Doc
Senior Master
I always find it interesting when people look at an entity as vast as EPAK, and make a declaritive statement as to what it is lacking or missing. Of course the statement itself alludes to the fact the individual making the declaration must be all knowledgeable regarding every facet of the art in existence. This attitude is pretty arrogant. I've been in the arts almost 47 years and haven't even come close.
Ed Parker was working on learning things up until the day he passed on as a perpetual student. He had already "covered the bases and took care of the holes," but was always moving to higher levels in every aspect of what HE DID, but not always what HE TAUGHT to most. The proof is in people like myself, Mr. Landsdale, and others that exist.
However, if one is unwilling to declare themselves "all knowing," then perhaps the "holes" they speak of is within their and/or their instructors experiences and not the art itself. So can we please stop this debate relative to the art, and instead speak of what YOU know or don't know. But of course that would mean you would have to say things like, "MY kenpo or MY instructors Kenpo doesn't always work and address certain things I see in other arts" Stop blaming the art and instead start looking in the mirror or give your teacher a hard look. Of course that would mean the belt he gave you might not be worth a much as you would like. Maybe belts are not what we should be looking at. But most of all, stop passing what you see as deficiencies in what YOU know and do, to others. EPAK as I see it is just fine. If you see it differently than that is YOUR experience, and frankly, YOUR problem. This is a case of "Misery loves company." ... and clearly a lot of people are misrable.
I've had many an argument with those who would discount MY experieces in Kenpo because of what THEY don't know. Now they have a right to question WHY they don't have certain information, but not WHY I Do. And just maybe they need to add Mr. Landsdale to their list of people who don't do things the way THEY do.
Mr. Lansdale sounds like my kinda guy. From the sixties uh? You mean before "conceptual" or "commercial" or the dreaded "motion" Kenpo existed? And you mean he does Kenpo but differently with different principles? Well I'm shocked! Shocked, do here me, just shocked to find gambling in this casino. What was that tune again?
Ed Parker was working on learning things up until the day he passed on as a perpetual student. He had already "covered the bases and took care of the holes," but was always moving to higher levels in every aspect of what HE DID, but not always what HE TAUGHT to most. The proof is in people like myself, Mr. Landsdale, and others that exist.
However, if one is unwilling to declare themselves "all knowing," then perhaps the "holes" they speak of is within their and/or their instructors experiences and not the art itself. So can we please stop this debate relative to the art, and instead speak of what YOU know or don't know. But of course that would mean you would have to say things like, "MY kenpo or MY instructors Kenpo doesn't always work and address certain things I see in other arts" Stop blaming the art and instead start looking in the mirror or give your teacher a hard look. Of course that would mean the belt he gave you might not be worth a much as you would like. Maybe belts are not what we should be looking at. But most of all, stop passing what you see as deficiencies in what YOU know and do, to others. EPAK as I see it is just fine. If you see it differently than that is YOUR experience, and frankly, YOUR problem. This is a case of "Misery loves company." ... and clearly a lot of people are misrable.
I've had many an argument with those who would discount MY experieces in Kenpo because of what THEY don't know. Now they have a right to question WHY they don't have certain information, but not WHY I Do. And just maybe they need to add Mr. Landsdale to their list of people who don't do things the way THEY do.
Mr. Lansdale sounds like my kinda guy. From the sixties uh? You mean before "conceptual" or "commercial" or the dreaded "motion" Kenpo existed? And you mean he does Kenpo but differently with different principles? Well I'm shocked! Shocked, do here me, just shocked to find gambling in this casino. What was that tune again?