isshinryuronin
Senior Master
Mark Twain's Tom Sawyer and Huckleberry Finn books are (or were when literature was taught in school) read by younger students as humorous and adventurous coming of age stories. Then in high school or maybe college, are revisited as more serious social commentary, revealing truths of human nature. Reading them in this light they become "new" books altogether. A similar phenomenon occurs in TMA.
We learn the basic blocks, punches, kicks, footwork, breathing, power generation, etc. We learn our forms and our particular style. After several years we get faster, stronger, tactically smarter, smoother, and even learn the "hidden" applications of our forms. But it's still the same old art.
But there comes a point that very few get to where a new paradigm takes hold. Like when quantum theory was discovered and the whole subject of physics had to be re-examined in a new light. Physicists were forced to go back to step #1 and rethink their perceptions and conceptions of their field. There are still particles, but now they can be in two places at once or their place is only a statistical possibility.
In TMA, when such a thing happens, one's view of the art changes. Internal/external become just different ways of explaining execution. Offense/defense become simply relative, situationally based terms. Some things we spent a lot of time practicing become irrelevant. Some things we took for granted are seen as quite valuable. Some things we were taught as being important are discovered not to be essential. Even our style becomes less unique as similarities to all the others become evident. Our art is still the same art, but we can go back to step #1 and re-read the book from the beginning all over again. The cover and title may be the same, but it's a new story this time around.
Depending on your experience, you may be aware of such things and possibly have internalized some of them. How has this changed your study/execution/view of your art?
We learn the basic blocks, punches, kicks, footwork, breathing, power generation, etc. We learn our forms and our particular style. After several years we get faster, stronger, tactically smarter, smoother, and even learn the "hidden" applications of our forms. But it's still the same old art.
But there comes a point that very few get to where a new paradigm takes hold. Like when quantum theory was discovered and the whole subject of physics had to be re-examined in a new light. Physicists were forced to go back to step #1 and rethink their perceptions and conceptions of their field. There are still particles, but now they can be in two places at once or their place is only a statistical possibility.
In TMA, when such a thing happens, one's view of the art changes. Internal/external become just different ways of explaining execution. Offense/defense become simply relative, situationally based terms. Some things we spent a lot of time practicing become irrelevant. Some things we took for granted are seen as quite valuable. Some things we were taught as being important are discovered not to be essential. Even our style becomes less unique as similarities to all the others become evident. Our art is still the same art, but we can go back to step #1 and re-read the book from the beginning all over again. The cover and title may be the same, but it's a new story this time around.
Depending on your experience, you may be aware of such things and possibly have internalized some of them. How has this changed your study/execution/view of your art?