Here's a point of interest. What of arts that originated in Japan, and have died there and continue (in mostly the same form) elsewhere?
That would be a very interesting thread and or continuation to some thing useful with this thread.
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Here's a point of interest. What of arts that originated in Japan, and have died there and continue (in mostly the same form) elsewhere?
thanks, Brian. I appreciate your opinion, and will remind you guys that what is interesting to me need not be interesting to you. And vice versa. But I'm pretty sure there are no rules compelling you to read threads that aren't of interest to you. This thread was not, from the start, about strictly Japanese jujutsu, and at any point a mod could move it. However, they (you) did not.
You guys can respond to the content of my posts, or not. But this lame attempt at ganging up is just a little pitiful.
I thought so, and it would be an interesting intellectual discussion for me, since that's the case with NGA. The dojo in Chitose closed back in the late 60's or early 70's, if I recall correctly. So far as we know, Nara Tominosuke (the hereditary soke, if I'm using the term properly) taught privately for a short time afterwards, but never created any new instructors in Japan. We have found no evidence of the art continuing there. In the US, Richard Bowe (under the direction of Mr. Nara) started teaching in the mid-60's, and has a legacy of many instructors starting schools since then. Our art's name - as used by the founder Morita Shodo - actually contains the word Japanese (Nihon). When NGA was brought to the US, there was (according to Mr. Bowe) some curriculum reorganization but no change to techniques.That would be a very interesting thread and or continuation to some thing useful with this thread.
Interesting case. I'd be inclined to say that it still counts as a Japanese art. However as time passes and generations of American teachers leave their stamp on the curriculum and teaching methods, perhaps it will become more of a Japanese-American art.I thought so, and it would be an interesting intellectual discussion for me, since that's the case with NGA. The dojo in Chitose closed back in the late 60's or early 70's, if I recall correctly. So far as we know, Nara Tominosuke (the hereditary soke, if I'm using the term properly) taught privately for a short time afterwards, but never created any new instructors in Japan. We have found no evidence of the art continuing there. In the US, Richard Bowe (under the direction of Mr. Nara) started teaching in the mid-60's, and has a legacy of many instructors starting schools since then. Our art's name - as used by the founder Morita Shodo - actually contains the word Japanese (Nihon). When NGA was brought to the US, there was (according to Mr. Bowe) some curriculum reorganization but no change to techniques.
I'd agree. Again, I think it depends on how we use the terms. If we use it to identify the origin of an art, then NGA remains a "Japanese" art. If we use the terms to define current state, then NGA eventually becomes "Japanese-American", then someday just "American" (in spite of the "Nihon" in the name).Interesting case. I'd be inclined to say that it still counts as a Japanese art. However as time passes and generations of American teachers leave their stamp on the curriculum and teaching methods, perhaps it will become more of a Japanese-American art.
When someone says 'Japanese jujutsu', what they mean is 'jujutsu that isn't Brazillian jiu jitsu'. Most people aren't bothered with the apparent nuance that only a jujutsu that comes from Japan in the totality of its form qualifies to be called 'Japanese jujutsu'. For most people, Jujutsu comes from the samurai and that's good enough for them. Insisting on not seeing it as most people see it is gate-keeping and playing the koryu police - its deliberately bad communication and this thread is the result.
Isn't this the thing? The distinction is academic. For some it matters a great deal. But it isn't a practical distinction.
Japanese massage means something very specific and whether it is actually Japanese is academic and, I would huess, unimportant to the guys looking for one. They don't care if it's from Japan. Only that its "Japanese."
Yes. Exactly!! They don't care if it's authentic. They only care that its what they expect it to be. Further, they may be unhappy if they get something authentic because it isn't what they expect.
Edit. Just to be clear I think its not about real vs perceived as much as its authentic or not and whether that matters at all in context.
Calm down, son.
