Time for a breakdown of your Pinan 5...
Look before you turn. Make it a strong and obvious head turn. During the opening few moves, your head turned with your body rather than looking before turning. You corrected it after you got to the middle of the embussen. That strong turn of the head when done right just adds an element of power somehow that I canāt explain.
Slightly pause between the block and punch in the beginning (on both sides). It kind of looks like your punch started before your block ended, and you never stopped the block itself. A very slight pause shows off the power of the block and the punch. Add power rather than speed here.
The gedan juji uke at about :37 - bring both hands high and tight right next your ear, then drive them down hard. Like a punch. I like how you went right into the jodan juji uke right afterwards like it was the same count; Iāve got to incorporate that into mine
The crescent kick-elbow-backfist combo around :50 - Iām not sure if you intentionally paused between the elbow and backfist or you kinda lost where you were. That should be a smoother transition. We do it as one complete count; not sure about you.
The landing after the jump - keep your back straight. There will be some rounding of the shoulders, as youāre doing a low area block, but your low back should be straight. Thatās something Kaicho pointed out to me when I did that kata during his class. Itās a kake daschi/hook stance that youāre landing into, only significantly deeper, if that helps drive the point home.
At about 1:05, when you came up from kiba daschi into musubi dachi: you didnāt come all the way up into the musubi dachi stance; your knees were still bent before you went into the next count. Come all the way up, pause, then go into the next count.
When you naore: keep looking where you were looking right before the naore. Donāt move your head until youāre almost done, then look forward. Nit picky, I know, but itās one of those things I hear constantly in the dojo.
At about :54 in: you did the move correctly, and itās pretty standard across most styles. The way I was taught it looks much prettier IMO, which is good in tournaments - rather than raise up and bringing the hand straight up as you turn, stay in kake daschi, look up and punch up (while keeping the other hand where you had it on the arm). After the punch upward, slowly rise up into stance, look and turn. Not sure if thatās really clear though. Basically, stay in the kake daschi, punch upwards rather than a slow hand raise, then do exactly what you did while holding your arms where they are.
Iām going to try to get someone to record me doing the kata tomorrow night at the dojo for a sort of reference, especially the last part I mentioned. I donāt know if Iāll be able to Youtube it (Iāve never done that), but Iād imagine I could email it to you somehow. Please donāt take that as IāM the reference for anything
I can critique far better than I can actually do.
Overall your kata was quite good IMO. I wouldāve scored it pretty high
The things Iām suggesting are minor tweaks that could help you add some points here and there. Reading it over, it seems like Iām tearing your kata apart; not at all. Iām just relaying stuff Iāve been told and have seen classmates get told.