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But hey, I've seen far worse! I visited a WC guy last week who's SNT was literally all over the place. I don't do my form quickly in the least, but he made such big movements that I had to wait at each section for him to catch up...
Can you give an example? Usually when I see people are doing big crazy movements they're also going way too fast
For example, his wu-sau went all the way down to his waist (???), and in the tan-gan-tan section, his hands followed huge arcs rather than staying tight. There were also a number of little random added movements that made no sense, given his lineage. I just don't get why people want to take a good form and make it all wonky.
Well, without more background info its tough to say either way.
However, keep in mind that some peoples' forms contain more / less / different shapes. Doesn't necessarily make them or their wing chun "wonky".
Was this somebody you happened to meet up with to train / practice wing chun? What lineage is he? (Might help the conversation if we knew a bit more). Thx Argus.
When people don't have or stick with a good teacher and start importing stuff from here and there all
kinds of variations can occur. Contemporary wing chun seem to contain all kinds of variations.
EC was a student of well known student of the late Leung Shun. Had a falling out with his teacher.
Then went to Pan Nam whose wing chun was a mishmash of hung ga and wc- then had a falling out with
Pan Nam. So he has been around the block. So it goes.
The other guy claimed to be a student of one of Yip Chun's students, and his forms were nothing like Yip Chun's -- with sections completely changed and several movements even missing. Not to mention really sloppy and fast chisau.
Eddie chong also has pak mei sets so that might carry over and influence his personal WC but what he does teach is Pan Nam WC.
Yes, you may well be right about that. Here's the bio from his website: [URL="http://Now about odd movements in the forms. I'd never dismiss them them until I'd heard the rationale behind them. "Right" and "wrong" often depends on context.
Now about odd movements in the forms. I'd never dismiss them them until I'd heard the rationale behind them. "Right" and "wrong" often depends on context.
I probably would still be at the WC School if it wasn't for the fact that I know that WC practitioners are pretty caught up on lineage (like all martial styles) and that if I dedicated many years to training with this group it would not be respected since it didn't come from a true traditional lineage of WC.
The perks of the school was they did allot of Chi Sau and were open minded when it came to WC but the negatives of the forms being a mix of two different instructors lineage would make any WC practitioner go what style is that and then the criticizing would begin.
Has it really come to that??
I'm not sure whose respect you're looking for but I would hope that it would be earned based entirely on your skills and abilities not on the picture of you standing behind your seated sifu that you hang on the wall.