I appreciate that you acknowledge we are all simply expressing our opinions.
thanks, Brian. I appreciate your opinion, and will remind you guys that what is interesting to me need not be interesting to you. And vice versa.
But I'm pretty sure there are no rules compelling you to read threads that aren't of interest to you.
This thread was not, from the start, about strictly Japanese jujutsu, and at any point a mod could move it. However, they (you) did not.
You guys can respond to the content of my posts, or not. But this lame attempt at ganging up is just a little pitiful.
Here's a point of interest. What of arts that originated in Japan, and have died there and continue (in mostly the same form) elsewhere?
I thought so, and it would be an interesting intellectual discussion for me, since that's the case with NGA. The dojo in Chitose closed back in the late 60's or early 70's, if I recall correctly. So far as we know, Nara Tominosuke (the hereditary soke, if I'm using the term properly) taught privately for a short time afterwards, but never created any new instructors in Japan. We have found no evidence of the art continuing there. In the US, Richard Bowe (under the direction of Mr. Nara) started teaching in the mid-60's, and has a legacy of many instructors starting schools since then. Our art's name - as used by the founder Morita Shodo - actually contains the word Japanese (Nihon). When NGA was brought to the US, there was (according to Mr. Bowe) some curriculum reorganization but no change to techniques.
That's not really what fraud busting is about. If someone is patently doing one a particular thing, it's not fraud busting to make the observation as to what they're doing… nor is it necessarily fraud busting to simply say someone is lying… particularly if such a statement can be backed up. I might add that I haven't said that Barry is lying, just that he might be (knowingly) misrepresenting what he offers.
But you're missing the point in your dogged drive to be correct and express your opinion. The point is that those of us that contribute regularly to this forum don't care what others expect. This forum is for Japanese martial arts, specifically Jujutsu / Judo. It isn't labeled "martial arts that others may think are Japanese" or "martial arts that use some Japanese words". It is labeled "Japanese Martial Arts". Therefore we practice, and are interested in discussing, legitimate schools of Japanese jujutsu / judo, not everyone else's ideas of what they perceive to be Japanese. If you tell us you practice Bob's Genuine and Authentic Samurai Jiujitsu that Bob invented complete with floor grappling and head kicks, we'll tell you that it isn't appropriate for this forum since it's not a Japanese jujutsu school, no matter what you believe.
So, there it is. You may genuinely be correct in your statements regarding what others may think their art is, but that still doesn't mean that it's appropriate for this forum in my opinion.
"They" don't matter. "They" really don't. "They're" not informed. "They" don't know what is or isn't authentic, or why it's important or not. "They" are the ignorant, "they" are lay-people. We are not. We are the source and resource of accurate information. We are a specialist discussion area for specialised discussions. We don't pander to people who don't know and accommodate their uninformed opinions. Their opinions don't matter. They're not relevant.
Then you need to have a method to discern legitimate martial art from a fraud.
Yeah, the NGA is an interesting one… a non-Aikido (Ueshiba) form of Aikido tracing back to Yoshida Kotaro, who introduced Ueshiba to Takeda Sokaku in the first place… and whose son, Yoshida Kenji was the teacher of Don Angier and his Yanagi Ryu… quite an interesting group of systems there! The founder, Shodo Morita, trained in Daito Ryu under Yoshida (and Takeda), as well as Judo, Karate, and some other arts, and combined them in his form of Aikido without a connection to Ueshiba's art (directly). Today, as you noted, it's not still extant in Japan since Nara sensei passed away in the 70's, and (I believe) is really only found in the US.
