Again, thanks for the help and advice with all of this. Ultimately, he does enjoy TKD, I guess the tournament just made us question all of this. It just made TKD seem inferior to Karate.
xray, don't worry about
that. TKD was the battlefield combat art of the RoK infantry and special forces in two major wars, and proved itself a military fighting skill system lethal enough to put sincere fear in South Korea's adversaries in those conflicts. Take a look
here for details and documentation. So far as I know it's the
only TMA to enjoy the status of having been the (terrifically successful) official combative system of a national military. So in terms of `street effectiveness', TKD has more than enough firepower. Properly executed, it's among the very `hardest' of power-based, hard-linear striking systems.
I will say this, though: TKD training in many places tends to deemphasize this aspect of the art, focusing instead on its Olympic-style sparring side, with a consequent change in both technical focus and approach to training. Karate, however, is far from immune to this `martial sport' trend; karate competitions are often huge affairs, and many of the methods that competitive TKDists use to score points in ways that will be very clear to the judges have been imitated in sport karate; high, complex kicks are now far more common in karate training and competition than they once were, for just this reason. But that's a separate question. As Terry and other long-time TKD instructors with extensive experience in Okinawan or Japanese Karate will tell you,
both sides of the Karate family tree can be ferociously effective SD systems if you train them that way.
Again, it's true, as I suggested earlier, that the O/J kata, particularly the Okinawan forms in cases where there's a difference, are not only longer and more complex than the usual TKD hyungs, especially at the colored belt levels, but have more dramatic content. But one thing I've found: that alternation of kinetic intensity and rhythmically flowing performance is something that you can do with KMA hyungs as well. In effect, just as my own instructor has learned, and taught, a `Koreanized' set of Japanese kata, so the Korean patterns can be executed in a way which corresponds more to the rhythms of an actual fight, one which the disguised combat methods encoded in the hyungs correspond more clearly to than is usually the case with that very even pacing we've seen repeatedly in TKD hyung performances. This is something that your son can bear in mind. At this age and stage he should be doing, in a very literal way, what his instructor asks him to, but as he gets experience and knowledge under his belt, he may find himself tempted to experiment with a more karate-like execution style.
Finally, remember that tournament results don't, in themselves,
mean anything necessarily all that important. Any competitive activity where you get points on style is going to encounter the kind of thing you're talking about. Good judges can judge technique, of course, but their scoring inevitably reflects personal preferences that you can't do anything about.
My own feeling, for what it's worth, is that the crucial value of hyungs, kata or patterns is the combat applications and interpretations they encode. I think of forms competition as a somewhat bizarre activity—as though a bunch of people were given calculus textbooks and told that in a month's time they were going to be tested on the material contained in the book, but when it came to the point, the test
wasn't on their ability to solve mathematics/physics problems that tested your knowledge of the book's technical content. Instead, they were tested on their ability to memorize the prose parts of each chapter and declaim them in a suitably dramatic way, as though they were auditioning for a part in a play and the math book was the script. This is something I believe Tez was cautioning you about earlier; it's really true. If you learn the forms well, understand the movements involved, and work out the combat scenarios encoded in the forms, and train these well enough to use them... you're way ahead of any tournament forms medalist who has a mantlepieceful of trophies, but no clue how these forms relate to close-quarters self defense.