Limasogobudo
White Belt
What makes karate traditional?? And How?? How do you make it better?? Is it then still traditional?? What in your idea is the most traditional style of karate??
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There is nothing traditional about karate except the kata and the use of certain training implements.
Beyond that the arts as they exist now are modern creations, most Okinawan ryu are younger than the 3 major Japanese ryu having been created in the 1940's or 50's and each generation (master to student) spawned new Off-shoot ryu.
The karate passed down by itosu that spawned half of what we think of as Okinawan karate was derided as no good by some masters of the day and even some of his teachers suggest that he wasn't very good, implying a whole world of karate knowledge that was not passed on.
Goju and Uechi karate are off-shoots of the modern Fujian kungfu schools with obvious questions over how much their founders could really have learned through visits; so they are also devoid of long tradition.
In fact the Okinawan teaching paradigm of shu ha ri, dictates that individualisation away from your teacher's path is a requirement of mastery. And while the Japanese culture/requirement makes tradition of everything done by a master, even they spawn countless off-shoots and associations as individuals go their own way.
As such I suggest that the real traditional aspect of karate is it's lack of tradition (and the kata).
Everyone is entitled to their opinion. But your facts are a little confused. I'll leave it at that.
Or maybe I should say misleading and misunderstood.
No, they're mostly correct. The first named karate styles came in late 1920's and many of the off-shoots have been formed quite a lot later, e.g. Shorin ryu Seibukan was officially formed in 1962Everyone is entitled to their opinion. But your facts are a little confused. I'll leave it at that.
There's all kinds of Martial Arts. There's all kinds of different ways, means and methods in any particular Martial Art of the same name.
In every case, the people teaching are teaching what they believe in - and are doing so in the best way they know how.
Caveat emptor in one hand, faith in the other. Fer Christ's sakes, just train.
I'm not hiding in the shadows. However I am on my phone app at work and didn't want to get into the line by line disection (Ala the Chris parker breakdown) my point was that your post paints a picture that may not be fully accurate. Not necessarily wrong but can be misleading to people.
please...can you give your definition of "traditional" if it is different than the one i already proposed. using my definition it only means passed on from generations to generations...i then asked the question what would a generation be in martial arts?There is nothing traditional about karate except the kata and the use of certain training implements.
well yes..but not only as they exist now....the arts as they exist now are modern creations,
not sure what you consider the 3 major japanese ryu.most Okinawan ryu are younger than the 3 major Japanese ryu having been created in the 1940's or 50's
so to restate ....Itosu was a lousy martial artist? and therefore doesnt qualify in your opinion to have passed on any traditions?The karate passed down by itosu that spawned half of what we think of as Okinawan karate was derided as no good by some masters of the day and even some of his teachers suggest that he wasn't very good, implying a whole world of karate knowledge that was not passed on.
so to restate ...Higaonna and Uechi didnt learn much...the fact that they both got teaching certificates doesnt mean anything? the fact that Kanbun Uechi studied under his teacher for 10 years and was teaching in China ...meaningless? would i be right in assuming your position is that Fujian Kung-fu is the real art and that anything from Okinawa is inferior and incomplete. news flash all karate can follow its roots back to China. but this does not negate the OP's question as pertaining to traditional karate. nor does it disqualify karate from being called as such. the common view is that some karate is traditional and some in more current. karate doesnt have to have an unbroken linage back to the 1600 shaolin temple to be called traditional.Goju and Uechi karate are off-shoots of the modern Fujian kungfu schools with obvious questions over how much their founders could really have learned through visits; so they are also devoid of long tradition.
Shu - Ha - Ri is not Okinawan.In fact the Okinawan teaching paradigm of shu ha ri, dictates that individualisation away from your teacher's path is a requirement of mastery
In and of itself, a teaching license doesn't really prove anything. It all depends on who issued the license and how strict are his qualifications. Even today, it's not that difficult to get a teaching license from Okinawan masters, although not from all.the fact that they both got teaching certificates doesnt mean anything?
Kind of, yes. It isn't quite that clear in most cases, e.g. Shorin(ji) schools' (potential) Chinese origins are a mysterynews flash all karate can follow its roots back to China.
True, but it is followed there nonetheless, eventhough they might use different words for it. I think I still have a paper given to us by Joen Nakazato sensei, where he explains that there are three levels of kata. I can't remember the terms he used, but they correspond with Shu-Ha-RiShu - Ha - Ri is not Okinawan.
From Wiki
"The Shuhari concept was first presented by Fuhaku Kawakami as Jo-ha-kyū in Tao of Tea. Then, Zeami Motokiyo, the master of Noh, extended this concept to his dance as Shuhari, which then became a part of the philosophy of Aikido.Shuhari is part of the philosophy of Shorinji Kempo."
please...can you give your definition of "traditional" if it is different than the one i already proposed. using my definition it only means passed on from generations to generations...i then asked the question what would a generation be in martial arts?
well yes..but not only as they exist now....
there are four major styles of Okinawan karate all of which were from around the turn of the century. if 1900 is modern then all karate styles are modern. modern compared to what? there were fighting arts on Okinawa before this but generally that would be considered tode / tui-te or just ti. non of which exists as a system today or was ever known as a complete "system"
not sure what you consider the 3 major japanese ryu.
Shotokan-started in 1922 but official school opened in 1936
Wado-ryu was registered as an art in 1938
Shito-ryu Mabuni Sensei moved to Japan to teach karate in 1938
Kyokushin founded in 1964
Goju kai formally started in 1935
Okinawan styles are a little harder to date its easier to date the founders themselves
Higaonna of Goju returned to Okinawa in 1882 and taught his art
Miyagi took over teaching after Higaonna death in 1916
so to restate ....Itosu was a lousy martial artist? and therefore doesnt qualify in your opinion to have passed on any traditions?
so to restate ...Higaonna and Uechi didnt learn much...the fact that they both got teaching certificates doesnt mean anything? the fact that Kanbun Uechi studied under his teacher for 10 years and was teaching in China ...meaningless? would i be right in assuming your position is that Fujian Kung-fu is the real art and that anything from Okinawa is inferior and incomplete.
i seem to remember a thread here on the forums that all Chinese kung -fu systems are really not that old either. maybe someone can remember that thread and chime in.
Shu - Ha - Ri is not Okinawan.
From Wiki
"The Shuhari concept was first presented by Fuhaku Kawakami as Jo-ha-kyū in Tao of Tea. Then, Zeami Motokiyo, the master of Noh, extended this concept to his dance as Shuhari, which then became a part of the philosophy of Aikido.Shuhari is part of the philosophy of Shorinji Kempo."
to clarify the teaching license was given by their Chinese teachers. yes this really means nothing but we were not there so we need to take this at face value that Uechi and Higaonna must have had some level of proficiency after studying for 10 -15 years. either way it is not a good basis for the argument about being a traditional style.In and of itself, a teaching license doesn't really prove anything. It all depends on who issued the license and how strict are his qualifications. Even today, it's not that difficult to get a teaching license from Okinawan masters, although not from all.
the Shorin styles all lead back to one man. Matsumura SokonShorin(ji) schools' (potential) Chinese origins are a mystery
Chojun Miyagi was the long time student of Kanryo Higaonna. that is where the tradition is passed. Miyagi''s trip to China was to find Higaonna's teacher (which failed) but the point is mute.Again you are looking for derision where there is none. The untwisted suggestion I made was that. Kanbun Uechi learned 3 forms, and Miyagi brought back nothing recognisable from the Chinese systems he studied,