If you chaps want to hear anything sensible out of me in this thread, you're going to have to stop mentioning Claudia Black
.
Exile's point, about the lasting effects a movie has on you being an important consideration, is a very important one. 'Alien' transmits a feeling of bone deep fear throughout ... and that took an awful long time to fade for me (even now I don't like going into dark places
). Oddly enough, 'The Blob' did a similar job on scaring the bejeezus out of me when I was a kid (as did the Moorlocks) :lol:.
A film doesn't have to have the fingerprints of 'Hollywood Blockbuster' on it to be 'memorable'.
It can even be just a short section that wins you over (e.g. the meeting of Zero's and Tomcats in the 'Final Countdown' and the courage necessary
not to stop the attack on Pearl Harbour has stuck with me all this time).
Sometimes it's a negative or warning message that stays - the 'barbarians' in Mad Max 2, for example, are Evil writ large and what I get from that is that we have to guard our sense of morality or that is what we can easily become.
All to rarely, sometimes it's a story or a character that uplifts us and makes us optimistic. Luke Skywalker in Return of the Jedi does that for me (an unpopular choice I know amongst Star Wars fans
) at that point where he reins in his anger and throws aside his weapon, refusing to sacrifice his nobility in the face of the Emperors power.
We had a spate of very well made, big-name acted, high budget SF in recent years but nearly all of them were soulless. Sorry
Xue but (my opinion only) 'I Robot' and 'Minority Report' were examples of what I'm on about.
The 'Robot' series of books is very deeply rooted in what is the nature of humanity and Daneel has a huge role in the development and fate of human kind - the film threw all that aside for a 'robots rebellion' with a side order of 'fear the AI'.
I'm sad to say that the cinema does not have a very good record of bringing ace SF novels from the page. Sometimes the films are good and maintain the essence of the 'message' e.g. The Time Machine (the old one, not the poorer new one) but often, as noted, they stray very far indeed from the 'path'.