Just to bring this discussion back on topic, do you have a response to this? I figure that this is on topic.[B said:Kong Soo Do[/B];1487609] My point from my original post would be along the lines of 'was' (Karate/other) and not a 2000 yr old indigenous KMA. What it is today is a distinct art. From my personal, and professional perspective (read SD), it was far more effective then than it is now. Modern TKD, from a SD perspective is watered down and generally ineffective. I repeat, from a SD perspective. Sport on the other hand is a different animal and is not within the scope of my statement.
The problem here is that you are making a distinction between parts of the same art. If you're comparing the arts, you cannot simply lop off a major portion of the art in order to make your point.
[B said:Kong Soo Do[/B];1487609] I will strongly disagree, with respect Daniel, about your comment on forms. Again, in my opinion (personal and professional) they are reworked karate forms. I do NOT feel those that put them together, generally speaking, knew exactly the information they could/should contain or the true value of the form. Or, at least felt that that knowledge wasn't needed for the agenda they wished to pursue.
This is entirely your opinion. I am familiar enough with Shotokan (though it has been a very long time since I have practiced it) to say that you are incorrect. You might have been able to make that case for Palgwe pumse, but those were only practiced for a brief period of time. Perhaps you can make that case for Chang Hon tul; I'm not saying that you can, but I am not familiar enough with them to say one way or the other.
Couldn't tell you; that has not been my experience at the specific schools where I have trained.[B said:Kong Soo Do[/B];1487609]How many 'modern' practitioners (of any art that uses forms) sees those forms as a waste of time? A class-filler? Something that really doesn't apply to actual training? I'd say the majority.
On that we can agree![B said:Kong Soo Do[/B];1487609]And that is a shame, because proper knowledge of forms is the depth of the art itself.
[B said:Kong Soo Do[/B];1487609]Does TKD (and Karate) have joint locks, throws, balance displacement, cavity pressing, misplacing the bone/tendon etc? It does with a proper knowledge of the forms in my opinion.
Probably; I'm not familiar with enough of the hundreds of karate ryu to speak to 'karate' as a whole.
[B said:Kong Soo Do[/B];1487609]It does with a proper knowledge of the forms in my opinion. And it is something that has been lost for the most part in most schools.
Again, I couldn't speak to that, as my personal experience has been otherwise.
[B said:Kong Soo Do[/B];1487609]True, if you only want sport it isn't needed or useful, but it is very relevant to those in the arts for SD.
In my opinion, you're either learning the art or you're not. Some people only want sport, usually because they are younger and still in a competitive mindset. People who stay with the art longer generally want a more balanced curriculum.
Honestly, I don't see sport as the issue. I see the focus on belts as being the main issue; people learning a form just to get a belt, then forgetting about it until they have to test for black belt, then reviewing it enough to pass a belt test, get their black belt, and then quit. Unfortunately, instructors are complicit in this (and that I have seen first hand) in order to keep their school running.
[B said:Kong Soo Do[/B];1487609]I disagree, with respect. I feel that forms training is a prime example of that lack of experience/deeper knowledge of the art. Had the majority possessed this insight, TKD 'might' look different today. Be that good or bad is to the opinion of the beholder.
How familiar are you with Taegeuk pumse?
For those who want to take jabs at one another, take it to PM.