Granted, I painted with a pretty broad brush, and I really do not have anyone specific in mind. However, in my opinion and experience, there is too much reverse engineering/home cooking going on out there.
I agree—there's a lot! And some is pretty implausible. The trick though is, always, sincere noncompliant testing, I think. What looks good on one's mental drawing board may not work out well in real time at all. Absolutely, that's a given.
I have seen Abernathy's stuff, and it isn't bad...but it isn't new, either. My impression of many of these folks is that they are suddenly re-discovering the wheel. Most of the so-called "new" applications I see that actually make sense in the context of the kata have been taught for decades by Higoshi, Kuniba, Hayashi, Demura, Higaonna and others. Most of the peopleI know who have been in Okinawan karate for any length of time know most of these bunkai.
Well, this may be the clue. I have the sense that a lot of sources for kata bunkai come from the Shotokan side, and these have tended, with the passing of time, to become more and more 'literal', if I can put it that way. If you're saying that a lot of the stuff that people like Abernethy are rediscovering was already known to the Okinawan practitioners, I'm perfectly ready to believe it. But the flip side is that the Okinawan perspective on those kata moves is probably a good deal less well known than certain standard Shotokan views. In Abernethy's case, I think what happened was, he trained in Shotokan and learned the standard line on kata bunkai, and over time became less and less convinced that this line represented the true effective application of the techs. So in a sense, you could see his 'career path' as his personal effort at reconstruction of the Okinawan interpretations from the base of disenchanted Shotokan.
There are too many self-styled "masters" out there who, in an effort to come up with something new and different, generally end up with something that doesn't fit the context of the kata or which won't work without a lot of modification.
Most of the kata have applications that have always been a part of the kata. Some were passed on, some were not. In many cases, it is impossible to know what the originators intended. Many first and second generation American instructors never learned all the bunkai, so they flew by the seat of their pants. The situation got better as more and more Japanese and Okinawan instructors began coming over here to teach, but there are still many gaps.
Yes. But I think it's a good thing that people have come to recognize, more and more, that the bunkai that came prepackaged with their training may very likely not be the original interpretations intended.
Certainly there are grappling techniques in many kata, but some people have gone overboard and find ground techniques in everything from gedan barai to mae tobi geri. I remind them that karate is primarily an atemi art that prefers standing on one's feet.
Right, and that is a point that Abernethy, for one, insists on: while there are ways of adapting the vertical controlling techs implicit in the kata to horizontal positions, the fact is that the actual techs themselves are vertical controlling moves. The name of the game is striking, and setting up those strikes.
So, I supppose I am attempting to provide some balance and perspective. There is certainly nothing wrong with trying to find applications that work for kata for which you have not been taught bunkai. But, I think you have to be careful and try to have it make sense in the overall context of the kata. It also helps if it works on a resisting opponent.
Can't argue with any of that! And especially, the emphasis on noncompliant training has to be the acid test.