And a desire to keep true to the legacy. Maybe if you had known the man, you would understand the reason's why.nlkenpo said:Without having known the man himself, but having read most of his work, I guess Mr. Parker would have wanted us to adapt anything to the circumstances at hand.
For me there's no reason to think that should only count for self defense techniques. So if in our country the method I descibed works better, than that's what we should do.
Marcel
With all due respect for your point of view, I do understand the reasons why, but that does not mean I should copy what was passed on without thinking about it and adjusting it to our situation. That would hardly be a tribute to this man who spend a lot of his energy into making us think, not copy.John Bishop said:I guess it's just a matter of respect for what was passed on to you. And a desire to keep true to the legacy. Maybe if you had known the man, you would understand the reason's why.
In fact we do sometimes. Although working with children is a different chapter of course, I know thereĀs a lot of schools where the children call their teachers by first name.John Bishop said:Your right in that I don't know your culture. But if I may ask. Is it this way with all authority figures? Do you call your school teachers, college professors, judges, polititions, fathers, grandparents, etc., by their first names?
Aw man now you've told where I got it from. I mean it is the direction Parker was going in, wasn't it?vincefuess said:At the time SGM Parker was "assembling" these various aspects of the art, it was important to him give the training sort of a collegiate atmosphere. This served the purpose of seperating AK from the traditional oriental (as it was called then) martial arts in it's methods, as well as add a certain degree of "scholarly class" so they wouldn't be perceived as a bunch of ***-kicking ruffians.
Around this same time, wearing the school patch on the breast of a smart looking sport coat was also the chic, lending a certain air of "fraternity" or "exclusive club" effect. Look at the old pics from the late 60s- anybody who was anybody wore these suits and ties with the "crest-breast" thing.
It was all part of elevating *** kicking to a scholarly and dignified level.
The colour of the uniform has no impact on your skill level, so I am with Marcel on this one. Same thing with where the belt knot goes....John Bishop said:Everytime someone decides to change some things around, or not follow the traditions established by the founder of their art, they get farther and farther away from what made their art and their founder special in the first place.
If he were alive today, who here would tell him "I've decided to teach your system ( Ed Parker's American Kenpo), without the traditions you established?
I would if I changed a tradition. It's always dangerous to mix up the traditions which are core to a culture and those that just fit the historical cultural context. the Taliban tried to enforce a set of rules that they felt were essential to Islam. Others would say that they were enforcing old cultural and historical traditions which were in no way essential to Islam. Judaism, Christianity and every other religion I've encountered has had internal conflict about cultural issues related to time, local culture and individuals.John Bishop said:Everytime someone decides to change some things around, or not follow the traditions established by the founder of their art, they get farther and farther away from what made their art and their founder special in the first place.
If he were alive today, who here would tell him "I've decided to teach your system ( Ed Parker's American Kenpo), without the traditions you established?
Hello Sir,Kenpodoc said:I'm not at all convinced that uniforms, patches, titles and belt Knots have anything to do with the essence of Mr. Parker's Kenpo, they are just the cultural trappings.