What is most interesting in this context is that the art has clearly deviated from it's source schools to focus more on "Western" style attacks (jabs, hooks, side head locks etc), including in combinations, although that decision was one that Shodo Morita himself made, rather than an adaptation once finding itself in the US… so I'd not class it as a classical style, nor a particularly traditional one (although it does certainly retain hallmarks of each)… but when it comes to being a Japanese system… hmm. I'd say, so long as it stays close to the focus and emphasis of the original Japanese form, retaining the methodology and inherent "flavour" of being a Japanese art (not getting overly flashy, for example), then it will remain identifiable as a Japanese system… albeit one centred in the US. Time will tell how far it strays, though… and once it starts straying, it becomes a Western expression of a Japanese system… then a Western derivation of one… and finally, a Western system based on older Japanese methods. How long that takes can vary, of course… it could take a number of generations, or just one.
Why would I possibly need that? The only reason I can think of to need that is if I was interested in joining a particular dojo. If that was the case, there are plenty of methods to research any martial art dojo to determine if they are "legitimate" or a fraud, depending of course upon an individual's own interpretation of what constitutes a "legitimate" martial art.
Oh. See. I had a bit of a different impression there. See I was thinking you were accusing a style and a person of lying without evidence.
Instead you have doubts and they might be misrepresenting their style.
Which is more just an expression of an opinion. Without evidence.
So what we might do here is because I gave the example from the source itself. We will keep that as an example of Japanese jujitsu until you are more certain than doubt and maybes.
And we can both have a different idea on what consists of Japanese jujitsu based on our own experiences.
Then you need to have a method to discern legitimate martial art from a fraud.
By the way. For those looking for any school of martial arts. Japanese or otherwise.
This. May be a big red flag in regards to your training environments.
You are making the distinction between legitimate arts an fraudulent ones. Or as you said. Japanese arts from those that think they are Japanese
If we relied on individual interpretation. Then those that think they are Japanese ma. Are Japanese ma.
That's sort of my thoughts. My interpretation (Shojin-ryu), so far as I know, is farther from Morita's original art than what was taught by Mr. Bowe (what I refer to as "mainline NGA"). By your description, Shojin-ryu would be a Western expression of the Japanese system. That seems appropriate.
I'd see it more as a distinction between instructors who know the actual history of their arts and those who don't.You are making the distinction between legitimate arts an fraudulent ones. Or as you said. Japanese arts from those that think they are Japanese
If we relied on individual interpretation. Then those that think they are Japanese ma. Are Japanese ma.
I never said anything about no evidence… in fact, I provided a fair bit in my initial comments when you brought Barry Bradshaw up
I'd see it more as a distinction between instructors who know the actual history of their arts and those who don't.
TKD is a totally legitimate martial art. It is not (as some practitioners believe) derived from 1000-year old native Korean arts. The flying kicks taught in many TKD schools were never (as some practitioners believe) used to knock cavalrymen off their horses.
The fact that some TKD instructors believe and promulgate these myths doesn't make TKD fraudulent. It just means those particular instructors are uncritically parroting bogus history that they honestly believe. Nevertheless, the fact that they honestly believe these things about TKD doesn't make them true.
Modern western forms of jujutsu (including the kinds you described as "kind of a cross between judo aikido and karate" are legitimate martial arts. They are not "Japanese", in the sense that they were not created in Japan and they don't closely resemble the forms of jujutsu which were created in Japan.
The fact that many instructors of these western jujutsu styles describe them as "Japanese jujutsu" doesn't necessarily make them frauds. Many of them honestly believe that their arts were created in or are very close to arts which were created in Japan. They just aren't history experts.
No, son. Your lack of education in this does not negate the evidence just because you can't recognise it.
Well either they are fraudulent or I can use it as an example of Japanese jujitsu.
It seems pretty simple.
"What is jjj like?"
"I did jjj and it was like this."
Cut and dried. If Chris Parker does jjj and it was like something else. Fine. If he wants to flip out about it over 8 pages then also fine.
I am not the one having the coronary over what is and isn't jujitsu.
No the lack of evidence negates the evidence boy.
False dichotomy. "Fraudulent" indicates intent to deceive. Someone can be mistaken without being fraudulent.Well either they are fraudulent or I can use it as an example of Japanese jujitsu.